Times Literary Supplement (March 22, 2024): The latest issue features ‘All the Lonely People’ – Charles Foster on a modern-day epidemic; Shakespeare and Bloomsbury; D.H. Lawrence, cuckhold; Marilynne Robinson’s god; Paul Theroux’s Orwell…
Country Life Magazine – March 20, 2024: The latest issue features:
James Alexander-Sinclair hails the remarkable revival of the gardens at Dowdeswell Court, Gloucestershire, the charming Cotswolds home of Jade Holland Cooper and Julian Dunkerton
In the second of a series of articles, Oxfordshire flower grower Anna Brown shares her tips on creating a floral spring spectacular
Growing sweet violets has been a family passion since 1866 at Groves Nursery in Bridport, Dorset, as Tilly Ware discovers
Service dogs and horses risk life and limb to keep us safe. Katy Birchall salutes the work of a charity supporting these animal heroes in retirement
The Nature writer lauds a work by a masterful wildlife painter
Dairy farmer Jamie Blackett is heartened to witness cattle worship on a trip to Rajasthan
In the third instalment of this new series, Kate Green celebrates the Revd John Russell’s role in the emergence of the terrier
James Clarke visits the magical Malvern Hills to explore a land-scape that so inspired Tolkien
Amelia Thorpe picks garden pots that make a sizeable statement
Hetty Lintell ushers in spring with a selection of floral favourites
Soak up the style with an array of elegant bathroom fittings and furnishings from Amelia Thorpe
Fresh spring onions steal the show, says Melanie Johnson
The restored Cluny Castle in Aberdeenshire is equipped for a future as prosperous as its colourful past, finds John Goodall
Whitby jet and mourning go hand in hand, but is it time to reassess this beautiful heritage gemstone, asks Harry Pearson
Michael Billington puts himself in the director’s chair as he ponders spectacular remakes of plays by Ibsen and Chekhov
What is it about cryptic crosswords that has kept us racking our brains for the past 100 years? Rob Crossan has all the answers
Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”
Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”
Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.
Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.
Art by Farah Al Qasimi and Chris Oh.
As the art market cools, Julien’s Auctions earns millions selling celebrity ephemera—and used its connections to help Kim Kardashian borrow Marilyn Monroe’s J.F.K.-birthday dress.
The sidewalks of Lower Broadway in downtown Nashville are filled with people moving among neon-lit venues owned by celebrity musicians: Kid Rock’s Big Ass Honky Tonk & Rock ‘n’ Roll Steakhouse, Jason Aldean’s Kitchen & Rooftop Bar, Miranda Lambert’s Casa Rosa. The Hard Rock Café, which opened in 1994, when the neighborhood could still reasonably be called eclectic, sits at the far edge of the strip, overlooking the Cumberland River. One evening last November, Julien’s Auctions took over a private room at the restaurant for a three-day sale in honor of the company’s twentieth anniversary. There was a spotlighted stage full of objects that musicians had worn or touched or played: a scratched amber ring that Janis Joplin wore onstage at the Monterey Pop Festival, in 1967; Prince’s gold snakeskin-print suit, small enough to fit on an adolescent-size mannequin; ripped jeans that had belonged to Kurt Cobain.
Though he has adopted a “nerd constitutional-law guy” persona, he is in lockstep with the law-flouting former President.
The Capitol Hill Club, in a white brick town house a few blocks from the House of Representatives, is a social institution exclusively for Republicans. One evening in October, Representative Mike Garcia was eating there alone when Representative Mike Johnson stopped to chat. Garcia is a first-generation immigrant and a retired Navy pilot from a Democratic-leaning district in Southern California. His predecessor, a Democrat, resigned after a scandal four years ago, and Garcia highlighted disagreements with his party to win reëlection in 2022. He was also a loyalist to former House Speaker Kevin McCarthy, a fellow-Californian who had just been ousted by a small band of hard-line conservative rebels annoyed at his willingness to compromise on budget disputes. Garcia had formally nominated McCarthy as Speaker at the beginning of 2023, and his removal deprived Garcia of a patron.
The New Criterion – The April 2024 issue features:
THE NEW YORK TIMES BOOK REVIEW (March 16, 2024):
Because we could all use a laugh.
By Dwight Garner, Alexandra Jacobs and Jennifer Szalai
When it comes to fiction, humor is serious business. If tragedy appeals to the emotions, wit appeals to the mind. “You have to know where the funny is,” the writer Sheila Heti says, “and if you know where the funny is, you know everything.” Humor is a bulwark against complacency and conformity, mediocrity and predictability.
With all this in mind, we’ve put together a list of 22 of the funniest novels written in English since Joseph Heller’s “Catch-22” (1961). That book presented a voice that was fresh, liberated, angry and also funny — about something American novels hadn’t been funny about before: war. Set during World War II and featuring Capt. John Yossarian, a B-25 bombardier, the novel presaged, in its black humor, its outraged intelligence, its blend of tragedy and farce, and its awareness of the corrupt values that got us into Vietnam, not just Bob Dylan but the counterculture writ large.
“On Gaslighting,” by the philosophy professor Kate Abramson, explores the psychological phenomenon behind the hashtags.
ON GASLIGHTING, by Kate Abramson
Don’t be so sensitive.
You’re overreacting.
You’re imagining things.
These are things gaslighters say, writes Kate Abramson.
As she explains in “On Gaslighting,” the term originated in the 1944 film “Gaslight,” and after entering the therapeutic lexicon of the 1980s, steadily made its way into colloquial usage.
As a society we have become adept at classifying actions within interpersonal relationships using therapy-speak. From “attachment style” to “trauma-bonding,” personal judgments have become diagnoses — without the assistance of a licensed professional: Anyone with a social media account or a jokey T-shirt can get in on the action. (In 2021, the flippant phrase “gaslight, gatekeep, girlboss” became a popular, snide social-media shorthand for a certain kind of capitalist feminism.)
Some people think machine intelligence will transform humanity for the better. Others fear it may destroy us. Who will decide our fate?
Katja Grace’s apartment, in West Berkeley, is in an old machinist’s factory, with pitched roofs and windows at odd angles. It has terra-cotta floors and no central heating, which can create the impression that you’ve stepped out of the California sunshine and into a duskier place, somewhere long ago or far away. Yet there are also some quietly futuristic touches. High-capacity air purifiers thrumming in the corners. Nonperishables stacked in the pantry. A sleek white machine that does lab-quality RNA tests. The sorts of objects that could portend a future of tech-enabled ease, or one of constant vigilance.
The classical-education movement seeks to fundamentally reorient schooling in America. Its emphasis on morality and civics has also primed it for partisan takeover.
THE NEW YORK TIMES BOOK REVIEW (March ,8 2024): The latest issue features Renaissance scholar Ramie Targoff’s new book, “Shakespeare’s Sisters,” which sets out to show modern readers that the Elizabethan era did indeed produce its share of great women writers, and she details four of them across a range of disciplines.
In “Shakespeare’s Sisters,” the Renaissance scholar Ramie Targoff presents an astounding group of Elizabethan women of letters.
By Tina Brown
SHAKESPEARE’S SISTERS: How Women Wrote the Renaissance, by Ramie Targoff
Judith Shakespeare, Virginia Woolf’s imaginary sister of the Bard, was for years the accepted portrait of the nonexistent writer of Renaissance England. In “A Room of One’s Own,” her seminal feminist essay, Woolf concluded that any glimmer of female creativity in Shakespeare’s time would have been expunged by a pinched life as a breeding machine of children who so often died, disallowed opinions of her own. Had any woman survived these conditions, wrote Woolf, “whatever she had written would have been twisted and deformed, issued from a strained and morbid imagination.”
Using clever camera methods, a new photo book illuminates how honeybees see plants and flowers.
By William Atkins
In WHAT THE BEES SEE: The Honeybee and Its Importance to You and Me, Craig P. Burrows’s ultraviolet-lit photographs mimic the fluorescence his botanical subjects emit when exposed to sunlight, revealing colors and textures usually obscured by the dazzle of visible light. Because bees see in the ultraviolet spectrum, Burrows’s method can afford us a glimpse of the world as they perceive it: His portraits of plants are, in part, prompts for interspecies empathy at a time when bees are under attack on multiple fronts, from air pollution to pesticides.
The Week In Art Podcast (March 8, 2024): To coincide with International Women’s Day on 8 March, the South London Gallery is opening the exhibition Acts of Resistance: Photography, Feminisms and the Art of Protest.
Activism and photography have long gone hand in hand but this collaborative exhibition, organised with the Victoria and Albert Museum (V&A), attempts to capture a new chapter in this distinguished history, with a particular focus on feminism across the world. We talk to Sarah Allen, the head of programme at the South London Gallery, and Fiona Rogers, the V&A’s Parasol Foundation curator of women in photography, about the show. The financier, philanthropist, collector and leader of cultural organisations Jacob Rothschild died last week at the age of 87.
We talk to Anna Somers Cocks, the founder of The Art Newspaper, who interviewed Lord Rothschild on numerous occasions, about his impact on the visual arts and heritage. And this episode’s Work of the Week is Adelphi, made in 1967 by Robert Ryman. It is one of around 50 pieces by Ryman in the exhibition The Act of Looking, which opened this week at the Musée de l’Orangerie in Paris. Guillaume Fabius, the co-curator of the show, joins us to discuss the painting.
Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, 8 March-9 June.
Robert Ryman: The Act of Looking, Musée de l’Orangerie, Paris, until 1 July.
Through some 160 works of painting, sculpture, photography, film, and ephemera, it will explore the comprehensive and far-reaching ways in which Black artists portrayed everyday modern life in the new Black cities that took shape in the 1920s–40s in New York City’s Harlem and nationwide in the early decades of the Great Migration when millions of African Americans began to move away from the segregated rural South.
The first art museum survey of the subject in New York City since 1987, the exhibition will establish the Harlem Renaissance and its radically new development of the modern Black subject as central to the development of international modern art.
On view February 25 – July 28, 2024.
