Category Archives: Museums

Venice Walks: Santa Croce To Cannaregio District

Santa Croce is a laid-back, slightly off-the-beaten-track area with a local vibe. After school, kids play in Campo San Giacomo dall’Orio, and this square and nearby streets are home to casual eateries serving global cuisine. On the Grand Canal, the imposing Fondaco dei Turchi features exhibits on natural history while the nearby Ca’ Pesaro palace showcases contemporary art and Asian decorative arts.

Lively Cannaregio is known for the 16th-century Jewish Ghetto. The Strada Nova is a popular local shopping thoroughfare, and the backstreets are a destination for crafts and vintage goods. Casual canalside restaurants and bars line nearby Fondamenta della Misericordia and Fondamenta dei Ormesini. The stately Ca’ d’Oro palace displays a Renaissance art collection. 

Surrealist Art: Max Ernst’s ‘Attirement Of The Bride’

Attirement of the Bride is an example of Max Ernst’s veristic or illusionistic Surrealism, in which a traditional technique is applied to an incongruous or unsettling subject. The theatrical, evocative scene has roots in late nineteenth-century Symbolist painting, especially that of Gustave Moreau. It also echoes the settings and motifs of sixteenth-century German art. The willowy, swollen-bellied figure types recall those of Lucas Cranach the Elder in particular. The architectural backdrop with its strong contrast of light and shadow and its inconsistent perspective shows the additional influence of Giorgio de Chirico, whose work had overwhelmed Ernst when he first saw it in 1919.

Preview: The Burlington Magazine – July 2, 2022

                                                                                       

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Louise Bourgeois: Paintings Louise Bourgeois: The Woven Child

Je vois red’ raged Louise Bourgeois (1911–2010) on one of the loose sheets of paper that she made notes on, most often about herself and her work and, in this case, about the painting Natural history #2 (1944; Easton Foundation, New York), which struck her as all going wrong. Slipping between two languages, Bourgeois’s fury conforms to the themes of rage, the death drive and childhood aggression that the art historian Mignon Nixon has traced in the artist’s work in reference to the ideas of the psychoanalyst Melanie Klein.

             

Reviews: ‘The Week In Art’

On 29 June, Frieze announced the details of the first edition of its art fair in Seoul, South Korea. So for this last episode of the current season, we’re exploring the art scene and market in the Korean capital.

Ben Luke talks to the art historian and curator Jiyoon Lee about contemporary art in Seoul and beyond, and the origins of the current art scene in 1990s globalisation. The Art Newspaper’s associate editor, Kabir Jhala, speaks to two gallerists—Joorhee Kwon, deputy director at the Kukje Gallery and Emma Son, senior director at Lehmann Maupin, about the growing market and collector base, and the effect Frieze may have on the existing scene.

And this episode’s Work of the Week is Dahye Jeong’s A Time of Sincerity, a basket made with horsehair that this week won the Loewe Foundation Craft Prize. Kabir talks to the creative director at the fashion brand Loewe, Jonathan Anderson, about Jeong’s piece.

Frieze Seoul, COEX, Seoul, 2-5 September.

The Space Between: The Modern in Korean Art, Los Angeles County Museum of Art, 11 September-19 February 2023.

The 2022 Loewe Foundation Craft Prize, Seoul Museum of Craft Art, until 31 July.

Views: Galerie d’Apollon In The Louvre Museum, Paris

King Louis XIV famously identified himself with the sun god Apollo and this splendid gallery was the first tangible representation of that image. To create this masterpiece of architectural decoration, he summoned the greatest painters, gilders and sculptors of the day, who later worked on the Hall of Mirrors at the Château de Versailles. Today, the Galerie d’Apollon is home to the royal collection of hardstone vessels and the French Crown Jewels.

The French Crown Jewels

The royal collection also includes the Crown Jewels. The so-called ‘Côte de Bretagne’ spinel, which once belonged to Anne de Bretagne, is the oldest of the gems to have survived a tumultuous history involving theft, dispersal and sale. Three historical diamonds – the Regent, the Sancy and the Hortensia – formerly adorned royal crowns or garments. The spectacular 19th-century jewellery sets in the collection include emerald and diamond pieces that once belonged to Empress Marie Louise.

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The French Crown Jewels

The 60-meter-long Apollo Gallery contains 105 extraordinary pieces, the most famous being the Crown Jewels of France. “This generic term covers not just the jewels that belonged to the kings of France but all the regalia as well: the precious stones and glyptic pieces,” says Pierre Rainero, director of style and heritage with the jeweler Cartier, which has sponsored the renovation work.

International Art: Apollo Magazine – July/Aug 2022

• The Russian artists making a stand against the war

• An interview with Gabriele Finaldi, director of the National Gallery

• The miniature marvels of Charles Paget Wade

• A Yoruba masterpiece in focus

Plus: London’s art market after Brexit, the Huntington Library comes up to speed, the beauty of banality, and reviews of Maillol’s sculptures, gilded manuscripts and Van Leo’s photographs of Cairo

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Online Exhibitions: ‘Made In Chicago Museum’ (2022)

This short film by Martin Mulcahy was created for the launch of the 2022-23 exhibition of the Made In Chicago Museum, currently running at Klairmont Kollections, 3117 N. Knox Ave., Chicago, IL.

The film, the museum exhibit, and the corresponding online museum, highlight the many “everyday objects” manufactured by Chicago companies between 1900-1970, bringing to life the stories behind them and the legacy of items we might otherwise view as obsolete (or at best, “vintage”).

The Made In Chicago Museum was founded and curated by Andrew Clayman, and design elements of the exhibit, including this short film, are the work of Chicago designer and filmmaker Martin Mulcahy. For more, visit https://www.madeinchicagomuseum.com/

Art Exhibits: ‘The Red Studio’ By Henri Matisse

Henri Matisse’s landmark painting “The Red Studio” documented the artworks displayed in his workspace just outside Paris as it existed in 1911. For the first time since then, almost all the individual pieces depicted in his painting have been reunited for an installation at New York’s Museum of Modern Art. Correspondent Rita Braver reports.

Reviews: The Week In Art

This week: our associate editor, Kabir Jhala, and editor-at-large, Jane Morris, have been in Kassel, Germany, to see Documenta, the quinquennial international art exhibition.

They review the show and respond to the escalation of a long-running row over antisemitism and broader racism, which has resulted in a work being removed from the exhibition. Virginia Rutledge, an art historian and lawyer, discusses the dispute over Andy Warhol’s appropriation of a photograph by Lynn Goldsmith of the pop icon Prince. The case will be heard in the US Supreme Court this autumn and has potentially huge implications for artistic freedom. And this episode’s Work of the Week is An Outpost of Progress (1992), a drawing by the late Spanish artist Juan Muñoz, inspired by Joseph Conrad’s short story of the same name.

Documenta 15, Kassel, Germany, until 25 September.

Juan Muñoz: Drawings 1982-2000, Centro Botín, Santander, Spain, 25 June-16 October.

Previews: American Indian Magazine – Summer 2022

"Recon Watchman" character

American Indian Magazine – Summer 2022

Highlights:

Watching Over the Past: Virgil Ortiz’s Futuristic Creations Are Perpetuating Cochiti Pueblo Pottery-Making Traditions

Virgil Ortiz still remembers the outings he took as a 6-year-old boy with his mother to creeks throughout their Pueblo of Cochiti in New Mexico. There, they would gather clay to mold into pots and storytellers—seated comical human or animal figures. His father was a drum maker and his mother and grandmother were both potters. He remembers giving prayers of thanks to Mother Earth for providing clay, a medium through which they could express themselves. “I was surrounded by art every day,” says Ortiz.

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