@TheTLS – July 1, 2022. Featuring Kenneth Rogoff on inflation; @KuperSimon on the Tour de France; @natsegnit on the ultrawealthy; Terry Eagleton on Geoff Dyer; @amyhawk_ on Hong Kong; @scheffer_pablo on climate change in medieval literature – and more.
Turkey agrees to back Finland and Sweden’s bid to join Nato. Plus: Iran applies to join trading bloc Brics, plans for a second Scottish independence referendum and the latest art news.
A selection of three essential articles read aloud from the latest issue of The Economist. This week, how to fix the world’s energy emergency without wrecking the environment, the Biden-Harris problem (10:15), and China’s worsening mental-health crisis (16:45).
• The Russian artists making a stand against the war
• An interview with Gabriele Finaldi, director of the National Gallery
• The miniature marvels of Charles Paget Wade
• A Yoruba masterpiece in focus
Plus: London’s art market after Brexit, the Huntington Library comes up to speed, the beauty of banality, and reviews of Maillol’s sculptures, gilded manuscripts and Van Leo’s photographs of Cairo
Described in its listing as ‘an unusually complete survival of a double courtyard house’ and by the historian Charles Henderson in his Parochial History of East Cornwall as ‘one of the most interesting and picturesque old houses in Cornwall’, the substantial stone farmhouse was remodelled as a manor house for the Atkin family on a double courtyard plan between 1656 and 1662.
The bright and cheerful main house offers more than 4,000sq ft of comfortable living space, including three reception rooms, a traditional farmhouse kitchen and six double bedrooms, with a further sitting room, dining room, kitchen, bedroom and bathroom in the attached cottage.
The complex includes two further cottages, one having five bedrooms, the other one bedroom. It comes with extensive barns and outbuildings, with footpaths leading across the fields to the South West Coast Path and the unspoilt beaches and dramatic rock formations around Morwenstow.
The artist discusses America’s fractured present and his fears for the future.
By Françoise Mouly, Art by Chris Ware
“Am I laughably naïve to think we might all somehow grow up and continue this relatively youngish two-hundred-and-forty-six-year-old experiment? I’m starting to think I am,” the artist Chris Ware said. His cover for the July 4, 2022, issue of the magazine captures the divides underlying this year’s Independence Day celebrations. As suburban real-estate agents prepare to carpet the nation’s lawns with miniature flags, millions of Americans are riveted to the proceedings of the House select committee investigating the January 6th attack on the Capitol. Down the street, the Supreme Court struck down, on June 23rd, a New York state law restricting the ability to carry a gun in public, even as the Senate voted to pass gun-control legislation in the aftermath of the Uvalde school shooting.
A.M. Edition for June 27. The leaders of the Group of Seven leading industrialized nations meeting in Germany are expected to agree on further sanctions against Russia over its invasion of Ukraine.
WSJ Germany correspondent Bojan Pancevski says Ukrainian President Volodymyr Zelensky addressed the G-7 summit asking for more weapons to be delivered to his country. Luke Vargas hosts.
Henri Matisse’s landmark painting “The Red Studio” documented the artworks displayed in his workspace just outside Paris as it existed in 1911. For the first time since then, almost all the individual pieces depicted in his painting have been reunited for an installation at New York’s Museum of Modern Art. Correspondent Rita Braver reports.
Monocle’s Tyler Brûlé and Georgina Godwin cover the weekend’s biggest discussion topics in this special Gstaad edition of the programme.
Is there a novel more revered—and more famously unread—than James Joyce’s Ulysses? Despite its complexities, this love letter to Dublin, published a century ago, is a very readable chronicle of everyday life and everyday struggles. It’s a book about marriage, sex, religion, food, art, loneliness, companionship, and so much else. It’s a book, that is, about life. We hope that the following essays will send you on a quest to discover, or rediscover, this most staggering of epics.
The divine, stark photographs of Robert Adams
