Category Archives: Arts & Literature

The New York Times Book Review – January 21, 2024

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THE NEW YORK TIMES BOOK REVIEW (January 19, 2024): The latest issue features the excitement over advance copy reviews of a January novel, Kaveh Akbar’s “Martyr!” …“You’ve got to read this,” one editor said. “One of the most electric novels I’ve read in a long while,” another said. This kind of thing — everyone thrilled by the same book — is unusual at the TBR, and explains why “Martyr!,” about a grieving young man’s search for meaning, graces our cover this week.

A Death-Haunted First Novel Incandescent With Life

This colorful illustration features a large red bird and a horse’s head and neck, both adorned with Farsi letters, as well as a skyward-bound airplane and a black-hooded figure with many faces holding a torch in one hand and a sword in the other. These details are laid over a backdrop of blue-green mountains and yellow sky.

In “Martyr!,” the poet Kaveh Akbar turns a grieving young man’s search for meaning into a piercing family saga.

Martyr!, by Kaveh Akbar

Reviewed by By Junot Díaz


Cyrus Shams, the aching protagonist at the heart of Kaveh Akbar’s incandescent first novel, is a veritable Rushdiean multitude: an Iranian-born American, a “bad” immigrant, a recovering addict, a straight-passing queer, an almost-30 poet who rarely writes, an orphan, a runner of open mics, an indefatigable logophile, a fiery wit, a self-pitying malcontent. But above all else Cyrus is sad; profoundly, inconsolably, suicidally sad.

Here are the books discussed in this week’s episode:

  • “Knife,” by Salman Rushdie
  • “James,” by Percival Everett
  • “The Book of Love,” by Kelly Link
  • “Martyr,” by Kaveh Akbar
  • “The Demon of Unrest,” by Erik Larson
  • “The Hunter,” by Tana French
  • “Wandering Stars,” by Tommy Orange
  • “Anita de Monte Laughs Last,” by Xochitl Gonzalez
  • “Splinters,” by Leslie Jamison
  • “Neighbors and Other Stories,” by Diane Oliver
  • “Funny Story,” by Emily Henry
  • “Table for Two,” by Amor Towles
  • “Grief Is for People,” by Sloane Crosley
  • “One Way Back: A Memoir,” by Christine Blasey Ford
  • “The House of Hidden Meanings: A Memoir,” by RuPaul

The New Criterion – February 2024 Preview

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The New Criterion – The February 2024 issue features:

The importance of Homer  by Joshua T. Katz
Galaxy brains  by Gary Saul Morson
The Thames: river of destinies  by Jeremy Black
“Breakfast Special”: a new story  by Woody Allen

New poems  by Nicholas Friedman, Jessica Hornik & Michael Spence

Museum Tour: ‘European Paintings – 1300 To 1800’ At The Met In New York City

The Met (January 19, 2024): Join curators Stephan Wolohojian, Adam Eaker, David Pullins, and Anna-Claire Stinebring along with their special guests as they guide you through the newly reopened galleries dedicated to European Paintings from 1300 to 1800.

The reconfigured galleries highlight fresh narratives and dialogues among more than 700 works of art from the Museum’s world-famous holdings, which include recently acquired paintings and prestigious loans, as well as select sculptures and decorative art, showcase the interconnectedness of cultures, materials, and moments across The Met collection.

London Review Of Books – January 25, 2024 Preview

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London Review of Books (LRB) – January 17, 2024: The latest issue features ‘Living With Keats’ – A Brief Life in Nine Poems and One Epitaph; Congress vs Harvard; The West’s Fight to Reverse the Russian Revolution, and more…

Hooted from the Stage

Keats: A Brief Life in Nine Poems and One Epitaph: 9780525655831: Miller,  Lucasta: Books - Amazon.com

Keats: A Brief Life in Nine Poems and One Epitaph 
by Lucasta Miller.

Keats’s Odes: A Lover’s Discourse 
by Anahid Nersessian.

By Susan Eilenberg

Looking​ back to September 1820, when things had gone badly wrong but not yet so grotesquely as to be visibly beyond repair, we can see how few and how poor Keats’s options were. Surely it was better that (in the absence of other volunteers) the young artist Joseph Severn agreed to travel with the dying poet to Rome that autumn than that he had refused.

Bertie Wooster in Murmansk

A Nasty Little War: The West’s Fight to Reverse the Russian Revolution 
by Anna Reid.

By Sheila Fitzpatrick

Arts/Books: Times Literary Supplement – Jan 19, 2024

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Times Literary Supplement (January 17, 2024): The latest issue features ‘Power Failure’ – The retreat from net zero; Canon wars; The end of literary criticism; Empires imprint on the Middle East; Harvard and plagarism….

Previews: Country Life Magazine-January 17, 2024

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Country Life Magazine – January 17, 2024: The latest issue features ‘Floral Fireworks’ – The National Collection of Dahlias; The Bridges of Britain; and the Arts-and-Crafts masterpieces of Madresfield Court, Worcestershire…

Floral fireworks

Kirsty Fergusson visits the new home of the 1,700-strong National Collection of Dahlias and reveals which blooms to order now for late-summer colour

The Bridges of Britain

Our greatest bridges span the ages and have the power to inspire both awe and admiration, as Jack Watkins discovers

Cold cures

The beautiful and practical cast-iron Victorian cloche is making a comeback. Tiffany Daneff investigates the revival of the miniature glass house

Twist and shout

Tiffany Daneff visits Morton Hall Gardens in Worcestershire to discover the secret of its owner’s intriguing new clematis-training technique

Why, why, why weigela?

New forms of this easy-to-grow garden shrub have repeating flowers in wonderful colours — no wonder they are hot sellers, suggests Charles Quest-Ritson

Exhibitions: ‘New Terrains- Native American Art’ (2024)

Phillips (January 16, 2024) – Curators Tony Abeyta and James Trotta-Bono explore highlights from New Terrains: Contemporary Native American Art, which they curated alongside Bruce Hartman.

The exhibition provides context for the evolution of contemporary Native art, including the influence of modernism, post-war, and pop art.

New Terrains: Contemporary Native American Art New York Exhibition 5–23 January

Join the pair as they reveal works by Jaune Quick-to-See Smith, Fritz Scholder (Luiseño), Edgar Heap of Birds (Cheyenne and Arapaho Nation), and more.

Previews: The New Yorker Magazine- January 22, 2024

Sun shines through tree branches on a city street in winter.

The New Yorker – January 22, 2024 issue: The new issue‘s cover features Pascal Campion’s “Winter Sun” – The artist depicts the beams of sunlight that flicker during the coldest months of the year.

The Price of Netanyahu’s Ambition

A painted portrait of Netanyahu.

Amid war with Hamas, a hostage crisis, the devastation of Gaza, and Israel’s splintering identity, the Prime Minister seems unable to distinguish between his own interests and his country’s.

By David Remnick

To be vigilant—to live without illusions about the ever-present threat of annihilation—was a primary value at No. 4 Haportzim Street, once the Jerusalem address of the Netanyahu family. This wariness had ancient roots. In the Passover Haggadah, the passage beginning “Vehi Sheamda” reminds everyone at the Seder table that in each generation an enemy “rises up to destroy” the Jewish people. “But the Holy One, Blessed be He, delivers us from their hands,” the Haggadah continues. Benzion Netanyahu, the family patriarch and a historian of the Spanish Inquisition, was a secular man. For deliverance, he looked not to faith but to the renunciation of naïveté and the strength of arms. This creed became his middle son’s inheritance, the core of his self-conception as the uniquely unillusioned defender of the State of Israel.

A Drug-Decriminalization Fight Erupts in Oregon

The open back doors of the Stabbin Wagon van displays plastic pockets full of inventory.

An ambitious law set forth a more humane way to address addiction. Then came the backlash.

By E. Tammy Kim

In the early months of the pandemic, joggers on the Bear Creek Greenway, in southern Oregon, began to notice tents cropping up by the path. The Greenway, which connects towns and parks along a tributary of the Rogue River, was beloved for its wetlands and for stands of oaks that attracted migrating birds. Now, as jobs disappeared and services for the poor shut down, it was increasingly a last-ditch place to live. Tents accumulated in messy clusters, where people sometimes smoked fentanyl, and “the Greenway” became a byword for homelessness and drug use. On a popular local Facebook page, one typical comment read, “Though I feel sorry for some of the people in that situation, most of them are just pigs.” In Medford, the largest city along the trail, police demolished encampments and ticketed people for sleeping rough.

Art Museum Exhibitions: ‘Nicolas de Staël’ In Paris

ART VISION TV / C&B Films (January 13, 2024) – The Musée d’Art Moderne in Paris is devoting a major retrospective to Nicolas de Staël (1914-1955), a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He was a key figure on the post-war French art scene.

Twenty years after the one organised by the Centre Pompidou in 2003, this exhibition offers a fresh look at the artist’s work, drawing on more recent thematic exhibitions that have highlighted certain little-known aspects of his career (Antibes in 2014, Le Havre in 2014, Aix-en-Provence in 2018).

Art: Photographer Wayne Parsons’ “Imagined Images”

FRAMES (January 13, 2024) – Wayne is a New York City-based photographer. His education includes a BA in physics from the University of Mississippi and a Ph.D. in political science from Columbia University.

He was a late-comer to photography, buying his first camera when he turned forty and studying black-and-white technique at the International Center of Photography. His interests expanded to color imagery when he adopted digital photography in 2001.

He also reviews photography exhibitions for the New York Photo Review. He is a long-time member and past president of Soho Photo Gallery.

Explore more of Wayne’s work on his website at https://www.rwayneparsons.com/.