THE NEW YORK TIMES – If artificial intelligence had a voice, what would it sound like? Calm, like HAL 9000? Perky, like Alexa? Polite, like C-3PO?
Brent Katz, an editor of the A.I.-generated poetry collection, with Mr. Herzog at a Los Angeles recording studio.Credit…via Brent Katz
For the editors of “I Am Code: An Artificial Intelligence Speaks,” a collection of poems generated by A.I., the answer was obvious: Werner Herzog.
The 80-year-old German director, actor and author is a titan of independent cinema whose films often concern the hubris and folly of humankind. His speaking voice, known to audiences mostly through the stark, literary voice-over narration that accompanies many of his documentaries, carries an existential pathos and Teutonic gravitas that have made it a pop culture trademark.
Something like this, anyway, was on the minds of Brent Katz, Josh Morgenthau and Simon Rich, the editors of “I Am Code,” when they reached out to Mr. Herzog to ask if he would lend his formidable instrument to the audiobook version of their project.
Some are brought against their will. Others are encouraged in subtler ways. But the over-all efforts seem aimed at the erasure of the Ukrainian people.
Harper’s Magazine – September 2023: This issue features Justin E. H. Smith’s Elegy for Gen X; Zadie Smith and the Gen X novel; The Rise and Fall of an Iranian Exile and John Jeremiah Sullivan plumbs the Depths…
Comcast’s broadband network is crucial to the future of technology. Even so, its stock is cheap compared with buzzier names like Netflix, Nvidia, and Meta Platforms.
THE NEW YORK TIMES MAGAZINE – The 8.13.23 Issue: In this special issue, Wesley Morris on hip-hop’s 50th anniversary; Niela Orr on the ascendance of female rappers; Miles Marshall Lewis on how hip-hop changed the English language forever; Daniel Levin Becker on the history of bling; Tom Breihan on Too Short’s long career; and Danyel Smith on the rappers we lost.
As their male counterparts turn depressive and paranoid, it’s the women who are having all the fun.
By Niela Orr
Like American men in general, our top male rappers appear to be in crisis: overwhelmed, confused, struggling to embody so many contradictory ideals. As a result, the art is suffering, too. If the music were any more existentially morose, or stylistically comatose, mainstream hip-hop made by men might be headed the way of hair metal or disco. The narcotized indolence is everywhere; the recounting of opioid abuse is so blasé (the Percs, Xans and Oxys) that these pillbox litanies leave you wondering if the Sackler family sponsored a wing in the rap museum. And then there’s the sense of foreshortened future that’s baked into the genre but has been amplified as gangsta rap branched off into trap, drill and other grittier subgenres. Many of the male rappers are documenting social strife and commenting on the violence that comes with being young, Black, famous men. This thread can be moving and also heartbreaking. When listening to these songs, it is impossible to not ache for their makers, to be afraid right along with them. But the music bears the weight of all that anxiety and grief. Even the occasional Drake smash is not enough to disturb the disquiet.
THE NEW YORK TIMES BOOK REVIEW – August 13, 2023: The annual thrillers issue features – a tense murder mystery set aboard a cruise ship; a heist novel involving rough diamonds, crooked lawyers and masters of the double cross; and an especially creepy serial-killer novel, to name just a few.
In “Flirting With Danger,” Janet Wallach tells the story of Marguerite Harrison, who traded a life of privilege to become America’s first international female spy.
By Chloe Malle
FLIRTING WITH DANGER: The Mysterious Life of Marguerite Harrison, Socialite Spy, by Janet Wallach
Anyone complaining about a canceled Delta flight would do well to channel Marguerite Harrison. The United States’ first international female spy, Harrison crisscrossed the globe by rickshaw, propeller plane, camel, inflated goatskin raft and rail freight car and once brightly described a trans-Siberian voyage, in which she was wedged between sacks of tea and oats on the back of a troika in a blizzard, as “a rare and delightful experience.”
From left: John Fairfax; Tom McCleanCredit…From left: Daily Mail/Shutterstock; Tom McClean
In “Completely Mad,” James Hansen tells the stories of two men who in 1969 vied to be the first to row solo across the Atlantic Ocean.
COMPLETELY MAD: Tom McClean, John Fairfax, and the Epic Race to Row Solo Across the Atlantic, by James R. Hansen
The day before the Apollo mission landed two men on the moon, a British man named John Fairfax waded into Hollywood Beach, Fla., greeted by masses of cheering fans, having been the first person to row solo across the Atlantic Ocean. Eight days later, another Briton, Tom McClean, pulled his dory up a deserted beach in Blacksod Bay, Ireland, having rowed solo across the Atlantic in the opposite direction. While Fairfax was acclaimed and feted, McClean walked to the closest pub, alone.
Wendover Productions (August 11, 2023) – The history, planning, budgeting, environmental studying, engineering and construction of the I-70 from Denver to Grand Junction in Colorado, which totals 243 miles.
Science Magazine – August 11, 2023 issue: Environmental challenges in Australia; Do cancers really have identifiable microbiomes; Conductive bioadhesives for wet tissues; African hydropower is getting less competitive, and more…
First up on this week’s podcast, we hear about the skewed perception of our own hands, extremely weird giant viruses, champion regenerating flatworms, and more from Newsletter Editor Christie Wilcox
The Economist Magazine (August 12, 2023 issue): Why Biden’s China strategy is not working; Saudi Arabia upends sport; The attack on universal values; Twitternomics lives on; How green is your EV and more…
Supply chains are becoming more tangled and opaque
On august 9th President Joe Biden unveiled his latest weapon in America’s economic war with China. New rules will police investments made abroad by the private sector, and those into the most sensitive technologies in China will be banned. The use of such curbs by the world’s strongest champion of capitalism is the latest sign of the profound shift in America’s economic policy as it contends with the rise of an increasingly assertive and threatening rival.
The countries’ economic ties are more profound than they appear
image: alberto miranda
When it comes to tracing the geography of global supply chains, few companies provide a better map than Foxconn, the world’s largest contract manufacturer. This year the Taiwanese giant has built or expanded factories in India, Mexico, Thailand and Vietnam. The Chinese production sites once loved by Western companies are firmly out of fashion. Souring relations between the governments in Washington and Beijing have made businesses increasingly fretful about geopolitical risks. As a consequence, in the first half of the year, America traded more with Mexico and Canada than it did with China for the first time in almost two decades. The map of global trade is being redrawn.
I adored Niklas Natt och Dag’s brilliantly cynical debut, The Wolf and the Watchman, and The City Between the Bridges is just full of filth and cynicism, the perfect combination for depicting the late 18th century and its terrible iniquities. The watchman of The Wolf and the Watchman returns to solve a new crime, this one the brutal murder of a tenant’s daughter on the eve of her wedding to a seemingly sensitive nobleman. Natt och Dag is particularly adept at savagely ripping the notion of a “civilized age” apart and showing the raw suffering underneath. As a side note, I’ve long believed that historical fiction is only to be trusted when the author is willing to describe bad smells to set the scene, and this book is full of truly disgusting odors.
Set in the dying colonial era, Kevin Jared Hosein’s searing debut examines race, class, and decolonization through the lens of two families, one white and wealthy, the other Black and disenfranchised, as their lives become ever more entwined after the disappearance of the white family’s patriarch. Like the best historical fiction, Hungry Ghosts is immersed in the ideas and complexities of its’ shifting time period, for a triumph of well-researched storytelling.
In one of those amazing life twists that feels as bizarre as it is inspiring, Tara Ison, the writer of the cult hit Don’t Tell Mom The Babysitter’s Dead has crafted one of the best tales of collaboration ever written. In Between the Hour of Dog and Wolf, Tara Ison takes us into the mind of an adolescent Jewish girl being hidden with a French family during WWII. She spends so much time pretending to align with the ideals of the occupiers that she finds herself beginning to agree with them, in what reads as a Jewish version of Lacombe, Lucien. Perhaps it’s not such a twist—both book and film are about the ways we assume new roles when necessary to survival, whether that’s taking a job as a fashion consultant to feed siblings and putting on a batshit fashion show (a la Babysitter) or pretending to be a fascist to to protect from others knowing that you are Jewish. Okay, maybe that last comparison is a bit of a stretch, but still, everyone should read this book and also everyone should should rewatch that movie.
Bret Easton Ellis is back, this time with a new serial killer novel that brings together all the best aspects of Less Than Zero and American Psycho. It’s 1981, Missing Persons is playing on the stereo, and future writer Bret is doing bumps with his prep-school friends by the poolside, dressed sharply in Ralph Lauren, as a killer makes his way closer and closer to their wealthy enclave. Ellis’ teenage emotional truths collide with violent fictional set-pieces for an epic tale of Southern Californian sins.