A compact album presentation of Hockney’s newest explorations in portraiture
Artbook D.A.P.:
This concise volume illustrates around 40 acrylic on canvas works painted by David Hockney (born 1937) at his Normandy studio—depicting his friends and visitors, as well as the artist himself. David Hockney: Normandy Portraits showcases a series of some previously unseen portraits, across 48 pages, uninterrupted by text, to allow readers to engage directly with the artworks.
These new works highlight the ongoing importance of portraiture within the artist’s practice and demonstrate his sentiment that “drawings and paintings … are a lot better than photographs to give you a sense of the person.”
Hockney returned to painting after an intensive period spent depicting the Normandy landscape using an iPad. The portraits were painted quickly and directly onto the canvas without underdrawing. As Hockney has said, “to do a portrait slowly is a bit of a contradiction.”
The Economist Magazine (December 14, 2023): The latest issue features ‘The media and the message’ – Journalism and the 2024 presidential election; ‘Can you have a healthy democracy without a common set of facts?; Iran’s regime is weaker than it looks, and therefore more pliable, and more…
America’s presidential election is a test of that proposition
Journalists should not spend much of their time writing about journalism. The world is more interesting than the inky habits of the people who report on it. But this week we are making an exception, because the discovery and dissemination of information matters a lot to politics. Don’t take our word for it: “A popular government,” wrote James Madison in 1822, “without popular information, or the means of acquiring it, is but a prologue to a farce or a tragedy; or, perhaps both.” Were Thomas Jefferson offered a choice between a government without newspapers and newspapers without a government, he said that he would choose the press (though that is probably going a bit far).
America should deter it from escalating the Gaza war, but also engage with it
Twelve months ago Iran was reeling from protests sparked by the death in custody of a young woman who had been arrested for showing too much hair. Its theocratic regime was increasingly isolated, as Arab states forged closer ties with its enemy, Israel. The economy was a mess, adding to popular anger at Iran’s ageing supreme leader and inept president. The Islamic Republic had not seemed so vulnerable in decades.
The New York Times Books (December 14, 2023): Best Art Books of 2023 – The art critics of The Times select their favorites, from Botticelli to Vermeer, Lucy Lippard’s memoir, and Wade Guyton’s intelligent rereading of Manet.
His strawberry-blond Venus on a wind-propelled scallop shell still pulls Florence’s tourists from the gelateria to the Uffizi — but a rarer Botticelli feast is currently on offer in San Francisco, where the Legion of Honor is presenting the first exhibition ever of this Renaissance master’s fragile drawings (through Feb. 11). In this authoritative catalog, Rinaldi makes several new attributions, including two exquisite head studies of a man gazing upward and a woman with modestly lowered eyes. For a Florentine in the later 15th century, the core of painting was disegno (“design,” but also “drawing”), and Botticelli put drawing first. Delicate highlights of white and yellow show the light on tensed muscles or bowed heads. Effortless squiggles cohere into Simonetta Vespucci’s curled hair or John the Baptist’s camel cloak. His line feels spring-loaded; his saints and angels seem ready for the dance floor; his paintings’ grace and vigor started with a pen.
Like Vermeer, the Mexican portraitist Abraham Ángel, who died at age 19 in 1924, left little behind. His 20 extant works (on view in Dallas through next January) reproduce beautifully in a slim but convincing catalog that doesn’t overstate the case. Ángel’s preferred substrate was cardboard, and the bumpy nap of it really shows in these pages. So do the Fauve-like colors he used to outline his sitters. (Instead of black he preferred blues and browns, as Alice Neel would.) Playfully primitive, these knowing likenesses (among them Ángel’s tutor and lover, Manuel Rodríguez Lozano) combined Mexico’s burgeoning populist aesthetic with a private romanticism that seems nonetheless to have sought clarity on the promise of his country’s Revolution.
This major looker of an exhibition catalog loosens up the warp and weft of conventional views of modern art — all those tight-knotted hierarchical categories (high versus low, art versus craft) on which our institutions and markets still rest — and demonstrates the universe of formal and conceptual brilliance that has always traveled on a parallel track. The sheer variety of work produced by more than 50 artists chosen by the book’s editor, Lynne Cooke, will knock your socks off. (Just wait till you see what’s happening in the field of basketry alone.) So will the visual imaginations of individual geniuses we already know like Anni Albers, Ruth Asawa, Gego, Lenore Tawney and Sheila Hicks, and the others we’re introduced to here.
Foreign Affairs (December 13, 2023): The new January/February 2024 issue features ‘The Self-Doubting Superpower’ – America shouldn’t give up on the World It Made; The Middle East Remade; Why Israel Slept; Hamas’s Advantage, and more….
Most Americans think their country is in decline. In 2018, when the Pew Research Center asked Americans how they felt their country would perform in 2050, 54 percent of respondents agreed that the U.S. economy would be weaker. An even larger number, 60 percent, agreed that the United States would be less important in the world. This should not be surprising; the political atmosphere has been pervaded for some time by a sense that the country is headed in the wrong direction. According to a long-running Gallup poll, the share of Americans who are “satisfied” with the way things are going has not crossed 50 percent in 20 years. It currently stands at 20 percent.
In a barbaric surprise attack launched by Hamas on October 7, more Jews were slaughtered than on any day since the Holocaust. Thousands of elite Hamas militants from the Gaza Strip infiltrated small communities and cities in southern Israel, where they proceeded to commit sadistic, repulsive crimes against humanity, filming their vile deeds and boasting about them to friends and family back home.
Nature Magazine – December 13, 2023:The latest issue cover features the BRAIN Initiative Cell Census Network (BICCN), which presented nine papers that map the entire mouse brain in unprecedented detail.
The extravagantly feathered Seychelles paradise flycatcher lacks genetic diversity, which might hamper its resilience to climate change and other threats.
Country Life Magazine – December 13, 2023: The latest ‘Double Christmas’ issue features How the Bible’s nativity story has influenced artists; the beauty of the gardens of Rockcliffe in Gloucestershire; In literature at least, the fox will come out on top in almost every brush with confrontation, and more….
Away in a manger
Love, pain, power and hope are all embodied in the Nativity. Michael Prodger examines how the Bible story influenced our greatest artists
The Bishop of Winchester’s favourite painting
The Right Revd Philip Mounstephen chooses an arresting Caravaggio
On the night watch
As darkness falls, the wild things emerge from the shadows. John Lewis-Stempel embraces the night
Prodigy or eccentric?
John Goodall explores Bristol Cathedral, a building of international importance
When Christmas was cancelled
Always winter, never festive: Cromwell’s directive cast a pall, laments Ian Morton
Made with love
Cast your eyes down next time you’re in church to admire the hassock you kneel upon, urges the Revd Colin Heber-Percy
’Tis the season to be busy
There’s no rest for the farmer, the baker or the cheesemonger at this time of year. Ben Lerwill champions the people who make Christmas happen
So, this is Christmas
Queen Victoria would feel quite at home in any of our houses this season, believes John Mueller
It came upon a midnight clear
Come one, come all, says Kate Green, as the villagers gather once more at the big house
The Editor’s Christmas quiz
Pit your wits. The only prize is glory
Luxury
Christian Dior, David Gandy, dinky toys and Sir Chris Hoy’s favourite things
Cold comforts
Frost-dusted and fleece-wrapped, the beauty of the gardens of Rockcliffe in Gloucestershire enchant Tiffany Daneff
It’s a wonderful life
Carla Passino travels the world for Christmas traditions, from Swedish tomte to Japanese KFC
Christmas conundrums
Turkey or goose? Stocking or sack? Port or Sauternes? Giles Kime poses the big questions
Think outside the fox
Clever and agile, Vulpes vulpes is frequently on top in literature. Kate Green turns the pages
Back to black
The Périgord black truffle is worth the price for Tom Parker Bowles
The peel-good factor
The rich scents of citrus permeate Deborah Nicholls-Lee’s Christmas
Sugar, spice and all things nice
Carla Passino builds a gingerbread house
On top of the mirey, merey moor
John Lewis-Stempel tucks his chin into his scarf and sets off into the frozen wastes
Times Literary Supplement (December 13, 2023): The latest issue features ‘Innocent bystanders? – Collaboration with the Third Reich; The contaminated blood scandal; Gertrude Stein and Picasso, Hamlet’s play; AI Journalism and Clarice Lispector calls…
Assouline Publishing (December 2023) – With a history dating back to the fourteenth century, Mexico City blends indigenous pre-Hispanic roots with colonial architecture and Spanish-baroque influences.
This unique fusion, crafted from local materials like cantera and tezontle, inspires artists and architects alike. Iconic structures like Diego Rivera’s Anahuacalli Museum and Juan O’Gorman’s Cave House proudly embody the city’s rich history.
Today, Mexico City serves as a vibrant backdrop for renowned filmmakers such as Alejandro González Iñárritu, Alfonso Cuarón, and Michel Franco. Discover a city of wonders, where history and creativity come to life.
ABOUT THE AUTHOR
Born in Mexico City, Aleph Molinari is an editor, writer, art director and photographer. He is the co–editor in chief of Purple magazine, as well as a contributor to Materia Press, Art Observed and other publications. His work focuses on materializing culture through publications, exhibitions and campaigns. Among his projects, he co-curated the Purple Festival at the Palais Galliera in Paris, created a botanical sculpture for Soundwalk Collective and Patti Smith’s exhibition Evidence at the Centre Pompidou, and worked on the programming for Soundwalk Collective’s project The Third Eye at Karl Lagerfeld’s 7L Library. He lives in Paris.
Anfisa Vrubel is an editor, writer and researcher whose work focuses on the intersection of art, culture and politics. Vrubel is an editor-at-large at Art Observed and Purple magazine, where she contributes original features and interviews with artists and top thinkers in the fields of politics, ecology, art and culture. After studying government at Harvard, she pursued an editorial career, working for publications such as The Brooklyn Rail and its offshoot publication, The River Rail, which is devoted to environmental art and criticism. Vrubel grew up in New York City and lives between there and Mexico City.See all books by Aleph Molinari, Anfisa Vrubel.
The best ad campaigns make a memorable, valuable, and deliverable promise to customers.
More than a century ago the merchant John Wanamaker wryly complained, “Half the money I spend on advertising is wasted. The trouble is, I don’t know which half.” Because the proponents of advertising have always struggled to prove that the money is well spent, that indictment has long helped financial executives justify cutting ad budgets. As no less an authority than Jim Stengel, a former chief marketing officer at Procter & Gamble, has noted, the struggle continues, although huge resources go toward testing advertising copy and measuring effectiveness.
New systems can learn autonomously and make complex judgments. Leaders need to understand these “autosapient” agents and how to work with them.
The wheel, the steam engine, the personal computer: Throughout history, technologies have been our tools. Whether used to create or destroy, they have always been under human control, behaving in predictable and rule-based ways. As we write, this assumption is unraveling. A new generation of AI systems are no longer merely our tools—they are becoming actors in and of themselves, participants in our lives, behaving autonomously, making consequential decisions, and shaping social and economic outcomes.
The New Yorker – December18, 2023 issue: The new issue‘s cover featuresOlimpia Zagnoli’s “Let There Be Lights” – The artist discusses strands of brilliance amid dark days.
We routinely test for chemicals that cause mutations. What about the dark matter of carcinogens—substances that don’t create cancer cells but rouse them from their slumber?
In the nineteen-seventies, Bruce Ames, a biochemist at Berkeley, devised a way to test whether a chemical might cause cancer. Various tenets of cancer biology were already well established. Cancer resulted from genetic mutations—changes in a cell’s DNA sequence that typically cause the cell to divide uncontrollably. These mutations could be inherited, induced by viruses, or generated by random copying errors in dividing cells. They could also be produced by physical or chemical agents: radiation, ultraviolet light, benzene. One day, Ames had found himself reading the list of ingredients on a package of potato chips, and wondering how safe the chemicals used as preservatives really were.
In March, 1940, Edmund Carl Heine, a forty-nine-year-old American automobile executive, reached an understanding with a company then known as Volkswagenwerk GmbH. Heine, who immigrated to the United States from Germany as a young man, had spent years at Ford, first in Michigan and then in its international operations in South America and Europe, landing finally in Germany. In 1935, two years after the Nazi regime came to power, Ford fired him, for reasons that are unclear. Heine next signed on with Chrysler, in Spain, but the Spanish Civil War was tough on the car business. And so he was out of a job again.
News, Views and Reviews For The Intellectually Curious
