Tag Archives: Arts & Literature

Reviews: ‘The Week In Art’

The Art Newspaper (June 8, 2023): Thom Yorke and Stanley Donwood on their collaborative art, Wayne McGregor on his new choreographic work—a collaboration with the late Carmen Herrera—and Whistler’s Mother returns to Philadelphia.

Ahead of an exhibition of their work in London in September, we talk to Radiohead’s Thom Yorke and Stanley Donwood—who has created the artwork with Yorke for every Radiohead album since 1994, as well the visuals accompanying Thom’s solo records and side projects including the recent records by The Smile—about their collaboration.

A new work for the UK’s Royal Ballet by the choreographer Wayne McGregor premieres at the Royal Opera House in London on 9 June. Untitled, 2023 is a collaboration with the Cuban-American artist Carmen Herrera, developed before Herrera’s death last year at the age of 106. We talk to McGregor about the piece and the intersection between visual art and choreography.

And this episode’s Work of the Week is one of the most famous pictures in the world: Arrangement in Grey and Black, better known as Whistler’s Mother, by James Abbott McNeill Whistler. It’s part of an exhibition called The Artist’s Mother: Whistler and Philadelphia, curated by Jenny Thompson, and we speak to Jenny about the work and the show.

Art: ‘Bonnard – Designed By India Mahdavi’ (June ’23)

designboom Films (June 8, 2023) – Pierre Bonnard is one of the most beloved painters of the twentieth century, celebrated for his use of colour to convey an exquisite sense of emotion. His close friend Henri Matisse declared that Bonnard was ‘a great painter, for today and definitely also for the future’.

Opening in June 2023, the blockbuster Melbourne Winter Masterpieces® exhibition Pierre Bonnard presents the iridescent paintings of Bonnard within immersive scenography by Paris-based designer India Mahdavi

Pierre Bonnard (3 October 1867 – 23 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism.

Museum Stories: ‘Japanese Plate With Kintsugi Repair’

Ashmolean Museum (June 7, 2023): Here, animator Charlie Black brings the poetic story behind this beautifully broken 17th-century Japanese plate to life.

JAPAN COLLECTION

Ashmolean Museum – Oxford University

The Japanese collection is now best known for its ceramics, in particular the collection of seventeenth- and eighteenth-century export porcelain which is one of the most comprehensive collections in the world. Ceramics for the Japanese market are also well represented, including fine examples of Arita, Nabeshima and Hirado porcelain, tea ceremony wares and Kyoto earthenwares.

Arts/Books: Times Literary Supplement – June 9, 2023

Image

Times Literary Supplement (June 9, 2023): Requiem for a dream – Aung San Suu Kyi’s fall from grace; Vindicating Mary Wollstonecraft; France on Trial; In search of Yeats, and more…

Aung San Suu Kyi by Wendy Law-Yone review — how a saint became a pariah

Aung San Suu Kyi in Yangon, Myanmar, in 2011

This short biography explains why the West misunderstood the Myanmar leader. Review by Richard Lloyd Parry

In humanity’s long history of toppled heroes, shattered reputations and honour besmirched, it is difficult to think of a more extreme case than that of Aung San Suu Kyi. A decade ago, the Myanmar leader was among the most adored and respected figures in the world — winner of the Nobel peace prize, long-term political prisoner, an emblem of peaceful, uncompromising democratic struggle. Her ascension to the national leadership felt like the vindication of precious hopes and principles; today, “the Lady”, as she used to be known, is face down in the mud.

Culture: The American Scholar – Summer 2023

Image

THE AMERICAN SCHOLAR SUMMER 2023 issue: What does Antoni van Leeuwenhoek have to do with Covid? Can a digital restoration of a supposed da Vinci be just as good as the real thing? What was it like to be a young journalist on one of François Truffaut’s sets?

A Kingdom of Little Animals

Antoni van Leeuwenhoek, in a circa 1680 painting by the Dutch artist Jan Verkolje, famous for his portraits of prominent members of Delft society (Wikimedia Commons)
Antoni van Leeuwenhoek, in a circa 1680 painting by the Dutch artist Jan Verkolje, famous for his portraits of prominent members of Delft society

Antoni van Leeuwenhoek’s discovery of microorganisms made possible the revolutionary advances in biology and medicine that continue to inform our Covid age

By Laura J. Snyder

One night in 1677, a grizzled man in a wrinkled linen nightshirt rushed from his bemused wife’s bed with a candle in hand to examine the “remains of conjugal coitus, immediately after ejaculation before six beats of the pulse.” Using the candle to cast a pool of light in his dark study, he put a drop of the liquid into a tiny glass vial he had blown himself, attaching it to the back of a strange-looking device he had also constructed. 

The Whole World in His Hands

The Salvator Mundi in its damaged state—cleaned but not yet restored (Wikimedia Commons)

What a digital restoration of the most expensive painting ever sold tells us about beauty, authenticity, and the fragility of existence

I got the call late on a summer afternoon. Yanai Segal, an artist I’ve known for years, asked me whether I’d heard of the Salvator Mundi—the painting attributed to Leonardo da Vinci that was lost for more than two centuries before resurfacing in New Orleans in 2005. I told him that I’d heard something of the story but that I didn’t remember the details. He had recently undertaken a project related to the painting, he said, and wanted to tell me about it. I was eager to hear more, but first I needed to remind myself of the basic facts. We agreed to speak again soon.

Preview: London Review Of Books — June 15, 2023

Image

London Review of Books (LRB) – June 15, 2023 issue: James Butler on Italo Calvino’s Politics; John Lahr – My Hollywood Fling; Ferdinand Mount – Safe as the Bank of England; Africa’s Cold War by Kevin Okoth, and more…

Toots, they owned you

By John Lahr

Hollywood: The Oral History 
edited by Jeanine Basinger and Sam Wasson.

In April​ 1973, on a Pan Am 747 jumbo jet from London to LA, I took my seat in the upstairs dining room opposite a Cincinnati salesman and his wife. He sold screws – really. Just as improbably, I had sold my first novel to the movies. The tablecloth, the silverware, the crystal wine glasses, the Chateaubriand being carved in front of us at five hundred miles an hour felt extraordinary, a swank unreality that matched my elevated mood. I was 32. I was going to Hollywood. I was making a movie. I was going to be a screenwriter.


Design: Sculpted Bronze Art Of Diego Giacometti

Sotheby’s (June 5, 2023) – Trained in the school of Art Deco decorators and sculptors, Diego Giacometti was equally attached to the discipline of pre-WWII production standards as to the classical artistic vocabulary deriving from ancient Greece, Egypt and Etruscan decorative arts .

The eminent history and personal connection of these tables and lamps to the artist and one of his dearest friends echo the oeuvre of Diego Giacometti itself— a sumptuous and timeless universe in bronze filled with the unique character and artistic prolificity of a true poet.

The featured ”Racine” Guéridon in particular figures as one of Diego’s most rare and original creations in bronze. The piece shows the sculptor’s prowess at skillfully adapting an organic motif into a strikingly abstract and perfectly balanced composition, which is simultaneously sculptural in its intent and highly functional.

Previews: The New Yorker Magazine – June 12, 2023

Sasha Velours “The Look of Pride”
Art by Sasha Velour

The New Yorker – June 12, 2023 issue: The artist behind the cover for the June 12, 2023, issue, Sasha Velour, is a gender-fluid drag queen, author, television and theatre performer, and visual artist. In 2017, she was named the winner of the ninth season of “RuPaul’s Drag Race.” 

How the Marvel Cinematic Universe Swallowed Hollywood

Many superheroes breaking through the word Hollywood

Robert Redford, Gwyneth Paltrow, Paul Rudd, and Angela Bassett now disappear into movies whose plots can come down to “Keep glowy thing away from bad guy.”

By Michael Schulman

The Writer Who Insists He Knew Tennessee Williams

An illustrated portrait of James Grissom writing on a notepad. From his pen emanates a cloud in which we see a scene...

James Grissom says that he met the playwright and his famous muses, and quoted them extensively in his work. Not everyone believes him.


By Helen Shaw

How a Fringe Legal Theory Became a Threat to Democracy

A seesaw with a collection of colorful US States on one side and the shape of the entire United States on the other. The...

Lawyers tried to use the independent-state-legislature theory to sway the outcomes of the 2000 and 2020 elections. What if it were to become the law of the land?

By Andrew Marantz

An extreme version of the theory could give state legislatures the power to award Electoral College votes however they see fit. Illustrations by Golden Cosmos

The New York Times Book Review-Sunday June 4, 2023

Image

THE NEW YORK TIMES BOOK REVIEW – JUNE 4, 2023: The summer reading issue lands this weekend, 56 pages filled with suggestions of books to keep you company at the beach or in that shady mothballed nook you discovered in your rental share. The issue closes with a beautiful photo essay of swimmers pictured underwater, from an art book that evokes summer as vividly as fried clam strips and soft-serve ice cream: “Swimmers,” by Larry Sultan.

Deep-Sea Creatures of Bittersweet Orange and Metallic Opaline Green

This illustration depicts two enormous fish with red eyes and lots of teeth swimming around the bathysphere, an underwater exploration machine from the 1930s.

In “The Bathysphere Book,” Brad Fox chronicles the fascinating Depression-era ocean explorations of William Beebe.

Consider the siphonophore. An inhabitant of the lightless ocean, it looks like a single organism, but is actually a collection of minute creatures, each with its own purpose, working in harmony to move, to eat, to stay alive. They seem impossible but they are real. In 1930 William Beebe was 3,000 feet underwater in a bathysphere, an early deep-sea submersible, when he spotted a huge one: a writhing 20-yard mass whose pale magenta shone impossibly against the absolute blackness of the water. As you can imagine, it made an impression.

An Indictment of Human Culture, Narrated by a Mountain Lion

This is a close-up illustration of a lion’s eye, reflecting the silhouette of a man against a blue sky and greenery.

Henry Hoke’s latest novel, “Open Throat,” follows an observant — and starving — cougar living in the Los Angeles hills surrounding the Hollywood sign.

There is a moment toward the end of “Open Throat,” Henry Hoke’s slim jewel of a novel, where the narrator, a mountain lion living in the desert hills surrounding Los Angeles’s Hollywood sign, falls asleep and dreams of Disneyland. It will be hard for those who haven’t yet read this propulsive novel to understand, but the lion’s waking life at this moment is so precarious that this slippage into pleasant dream left me scared to turn the page.

Summertime in America, Beneath the Surface

A new book of photographs by Larry Sultan captures recreational swimmers at public pools in 1970s and ‘80s California.