This week’s @TheTLS, features Michele Pridmore-Brown on parenthood; @noosarowiwa on paradise; @TobyLichtig on documentaries; Carlos Fonseca on Pilar Quintana; @wendymoore99 on surgery; new poems by Karen Solie, @RomalynAnte and Steve Ely – and more.
Defamation isn’t the only legal threat to investigative journalism. Data protection and privacy laws are increasingly used as alternatives to a libel claim. Unlike a defamation writ, which claimants generally have only a year to file, data protection and privacy actions can be taken up to six years after publication, and there is no defence of truth.
Medieval Christians understood themselves to be interconnected to an extent that would surprise many people today, at least in Western cultures. Their minds and hearts were legible to other people as well as to God and the devil, and they saw themselves as vulnerable to interference from human and supernatural forces, to both good and bad ends.
The majority of women artists who exhibited at the Salon in the revolutionary period had never before shown their work in public. During the 1790s and early 1800s, several of them submitted self-portraits or portraits of other women artists, presenting, implicitly, an idea of the female painter as both a subject for portraiture and a professional in her own right.
Dozens of media outlets have fled to the capital of Latvia, only to encounter a distrustful public and a set of strictly enforced laws and regulations.
March 3, 2023: as the Art Dubai fair opens, The Art Newspaper’s acting digital editor Aimee Dawson tells us about this latest edition, its ongoing commitment to displaying the art of the global south and its continued focus on digital art.
The Museum of Modern Art in New York opens the largest media exhibition it has ever staged, Signals: How Video Transformed the World on 5 March. It looks at how artists around the globe have used video as a networked technology capable of reaching huge audiences but also how they have employed video to reflect on or engage in activism and urgent political developments.
We talk to the show’s curators, Stuart Comer and Michelle Kuo. And this episode’s Work of the Week is a coffee pot and milk jug from 1960 by Lucie Rie, the great modernist potter. Eliza Spindel, co-curator of the exhibition Lucie Rie: The Adventure of Pottery at Kettle’s Yard in Cambridge, UK, tells us about these objects and Rie’s life and work.Art Dubai until 5 March.Signals: How Video Transformed the World, Museum of Modern Art, New York, 5 March-8 July.Lucie Rie: The Adventure of Pottery, Kettle’s Yard, Cambridge, UK, 4 March-25 June.
When asked why HBO took such bold risks on shows that were darker, more libidinal, and more surreal than than those on other networks, a company executive replied, “Because we can.”
It’s Not TV: The Spectacular Rise, Revolution, and Future of HBO by Felix Gillette and John Koblin
Tinderbox: HBO’s Ruthless Pursuit of New Frontiers by James Andrew Miller
Times Literary Supplement @TheTLS (March 3, 2023) – Peter Frankopan likes to take the long view. In The Silk Roads (2015) Oxford University’s professor of global history argued that the Persian Empire and its trade routes were central to the rise of western civilization, not, as traditionally thought, Rome, Greece and Egypt. In The Earth Transformed Frankopan’s timeline is considerably longer: he looks at climate change since the formation of the Earth 4.5 billion years ago.
ART IN AMERICA MAGAZINE – MARCH 2023 – The artwork on the cover of this issue looks pretty simple: an elegant arrangement of colorful, cartoon-like flowers. Pretty it is; simple it most certainly is not. Artist Jill Magid scoured the digital worlds of hundreds of video games—from Super Mario to Minecraft—and selected pixelated plants and photo-realistic flowers from virtual landscapes that she then assembled into bouquets worthy of the fanciest dinner party.
After that, she took the resulting images and crafted her first series of NFT-backed artworks, which dropped on Valentine’s Day. The collection comprises 165 animated bouquets, including one that you can view online at artwrld.com and on Art in America’s Instagram, where Magid has generously collaborated with us on our first animated cover.
As the Rijksmuseum’s once-in-a-lifetime blockbuster brings together an unprecedented number of works by the Old Master, paintings including a self-portrait are still missing
Michiel van Musscher’s A Self-portrait of the Artist in his Studio (1670) is thought to have been inspired by a lost Vermeer workCourtesy of Christie’s
With only 37 authenticated Johannes Vermeer paintings (28 in the Rijksmuseum’s sold-out exhibition), could there be more out there, not yet recognised as from his hand? Vermeer’s production was certainly larger, so the hunt continues for the missing masterpieces. Experts believe that a number are still unaccounted for.