
Tag Archives: Reviews
Views: The New York Times Magazine – Nov 6, 2022


The Democrats’ Last Stand in Wisconsin
With the G.O.P. in control of a majority of statehouses, Democrats are fighting for seats in battleground states. Is it too late?
The Untold Story of ‘Russiagate’ and the Road to War in Ukraine
Russia’s meddling in Trump-era politics was more directly connected to the current war than previously understood.
A Championship Season in Mariachi Country
Every year along the Texas border, high school teams battle it out in one of the nation’s most intense championship rivalries. But they’re not playing football.
Culture: The New Review Magazine – Nov 6, 2022

Inside the November 6, 2022 Issue:
TS Eliot’s women: the unsung female voices of The Waste Land
Dylan: The Greatest Thing I’ll Never Learn review – messy, punky pop thrills
The week in theatre: Tammy Faye; Hamlet; Marvellous – review
The best recent crime and thriller writing
The best recent crime and thriller writing
Previews: Food & Wine Magazine – November 2022

FOOD & WINE – Inside Food&Wine Magazine November 2022 Issue:
- On the cover this month we have Irish chef Trevor Moran who runs Locust in Nashville, which was recently named America’s best restaurant. The restaurant is unique in many ways, but mostly because it only has 36 seats, doesn’t post menus on its website, and opens for just three days a week.
- In spirits this month, our expert Oisin Davis chats with Remy Savage, the Franco-Irishman bringing art into cocktail bars. Savage is known for being one of the most creative and dynamic forces in the global cocktail industry and has been behind some of the most celebrated and awarded cocktail bars in the world, all of which are fueled by his intense love of philosophy and art.
- Korean-style fried chicken restaurant Chimac has just opened its second outlet in Terenure, Dublin and has shared delicious Sunday lunch recipes to try this month. We also have recipes from Rosheen Kaul and Joanna Hu’s cookbook Chinese-ish and Thai recipes from the new Giggling Squid cookbook.
Reviews: ‘The Week In Art’
This week: uproar over the National Gallery in London’s building plans—is it a sensitive makeover or like “an airport lounge”?
We talk to the director of the National Gallery, Gabriele Finaldi, about the gallery’s controversial plans for changes to its Sainsbury Wing, and to Rowan Moore, architecture critic at the Observer, about his views on the designs by the architect Annabel Selldorf, and how they respond to Robert Venturi and Denise Scott Brown’s original Post-Modern building.
Tokini Peterside-Schwebig, the director of Art X Lagos, tells us about the contemporary art scene in Nigeria’s most populous city, and how the fair is addressing the climate emergency, as devastating floods wreak havoc in West Africa. And this episode’s Work of the Week is Marc Chagall’s The Falling Angel (1923/1933/1947), the centrepiece of a new exhibition at the Schirn Kunsthalle in Frankfurt, Germany.Art X Lagos, Federal Palace, Lagos, Nigeria, 5-6 NovemberChagall: World in Turmoil, Schirn Kunsthalle, Frankfurt, Germany, until 19 February 2023 Hosted on Acast. See acast.com/privacy for more information.
Research Preview: Nature Magazine – Nov 3, 2022
nature – Inside the November 3 Issue:
- The surprise saviours of the gut: the neurons that sense pain – Nerve cells that carry pain signals play a part in suppressing inflammation and tissue damage in the gut.
- A ship sunk during the Second World War still stirs up the seabed – The wreck of a German patrol boat continues to influence ocean chemistry and microbiology at its final resting spot.
- Plagued by problem birds? Call RobotFalcon! – A robotic bird of prey scares off nuisance flocks in a flash — and they don’t seem to get wise to the deception.
- Heaviest metal yet found in exoplanet skies – Two super-hot planets have atmospheres laced with barium.
Previews: The Guardian Weekly – November 4, 2022
Inside Guardian Weekly – For readers of the Guardian Weekly magazine’s North American edition this week, the cover focuses on the Democrats’ precarious hopes in the midterm elections. Elsewhere, the spotlight shines on the Cop27 climate summit in Egypt.
The US midterm elections next week could see a Republican party still dominated by Donald Trump gain control of both the House of Representatives and the Senate. David Smith asks whether an intervention by former president Barack Obama could give a late kickstart to the Democrats’ hopes.
Cautious optimism followed the last Cop conference in Glasgow, where an international roadmap was agreed to keep the world within 1.5C of global heating. On the eve of this year’s summit, however, a slew of alarming reports have shown that carbon emissions are still rising.
Preview: Times Literary Supplement – Nov 4, 2022
This week’s @TheTLS , featuring André Aciman on Proust; Margaret Drabble on Robert Aickman; @LucyHH on Naples; @AnnPettifor on climate refugees; @scheffer_pablo on Nona Fernández; @IsabelleBaafi on the poetry of June Jordan, Wanda Coleman and Rita Dove – and more.
Arts Preview: Artforum Magazine – November 2022

Inside Artforum Magazine – NOVEMBER 2022:
NEW YORK
- Jan Avgikos on “New York: 1962–1964”
- Lauren O’Neill-Butler on Louise Bourgeois
- Zack Hatfield on Sturtevant
LOS ANGELES
LONDON
Preview: The Burlington Magazine – Nov 2022
The Parthenon sculptures
It is now forty years since Melina Mercouri, the Greek Minister for Culture from 1981 to 1989, famous also as a film star and singer, addressed UNESCO’s World Conference on Cultural Policies to draw international attention to the campaign with which she would be identified until her death in 1994, the repatriation to Athens of the Parthenon sculptures in the British Museum. ‘We are not asking for the return of a painting or a statue’, she said: ‘We are asking for the return of a portion of a unique monument, the privileged symbol of a whole culture’.
The Painters of Pompeii
As images, ancient Roman wall paintings command attention for their bold compositions, vibrant and saturated colours, convincing naturalism and the fantastical mythologies they depict. As objects they also captivate for the dramatic circumstances surrounding their near- destruction, the miracle (or rarity) of their survival and the alchemical nature of lime plaster and pigment.

