The author of more than three thousand folk songs, Woody Guthrie (1912–1967) is one of the most influential songwriters and recording artists in American history. He is an icon of the Depression era and wrote the world’s most famous protest song, “This Land Is Your Land.”
But he was not only a songwriter, and his subject matter extended well beyond labor politics. The full corpus of his creativity—including lyrics, poetry, artwork, and largely unpublished prose writings—encompassed topics such as the environment, love, sex, spirituality, family, and racial justice. Guthrie created a personal philosophy that has impacted generations of Americans and inspired musician-activists from Pete Seeger and Bruce Springsteen to Ani DiFranco and Chuck D. As Bob Dylan noted of Guthrie, “You could listen to his songs and actually learn how to live.”
Behind this iconic painting by Vincent van Gogh is the artist’s inspiring story about healing, as he struggled with the challenges of a psychiatric disorder. Learn more about this period in his life in which he produced some of his most famed work.
Getty has joined forces with Smarthistory to bring you an in-depth look at select works within our collection, whether you’re looking to learn more at home or want to make art more accessible in your classroom. This six-part video series illuminates art history concepts through fun, unscripted conversations between art historians, curators, archaeologists, and artists, committed to a fresh take on the history of visual arts.
View the Getty Conversations series: https://youtube.com/playlist?list=PLi…
Learn more about “Irises” in Getty’s collection online: https://www.getty.edu/art/collection/…
• What was really behind Surrealism?
• An interview with Cecilia Alemani, Artistic Director of the Venice Biennale
• Revealing the mystery of Bassano’s Quails
• The Venice Pavilions you must see
Plus: Beyond the Biennale, greenwashing in museums, what we’re losing with Bastion House
Country Life’s architecture editor John Goodall looks at the architecture of the Tudor home.
In April 1521, Edward Stafford, 3rd Duke of Buckingham, was urgently summoned from his seat at Thornbury, Gloucestershire, to appear before Henry VIII. The Duke could reasonably claim by birth to be the outstanding nobleman of his generation, boasting descent from Edward III and—arguably—possessed of a better claim to the throne than the Tudors.
He played the role of a great nobleman with proud perfection, both at home and in such public events as Henry VIII’s meeting with Francis I of France on the Field of Cloth of Gold, where he jousted and appeared in costume of fabulous expense. His birth and magnificence, however, also made him vulnerable to Court intrigue.
