This week’s @TheTLS , featuring @Godwin_lives on Shelley’s unfinished poems; @devoneylooser on Charles Austen and the slave trade; @jeres on the life of a plongeur; @Mika_R_S on Anna Wintour; @RozKaveney on Samuel R. Delany; @nheller on the Buddha’s tooth – and more.
Category Archives: Stories
Morning News: Ukraine War & Future Conflicts, Italian Bank ‘Doom Loop’
A.M. Edition for July 6. Military strategists are learning in real time how future wars will be fought. WSJ Brussels bureau chief Dan Michaels explains how the war in Ukraine could shape future conflicts. Plus, the doom cycle haunting Italian banks. Luke Vargas hosts.
Opinion: The Long War In Ukraine, Supreme Court Activism, Business Books
A selection of three essential articles read aloud from the latest issue of The Economist. This week, how to win the long war in Ukraine, why the Supreme Court’s judicial activism will deepen cracks in America (10:20), and beach reads for business people (17:55).
Surrealist Art: Max Ernst’s ‘Attirement Of The Bride’
Attirement of the Bride is an example of Max Ernst’s veristic or illusionistic Surrealism, in which a traditional technique is applied to an incongruous or unsettling subject. The theatrical, evocative scene has roots in late nineteenth-century Symbolist painting, especially that of Gustave Moreau. It also echoes the settings and motifs of sixteenth-century German art. The willowy, swollen-bellied figure types recall those of Lucas Cranach the Elder in particular. The architectural backdrop with its strong contrast of light and shadow and its inconsistent perspective shows the additional influence of Giorgio de Chirico, whose work had overwhelmed Ernst when he first saw it in 1919.
Preview: The New Yorker Magazine – July 11, 2022
The New Yorker Fiction Issue was inspired by Jack Kerouac’s classic book “On the Road,” and the magazine features four writers’ reflections on memorable road trips.
Preview: The Burlington Magazine – July 2, 2022
Louise Bourgeois: Paintings Louise Bourgeois: The Woven Child
‘Je vois red’ raged Louise Bourgeois (1911–2010) on one of the loose sheets of paper that she made notes on, most often about herself and her work and, in this case, about the painting Natural history #2 (1944; Easton Foundation, New York), which struck her as all going wrong. Slipping between two languages, Bourgeois’s fury conforms to the themes of rage, the death drive and childhood aggression that the art historian Mignon Nixon has traced in the artist’s work in reference to the ideas of the psychoanalyst Melanie Klein.
Morning News: Southern Ukraine Strategy, Missing In Mexico, Friendly Smells
The city remains Ukraine’s only provincial capital to be taken by Russian forces—can Ukraine overcome its shortages of manpower and firepower to retake the province?
Mexico’s official missing-persons list has topped 100,000; our correspondent describes the skyrocketing total and piecemeal efforts to slow its rise. And research suggests that people choose their friends at least in part by smell.
Rainforest Views: How Açaí Is Harvested In Brazil
Most of the world’s açaí comes from the Amazon rainforest. People risk their lives to harvest the fruit, climbing palm trees that can grow taller than 50 feet. And while açaí has become one of the trendiest superfoods in recent decades, small farmers aren’t seeing a lot of the profits. The açaí industry has also taken heat over reports of child labor. We went to Brazil to find out how the world’s açaí gets from the Amazon to smoothie shops around the world.
The açaí palm, Euterpe oleracea, is a species of palm tree cultivated for its fruit, hearts of palm, leaves, and trunk wood. Global demand for the fruit has expanded rapidly in the 21st century, and the tree is cultivated for that purpose primarily
Sunday Morning: Stories And News From London, Merano & Lovran, Croatia
Monocle’s editorial director, Tyler Brûlé, joins us from Merano, Stephen Dalziel and Latika Bourke are in the studio in London to review the week’s biggest stories and we get an update from Monocle’s Guy De Launey in Lovran, Croatia.
