Monocle on Saturday, March 9, 2024: US lawmakers have passed a bill that would remove TikTok from app stores – but will the ban go ahead?
And does dark matter actually exist? Join Vincent McAviney and Yassmin Abdel-Magied for this as well a background on the potential ceasefire in Sudan during Ramadan. Plus: Monocle’s Tomos Lewis interviews the CEO of the Academy of Motion Picture Arts and Sciences ahead of the celebrations tomorrow and the director of the London Book Fair, Gareth Rapley, joins us to discuss next week’s event.
It was August 2017 when the world really started to take note of Myanmar’s Rohingya people. Descendants of Arab Muslims who speak a different language to most other people in Myanmar, the Rohingya had up to that point lived mainly in the northern Rakhine state, coexisting uneasily alongside the majority Buddhist population.
But the Rohingya were reviled by many as illegal immigrants and treated by the then government as stateless people. In 2017, when violence broke out in the north of the state, security forces supported by Buddhist militia launched a “clearance operation”that forced more than 1 million Rohingya people to flee their homes and the country, actions that many onlookers saw as ethnic cleansing. Most Rohingya were driven into vast refugee camps in the Cox’s Bazar region of Bangladesh, where they have remained ever since.
The Guardian global development reporter Kaamil Ahmed has been covering the Rohingya crisis for almost a decade, making multiple trips to the region. For this week’s Big Story, Kaamil returned to Cox’s Bazar where, in two moving reports, he details how disease and illness are widespread in the ramshackle camps, and how the desperation to escape has resulted in rich business for people traffickers.
And, with Myanmar now controlled by a military junta and introducing a deeply unpopular conscription drive (as Rebecca Ratcliffe and Aung Naing Soe report), the prospect of any Rohingya people being able to return home to Rakhine state remains as distant as it did in 2017.
The New Yorker (March 4, 2024): The new issue‘s cover features Barry Blitt’s “Slappenheimer” – The artist revisits the infamous Oscars slap to riff on the tensions of this year’s ceremony.
Monocle on Saturday, March 2, 2024: On Friday the funeral of Russian opposition leader Alexei Navalny drew thousands of mourners. What was the mood in Moscow? In the UK what has the reaction been to prime minister Rishi Sunak’s Downing Street address on Friday evening?
Meanwhile in Austria, an investigation has exposed the fraudulent COO of Wirecard as a decade-long GRU spy – what do we know? Join Vincent McAviney and political journalist Terry Stiastny for all this, as well as a breakdown of the Willy Wonka experience scam in Glasgow. Plus: Monocle’s Fernando Augusto Pacheco gives us a rundown of the world’s best biscuits.
Sometimes we ignore a book’s material presence: absorbed, ‘good’ reading is often figured as a forgetting of the material conditions of book, body, room and time, even though these conditions affect how we read. With certain other books it makes no sense to separate text from object.
Bibliophobia: The End and the Beginning of the Book by Brian Cummings.
There are seventy million more privately held guns in the US – around four hundred million of them – than there are people. AR-15s comprise about 5 per cent of the total, but it is currently the best-selling rifle in the country.
The New Yorker (February 26, 2024): The new issue‘s cover features ‘Victoria Tentler-Krylov’s “All Clear” ‘ – The artist captures New York’s smallest pedestrians as they make their way through the big city.
Workers sent from the country to Chinese factories describe enduring beatings and sexual abuse, having their wages taken by the state, and being told that if they try to escape they will be “killed without a trace.”
Disturbances on the sun may have the potential to devastate our power grid and communication systems. When the next big storm arrives, will we be prepared for it?
The Guardian Weekly (February 22, 2024) – The new issue features ‘Ukraine’s Lonely Road’ – After two years, is there a way out of Putin’s war?…
Shaun Walker reports on this week’s big story, the fall of the strategic town of Avdiivka to Russian troops has come at a grim time for Ukraine’s president, Volodymyr Zelenskiy. While the army is struggling to hold ground, war fatigue is setting in among parts of the population and disagreements among the leadership have been spilling into the open.
At the same time, the death of the jailed Russian critic Alexei Navalny last week – widely seen as another political assassination – appears to emphasise the strengthening hand of Vladimir Putin, who is expected to secure another six-year term as Russia’s president in tightly controlled elections next month. Amid a familiar wave of international outrage, our Russia affairs reporter Pjotr Sauer asks what Putin might do next.
Coupled with the possibility of a Donald Trump victory in the US elections later this year, it all makes for a deeply worrying outlook for Ukraine, reflected in the Kyiv-based illustrator Sergiy Maidukov’s haunting cover artwork for the magazine this week.
“This war is the hardest test of my life, similar to an endless ultramarathon,” writes Sergiy. “It is good to try to not think about the finish when running long distance. This is important knowledge to endure.”
“Artificial intelligence may indeed affect the way our military operates. But the notion that bright-eyed visionaries from the tech industry are revolutionizing our military machine promotes a myth that this relationship is not only new, but will fundamentally improve our defense system—one notorious for its insatiable appetite for money, poorly performing weapons, and lost wars. In reality, the change flows in the other direction, as new recruits enter the warm embrace of the imperishable military-industrial complex, eager to learn its ways.”
“People would rather be enthusiastic collaborators in a global project than be skeptics of its fundamental integrity. Antinatalism implies or counts on our eventual extinction, and thinking this way is painful.”
The New Yorker (February 19, 2024): The new issue‘s cover featuresMarcellus Hall’s “Winter Wonders” – The artist depicts an array of invigorating, comforting, and delightful cold-weather activities.
Representative Matt Gaetz arrived at the White House in the last days of 2020, amid a gathering national crisis. President Donald Trump had lost his bid for reëlection the previous month, and his allies were exploring strategies to keep him in office. Though only thirty-eight years old, Gaetz, the scion of a political family in Florida’s Panhandle, had become one of the Republican Party’s most prominent and divisive figures. His dark hair styled in a kind of bouffant, his lips often curled in a wry smile, Gaetz bore a resemblance to Elvis Presley, or, in the description of a Florida friend, “either Beavis or Butt-head.” He was quick-witted and sometimes very funny, and he loved to taunt his enemies, who were numerous, especially in his own party. “He’s the most unpopular member of Congress, with the possible exception of Marjorie Taylor Greene, and he doesn’t care,” a fellow-congressman told me.
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