Emmanuel Carrère’s new book, Yoga, has been the subject of gossipy debate about its veracity, but it is seductively open about its own anxiety as a work of fiction.
Johannes Vermeer, one of the most intimate and quiet of artists, who is celebrated for the silence and light of his paintings, has become, paradoxically, a crowd-pleaser.
Johannes Vermeer: Faith, Light and Reflection by Gregor J.M. Weber
Vermeer and the Art of Love by Aneta Georgievska-Shine
In the issue, Lydia Davis shares selections from her 1996 journal, and they often read like warm-up scales for her exquisitely off-kilter stories. (“For lunch—a huge potato and a glass of milk.”) You’ll also find masterful uses of the diary as a fictional device. The Brazilian writer Juliana Leite’s “My Good Friend,” translated by Zoë Perry, is an elderly widow’s apparently unremarkable Sunday-evening entry—“About the roof repair, I have nothing new to report”—that turns into a story of mostly unspoken decadeslong love. And James Lasdun’s “Helen” features excerpts from the journal of a woman who lives in what the narrator describes as a “state of incandescent, almost spiritual horror,” and whose crippling self-consciousness doesn’t protect her from humiliations the reader can see coming.
Also in issue no. 244, John Keene, in an Art of Fiction interview with Aaron Robertson, describes how blogging heralded his recovery as a writer after losing drafts of several of the stories that eventually became Counternarratives. And Sharon Olds, in an Art of Poetry interview, tells Jessica Laser about the need to keep one’s art and biography separate, especially when they are clearly not. Keeping a diary might be therapeutic, Olds explains, but “writing a poem to understand yourself better would be like making a cup with no clay, or maybe like having the clay but not making the cup.” She concludes, “If I had to choose between a poem being therapeutic and it being a better poem, I’d want it to be a better poem.”
Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age by Dennis Duncan
In his new history of the index, Dennis Duncan traces its evolution through the constantly changing character of reading itself.
In 1941 an ambitious Philadelphia pediatrician, the wonderfully named Waldo Emerson Nelson, became the editor of America’s leading textbook of pediatrics. For the next half-century the compilation of successive editions of this large volume advanced his career, consumed his weekends, and encroached heavily on his domestic life.
By Steve Coll
The Return of the Taliban: Afghanistan After the Americans Left by Hassan Abbas
Hassan Abbas’s book surveys the second Islamic Emirate’s ideology and leading personalities and probes its internal tensions.
Nearly two years after the Taliban’s return to power in Kabul, the UN refers to the regime only as “the de facto authorities,” to avoid any hint of formal recognition of the Islamic Emirate of Afghanistan, as the Taliban call their government. By any name, the Taliban today control Afghanistan’s territory, as well as federal ministries and local administrations. They also preside over a nation in severe crisis. Food insecurity haunts at least half of the population; a country shattered by more than four decades of war again faces the shadow of famine.
BRICK LITERARY JOURNAL (SUMMER 2023)
In Johann Eckermann, Goethe found an amanuensis made in heaven.
Conversations with Goethe: In the Last Years of His Life by Johann Peter Eckermann, translated from the German by Allan Blunden, with an introduction and notes by Ritchie Robertson
A strange time to publish—strange time to publish anything—a translation of Eckermann’s Conversations with Goethe (or should that be Goethe’s Conversations with Eckermann?), in six hundred static, major-key pages that can easily feel like twice as many. The big man, himself by now somewhat fallen on hard times, recorded by the little acolyte.
A new book reveals the split personality of the biotech industry: an altruistic enterprise that creates breakthrough treatments for patients in need, and a bare-knuckle business that seeks to generate astronomic profits and stop competitors from developing better treatments.
For Blood and Money: Billionaires, Biotech, and the Quest for a Blockbuster Drug by Nathan Vardi
A research scientist for Pharmacyclics, Sunnyvale, California, 2013. In For Blood and Money, Nathan Vardi writes that when Pharmacyclics—which developed ibrutinib, a treatment for chronic lymphocytic leukemia—was bought by the pharmaceutical giant AbbVie in 2015 for $21 billion, ‘the deal…set the new high-water mark for success in the biotechnology industry.’
An exhibition of the Algerian painter’s work liberates it from the political symbolism of late colonialism.
In November 1947 a fifteen-year-old prodigy from colonial Algeria named Baya, described variously as Kabyle, Berber, Muslim, and Arab, exhibited her gouaches and clay sculptures at the Parisian gallery of the art dealer Aimé Maeght. Yves Chataigneau, the French governor of Algeria, and Si Kaddour Benghabrit, the rector of the Paris Mosque, were the sponsors of the exhibition, and the opening attracted some of the most influential cultural figures of postwar Paris: the writers Albert Camus, François Mauriac, and André Breton; the painters Henri Matisse and Georges Braque; the designer Christian “Bebè” Bérard.
For generations, Giovanni Battista Piranesi’s prints of Roman views defined the popular image of the Eternal City. A profusion of new exhibitions and publications shows why he still speaks to us.
Also in the issue: Jacqueline Rose on C. P. Taylor’s final play, Colin B. Bailey on the Impressionists’ decorations, Wendy Doniger on Bengali tales from the mangrove forests, Christopher Benfey on the Black American potters of the nineteenth century, Jed Perl on high-tech high art, poems by Sasha Debevec-McKenney, Mosab Abu Toha, and Cyrus Console, and much more.
Maxine Hong Kingston: The Woman Warrior, China Men, Tripmaster Monkey, Hawai‘i One Summer, Other Writings edited by Viet Thanh Nguyen
Maxine Hong Kingston’s best work has a timeless quality, fresh, beautiful, horrifying, bursting with myth and fantasy and nagging reality.
The BBC: A Century on Air by David Hendy
This Is the BBC: Entertaining the Nation, Speaking for Britain? 1922–2022 by Simon J. Potter
World War II was the BBC’s finest hour, but its history since then reflects the corporation’s gradual loss of primacy in British life.
Fen, Bog and Swamp: A Short History of Peatland Destruction and Its Role in the Climate Crisis by Annie Proulx
Wild by Design: The Rise of Ecological Restoration by Laura J. Martin
Two recent books show that the concept of ecological restoration is a fuzzy one: even practitioners rarely agree on what is being restored, or to what end.
3rd Wednesday Literary Journal (Spring 2023)
LitHub (March 28, 2023): Literary Hub is very pleased to reveal the cover for Nobel Prize winner J. M. Coetzee’s new novel The Pole, which will be published by Liveright this September. Here’s more about the book from the publisher:
Exacting yet maddeningly unpredictable, J. M. Coetzee’s The Pole tells the story of Wittold Walccyzkiecz, a vigorous, “extravagantly white-haired” Polish pianist who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his Barcelona concert. Although Beatriz, a married woman, is initially unimpressed by Wittold, she soon finds herself pursued and ineluctably swept into the world of the journeyman performer. As he sends her letters, extends countless invitations to travel, and even visits her husband’s summer home in Mallorca, their unlikely relationship blossoms, though, it seems, only on her terms. The power struggle between them intensifies—Is it Beatriz who limits their passion by controlling her emotions? Or is it Wittold, trying to force into life his dream of love?
