Lena Khalaf Tuffaha explains that her poems—written over a decade from a position of relative safety in the US—did not target a specific reader, but rather reflect an evolving, non-linear attempt to communicate across a broad and complex readership profoundly shaped by ongoing trauma and genocide.
In her new collection Killing Spree, poet Jorie Graham evokes the dual-headed Roman deity Janus to confront a precarious present by looking back at an out-of-reach past while facing a distressing, violent future.
For Dan Rees, the maritime ‘flag of convenience’ system provides an apt metaphor for the expansion abroad of ‘flagship’ museum franchises
When experience becomes the primary value of the art encounter, the subject is increasingly encouraged to perceive themselves as an accumulator of experiences.
Dangerous Times
Barbara Kruger interviewed by John Douglas Millar
My work was hot, not cool. The address was forthright rather than withholding. I was never cool enough to be cool. That’s still the case.
On Truth Decay
Francis Frascina looks at the ways artists can combat the decay of truth in reportage and representation
Processes of monetised personal interiorisation symbolise the shift from what Frankfurt School theorists warned about the addictive ‘drug’ of corporate television in the 1950s and 1960s to contemporary algorithmic induced ‘doom scrolling’ – all fertile ground for truth decay.
One finds oneself, much like a seasoned playgoer observing a particularly convoluted modern drama, grappling with the profound complexities of our age. The curtain, it seems, has risen on “Trump 2.0,” a performance so bewildering in its contradictions that even the most astute critics of human folly might pause for breath. This curious administration simultaneously seeks to disentangle itself from global commitments while igniting fresh international disputes; it endeavours to depreciate the dollar to boost exports whilst clinging to its status as the world’s reserve currency; and it champions a reduction in global economic reliance while striving to unilaterally dictate global economic terms. The American colossus, one might observe, appears caught in a most perplexing dance with its own identity, and the global audience watches, utterly transfixed.
It is into this very contemporary conundrum that Quinn Slobodian, a historian of capitalism whose intellectual acuity is as sharp as a well-honed epigram, strides with his latest volume: Hayek’s Bastards: Race, Gold, IQ, and the Capitalism of the Far Right (Princeton University Press, 2025). This title, one must concede, possesses a certain Wildean flourish, hinting at the delightful audacity within its pages. Slobodian, with the keen eye of a diagnostician, posits that the apparent contradiction of the Far Right simultaneously embracing pro-market liberalism and social hierarchies – facilitating the free movement of capital but not of people – is, in fact, no contradiction at all. He argues that neoliberalism has always possessed the intellectual elasticity to accommodate such a narrative.
The Unruly Offspring of Thought: “Bastards” and “Volk Capital”
Slobodian’s current work builds upon his earlier seminal analyses in Globalists: The End of Empire and the Birth of Neoliberalism (Harvard University Press, 2018) and Crack-up Capitalism: Market Radicals and the Dream of a World Without Democracy (Metropolitan, 2023). However, Hayek’s Bastards shifts its chronological focus decisively to the 1990s, illuminating this pivotal decade through the lens of figures not previously central to his explorations. If Globalists dissected the intellectual elite of the Mont Pèlerin Society, and Crack-Up Capitalism examined market radicals within the broader globalisation context, this new work turns its penetrating gaze to paleo-libertarianism. This intriguing ideological fusion, combining libertarian disdain for global governance with paleo-conservative traditionalism and isolationism (a distinct contrast to the more recent neoconservative branch of the Republican Party), forms the crux of Slobodian’s argument.
At the heart of Slobodian’s contention lies a startling conclusion: the rise of the Far Right is an acceleration, not a rejection of capitalism; a frontlash, not a backlash. He meticulously demonstrates how right-wing libertarians of the 1990s, through their convergence with paleoconservatives and their burgeoning interest in biology, IQ, and gold, inadvertently laid the intellectual foundations for our present reality.
In a recent conversation with Asensio Robles of Comillas Pontifical University, Slobodian elucidated the two primary concepts underpinning his book. The notion of “bastards,” he explains, serves as a vivid metaphor for the generations of intellectual influence, where adherents, though inspired by mentors, may diverge significantly from the original spirit and content of their masters’ work. In the case of Friedrich Hayek, Slobodian points to those who, in their pursuit of his scientific and complexity-focused ideas, veered into domains such as scientific racism or the belief in human nature as an absolute organizing principle. These, Slobodian asserts, represent the “illegitimate” heirs who strayed far enough to betray Hayek’s fundamental principles.
Friedrich Hayek, a Nobel laureate in Economics (1974) and a leading figure of the Austrian School of economics, is perhaps best known for his fervent defense of free-market capitalism and his critiques of central planning, notably articulated in his seminal 1944 work, The Road to Serfdom. Hayek argued that economic coordination arises not from central design, but from a “spontaneous order” – the result of millions of individuals making decisions based on dispersed, localized knowledge communicated primarily through the price system. He believed that any attempt by the state to centrally plan the economy would inevitably lead to a loss of individual liberty and, ultimately, totalitarianism, because such planners could never possess the vast, tacit knowledge embedded within a decentralized market.
The second crucial concept is “Volk capital.” Slobodian critiques the common, overly generalized understanding of neoliberalism as simply advocating for the commodification of all things and the reduction of all humans to an interchangeable substance. By adopting a narrower, more historically precise definition, focusing on a discrete group of thinkers (including those within the Mont Pèlerin Society, which Hayek co-founded in 1947), he reveals a significant inflection point in the 1960s and 1970s. This period saw a shift in neoliberal thought towards an emphasis on human difference, rather than equality.
Slobodian argues that the universalizing concept of human capital became “re-grounded” in specific genetic populations or cultural groups. He observes the re-emergence of 19th-century notions of the “Volk”—the idea of an essential character of a kinship group—fused with economic categories. This, he contends, transforms “human capital” into “Volk capital,” demonstrating how an ideology often associated with abstract market principles could regress to antiquated distinctions. For instance, by the 1980s, Hayek himself, often considered a progenitor of neoliberalism, suggested a unique quality of the Western world in producing an “optimal economic actor.”
A “Frontlash” Unveiled: Beyond the “Left-Behinds” Narrative
Slobodian further clarifies the genesis of these two books, revealing they were initially conceived as a single grand volume. The political shocks of 2016-2017 – the election of Donald Trump, the Brexit “Leave” vote, and the rise of parties like Alternative for Germany – prompted his inquiry. He expresses dissatisfaction with mainstream interpretations that viewed these developments as a revolt against neoliberal capitalism by those “left behind” by globalisation. This narrative, he argues, incorrectly positioned figures like Trump and Boris Johnson as unexpected challengers to the neoliberal consensus.
To counter this, Slobodian first introduced the concept of the “zone” in Crack-up Capitalism. This refers to more fluid spaces for investor capital within nations, such as freeports in the United Kingdom or the proliferation of Special Economic Zones in countries like China and India. He notes that in 2017-2018, much of the apparent economic nationalism was, in fact, about creating these spaces for capital mobility. For example, as of 2023, there were over 7,000 Special Economic Zones globally, employing tens of millions of people and contributing significantly to trade and investment, illustrating this practical application of “zones.”
He then sought to integrate the observation that many within the alt-right in 2016 originated from the paleo-libertarian camp. These individuals, skeptical of both global and national governments, sought a fracturing of the state system. The “grand narrative” of bundling these ideas proved “quixotic,” leading to the separate publication of Crack-up Capitalism and Hayek’s Bastards, the latter focusing on the paleo-alliance between dissident right-wing figures and the neoliberal movement.
The Unseen Hand of Difference: Chronology and Community
The chronological alignment between the two books is evident. In Hayek’s Bastards, the post-Cold War period is presented as a moment of reckoning for neoliberals, who questioned whether they had truly “won” or if “state spending and socialism” persisted in new guises, such as environmentalism or feminism. Similarly, in Crack-up Capitalism, the 1990s marked a breakthrough for zones, representing a form of globalisation that fostered “diversities across territory” rather than uniform regulatory spaces. The fundamental thread uniting both narratives, Slobodian suggests, is the “use of difference, politically or economically.” This challenges the widely held assumption that the 1990s and 2000s were periods of increasing uniformity, arguing instead that they were also times when “irreconcilable differences” were intensified and leveraged for new political agendas.
Slobodian also tackles the pervasive assumption that neoliberalism is solely a celebration of individualism. He argues that while individualism is indeed a focus, neoliberals are intensely concerned with the conditions under which it can be realized. When the traditional “republican tradition” – based on an impartial state providing space for individual expression – is discarded, a new framework for community must be forged. This is particularly true for the “subgenre of neoliberal thought” that advocates for the dissolution of the state.
In this context, the necessity arises to constitute communities that can function and allow for individual expression without uniform regulations from a representative state. This leads to an interest in factors like the role of ethnic homogeneity in decreasing transaction costs and fostering trust, thereby allowing communities to self-perpetuate. It also involves examining the importance of the “social contract” as a literal set of terms for participation in smaller communities, and questions of social reproduction – specifically, the necessary gender orders to ensure sufficient population in a “closed-border model of political organization.” This, he notes, is where anarcho-capitalists and conservatives find common ground, the former seeking abstract individual freedom but recognizing the need for parameters, and the latter striving to preserve existing moral and cultural orders.
A striking observation from Slobodian’s research is the neoliberal fear that the Cold War might have been “lost” despite the Soviet Union’s collapse, due to persistent high state spending. The end of the Cold War, Slobodian reveals, raised the possibility of completely dismantling the social state, which in turn brought forth new questions about how a post-redistributive order could be anchored. This, he asserts, directly relates to the current moment in the United States, where campaigns to significantly cut the federal budget, such as proposals to reduce it by one-third (as seen in certain fiscal proposals from conservative groups, often citing a need to return to pre-expansion levels of spending), would necessitate the dismantling of the existing social state. This scenario, he suggests, brings to mind the ominous question posed by Charles Murray regarding the aftermath of the welfare state’s disappearance – whether it would lead to anarchy, organic self-organization, or a segment of the population perishing. The “vexed triumphalism” following the Cold War, Slobodian concludes, thus set the stage for the “apocalyptic forms of politics” now all too familiar.
The Historical Lens: Unveiling Hidden Cleavages
Slobodian highlights the remarkable absence of significant sectarian splits within neoliberalism between the 1940s and 1980s. The clear ideological battle lines drawn between the “free, liberal, capitalist” world and the “planned command economies” of the communist bloc maintained a cohesive front. However, with the abrupt erasure of this divide in the 1990s, two paths emerged: either assume inevitable global convergence and the end of meaningful political divisions, or contend that divisions persisted, merely migrating to previously overlooked domains. The global Right, he observes, opted for the latter.
The 1990s became a period of “restless search for a new enemy” for the Right. This sometimes involved resurrecting older tropes, such as the anti-Semitic portrayal of George Soros as a conspiratorial figure, a narrative prominently used by figures like Viktor Orbán. Neoliberals, too, participated in this search, ultimately identifying their new adversary in the Left’s “march through the institutions” – specifically, movements advocating for gender and racial equality and a “politically correct” discourse. Slobodian emphasizes that this framing of issues like affirmative action and state-led efforts to redress inequality began remarkably early – some 35 years ago. He argues that the Left, too focused on internal critiques of a more mainstream neoliberalism (like that associated with Bill Clinton or Barack Obama), was often “caught off guard” by the “disruptive politics of the last decade,” failing to recognize the emerging “villain” that would ultimately manifest in today’s culture wars.
Slobodian’s methodological approach, as noted by Robles, is characterized by his commitment to “reading against the grain.” He consistently challenges conventional wisdom: if neoliberalism is thought to strive for state dissolution, Globalists shows its reliance on state intervention; if it promotes a borderless society, Crack-up Capitalism highlights its attention to “human separation”; and if the alt-right is seen as a backlash, Hayek’s Bastards frames it as a “frontlash,” an acceleration of the ideology. This “counterintuitive position” is, for Slobodian, a means to explore the profound revelations found within such contradictions. His advice to students – to begin a paper with “We think it’s like this, but it’s actually like that, and I’m going to show you why” – underscores his dedication to empirical evidence and intellectual revision.
He also draws a strong correlation between the 1990s and the 1960s, suggesting that understanding paleo-libertarian interests in hard borders, IQ, and gold necessitates examining earlier debates surrounding the 1965 Immigration Act, 1960s evolutionary psychology, or monetary reform post-Bretton Woods. These two decades, both periods of relative prosperity, represented moments where attempts were made to reconfigure societal settlements. Slobodian contends that the Left’s focus on criticizing a “progressive neoliberalism” (e.g., of the Clinton or Obama era) that paid “lip service” to 1960s social movements while blunting their critical edge meant they were “caught off guard” in 2016. He suggests that identifying what neoliberals “worried about” in a given decade, such as environmental demands disrupting growth models in the 1970s and 1990s, could reveal “vulnerability in the economic system” and “soft spots” for counter-movements to exploit.
Future Horizons: AI, Animals, and the Unseen Hand of Technology
Regarding future inquiries, Robles points to the absence of cryptocurrencies and AI in Hayek’s Bastards. Slobodian confirms these will be explored in his forthcoming book, Muskism, co-authored with Ben Tarnoff, which will delve into AI, effective altruism, and superintelligence. This work is slated for release next year.
However, Slobodian maintains a critical stance on cryptocurrencies, viewing them as “parasitical on a functioning traditional monetary system” and primarily “a hedge-speculative asset” or “plaything for a small number of libertarians and more recently large investors.” He believes his skepticism has been “a wise bet,” as the number of “true believers” in blockchain as a political template remains small, with most investors using crypto like any other growth sector.
Intriguingly, Slobodian’s other new research direction looks not to the digital future, but to a historical “backward” step: the changes in the human sciences in the postwar decades, specifically “How humans became animals at Harvard.” This project will explore the world of figures like Richard Herrnstein (a student of B. F. Skinner) and E. O. Wilson in the 1960s and 1970s, examining how humans were increasingly “analogized to animals.”
In Hayek’s Bastards, Quinn Slobodian has, with surgical precision, woven a compelling and unsettling thread through the tapestry of intellectual history. He compels us to confront the uncomfortable truths about the origins of our present predicament, reminding us that the seemingly spontaneous outbursts of populism are, in fact, the meticulously cultivated fruits of a long and complex intellectual lineage. One leaves his analysis with a renewed sense of vigilance, a heightened awareness of the subtle, often insidious, ways in which ideas, like the most potent of poisons, can mutate and proliferate, shaping our world in ways we are only now beginning to comprehend. Indeed, the stage is set for future acts in this ongoing drama, and one eagerly awaits Slobodian’s next intellectual curtain call.
“The Cynic & The Dandy” is an AI-generated essay series based on a hypothetical collaboration between Oscar Wilde and George Bernard Shaw.
THE DRIFT MAGAZINE (June 24, 2025): The latest issue Fifteen features It’s morning in America. Daphne, chased by Apollo, grows hooves. We live in an age of conspiracism and insincerity. Spring and summer will not follow. Staying below two degrees might be a challenge. It’d be corny to call it Orwellian. We reached the limits of what moral outrage can do. Miraculously, we still made decisions. Acting recklessly. Lining up at the barricades. The more you have, the more you have to protect. Eye contact is everything. Already, the oil field was quieter. Misogyny converts reality. All that love for objects. It sanctifies him. He wore a face that spoke of multiple divorces. She was bitter about her beauty. That’s all in an evening screening. We’re in a definitional war. Publicity beats truth. Art that risks nothing is worth nothing. A negation of the possibility of forgetting. A private fiefdom. A child on whom childhood was wasted. A game of inches. Ask a pundit or professor. There are only so many laughs to be had.
His friend and fellow cop killed himself. Then he nearly became a statistic as well. Why do more police officers die by suicide than in the line of duty? By Jamie ThompsonCreditDanny Wilcox Frazier for The New York Times
Fredric Jameson on the Art of Criticism: “Ideological critique has to end up being a critique of the self. You can’t recognize an ideology unless, in some sense, you see it in yourself.”
Hanif Kureishi on the Art of Fiction: “When I was in hospital in Rome, having the experience of being a paralyzed man nearly dead, my only excitement was in the thought that I could write some of this shit down.”
Gerald Murnane on the Art of Fiction: “A fatal question—what are people reading these days? Never mind what people are reading these days. What should I be writing about is the fundamental question.”
Prose by Dan Bevacqua, Caoilinn Hughes, Silas Jones, Alec Niedenthal, Adania Shibli, and Abdulah Sidran.
Poetry by Sargon Boulus, Egill Skallagrímsson, Rachel Mannheimer, Simone White, and Hua Xi.
Art by Ann Craven, Ala Ebtekar, and Josh Smith; cover by Seth Becker.
After spending years painting the media as the “enemy of the people,” Donald Trump is ready to intensify his battle against the journalists who cover him. By David Remnick
R.F.K., Jr., Wants to Eliminate Fluoridated Water. He Used to Bottle and Sell It
Donald Trump’s nominee to lead H.H.S. once started a bottled-water line, Keeper Springs. What was in it? By Charles Bethea
On the Block: Where Jerry Lewis and Buddy Hackett Once Schvitzed
The tummlers have moved on, but the distinctive Friars Club building, in midtown, is going to the highest bidder. By Bruce Handy
The Fundamental Problem with R.F.K., Jr.,’s Nomination to H.H.S.
Kennedy has many bad ideas. Yet the irony of our political moment is that his more reasonable positions are the ones that could sink his candidacy. By Dhruv Khullar
How Old Age Was Reborn
“The Golden Girls” reframed senior life as being about socializing and sex. But did the cultural narrative of advanced age as continued youth twist the dial too far? By Daniel Immerwahr
How to Make Fuel (or Booze) from Thin Air
Air Company, a startup that has used water and carbon dioxide to make vodka and to power automobiles, taste-tests its product and discusses getting Elon Musk’s business. By Adam Iscoe