Step inside the studio of artist Thao Nguyen Phan and discover her mesmerising, poetic work. Through video, paintings and sculpture, Phan explores the historical and ecological issues facing her homeland Vietnam, while speaking to broader ideas around tradition, ideology, ritual and environmental change.
Her recent projects have expanded on ‘the beauty and suffering’ of the Mekong River, which runs through Tibet, China, Myanmar, Thailand, Laos and Cambodia before meeting the sea on the coast of Vietnam. Phan’s latest moving image work First Rain, Brise Soleil continues this exploration of the Mekong, proposing a new way of being that draws on indigenous knowledge and respect for the ecosystem.
Vladimir Putin is isolated and morally dead. He is turning himself into a 21st-century Stalin, resorting as never before to lies, violence and paranoia at home. Our cover this week https://t.co/hjbSofY2U4pic.twitter.com/dhqEnX2ZLq
“They used to kill us with guns, now they kill us with deforestation and dams.” The Brazilian government’s failure to protect the Amazon forest is forcing the Munduruku indigenous people to take action against land grabs and illegal logging – and try to save the rain forest on their own.
In an unprecedented movement led by Chief Juarez Saw Munduruku, for the last six years indigenous people have been fighting the theft and destruction of their forest home. Since 1970, 20% of the Brazilian Amazon has been deforested. Logging and forest fires are threatening a further 20%. Scientists say that at 40% deforestation, we will reach the point of no return. The forest will be lost forever, replaced by savannahs – and the environmental consequences will be catastrophic.
The Amazon is often known as ‘the lungs of the planet,’ producing 6% of the world’s oxygen. It is no secret that the rainforest has been losing a dramatic fight against an array of threats, encouraged by capitalism, consumerism and greed – both legal and illegal.
In today‘s Brazil, some 600,000 square kilometers of land – an area about the size of France — are farmed by farmers who don’t officially own it. The military dictatorship (1964-1985) encouraged them to settle on state-owned land, but the farmers never became legal owners. As a result, speculators now seize the areas, clear the forests, then resell the plots with forged title deeds. This land grab, known as “grilagem” in Portuguese, has led to uncontrolled forest clearing and fierce conflicts.
The documentary was shot from 2014 to 2020, under three different Brazilian governments. It provides deep insights into the drama of the illegal occupation of state land and forest areas by organized crime groups. Several indigenous peoples have united under Juarez Saw Munduruku, leader of the Munduruku people, in a last-ditch bid to save the planet’s most important forest.
Sotheby’s explores two Picabia masterpieces: ‘Pavonia’, a cinematic example from his ‘Transparencies’ series, and ‘Nu de Dos’, a striking and controversial female nude.
Francis Picabia, (born January 22, 1879, Paris, France—died November 30, 1953, Paris), French painter, illustrator, designer, writer, and editor, who was successively involved with the art movements Cubism, Dada, and Surrealism.
Picabia was the son of a Cuban diplomat father and a French mother. After studying at the École des Arts Décoratifs (1895–97), he painted for nearly six years in an Impressionist mode akin to that of Alfred Sisley. In 1909 he adopted a Cubist style, and, along with Marcel Duchamp, he helped found in 1911 the Section d’Or, a group of Cubist artists. Picabia went on to combine the Cubist style with its more lyrical variation known as Orphism in such paintings as I See Again in Memory My Dear Udnie (1913–14) and Edtaonisl (1913). In these early paintings he portrayed assemblages of closely fitted, metallic-looking abstract shapes. As Picabia moved away from Cubism to Orphism, his colours and shapes became softer.
Climate change, land degradation and deforestation have severely damaged Côte d’Ivoire’s natural surroundings. Many farmers are worried about their future. But Digitalization is bringing new hope.
Côte d’Ivoire is a West African country with beach resorts, rainforests and a French-colonial legacy. Abidjan, on the Atlantic coast, is the country’s major urban center. Its modern landmarks include zigguratlike, concrete La Pyramide and St. Paul’s Cathedral, a swooping structure tethered to a massive cross. North of the central business district, Banco National Park is a rainforest preserve with hiking trails.
📢 The @quantumshorts sci-fi competition shortlist is out now 📢@nature is a media partner for the flash fiction competition, which asked writers to submit stories inspired by "the many possibilities of the quantum world". Read the shortlisted stories: https://t.co/sHV8waFa36pic.twitter.com/CZvwkygde2
