Tag Archives: Stories

The New York Review Of Books – September 19, 2024

The New York Review of Books (August 30, 2024) – The latest issue features:

The Secret Agent

Creation Lake by Rachel Kushner

Rachel Kushner’s fourth novel tells the story of a spy-for-hire who infiltrates the ranks of a radical French commune.

Venture-Backed Trumpism

Why have right-wing ideas found such an eager audience among tech elites during Biden’s presidency?

Succumbing to Spectacle

During the last half-century, artists, curators, and scholars have been increasingly preoccupied with the idea of spectacle and with how to embrace, critique, or co-opt the power of work that envelops and overwhelms the viewer.

Jenny Holzer: Light Line – An exhibition at the Solomon R. Guggenheim Museum, New York City, May 17–September 29, 2024

Tricks of the Light: Essays on Art and Spectacle by Jonathan Crary

The Avant-Gardists: Artists in Revolt in the Russian Empire and the Soviet Union, 1917–1935 by Sjeng Scheijen

The Most Conservative Branch

Reading the Constitution: Why I Chose Pragmatism, Not Textualism by Stephen Breyer

In his new book, Reading the Constitution, Stephen Breyer criticizes recent Supreme Court decisions on issues such as abortion and gun rights as the product of rigid and imperfect reasoning rather than of ideology, and he argues for a more pragmatic jurisprudence.

Preview: The New Yorker Magazine – Sept 2, 2024

A person riding on a bicycle in warm glowing sunlight seen through some trees.

The New Yorker (August 26, 2024): The latest issue features Pascal Campion’s “The Last Rays of Summer” – Biking into the first signs of fall. By Françoise MoulyArt by Pascal Campion

Can Kamala Harris Keep Up the Excitement Through Election Day?

Image may contain Crowd Person Audience Adult Speech and People

At the Democratic National Convention, the sense of relief was as overwhelming as the general euphoria—but the campaign against Donald Trump has only just begun. By Jonathan Blitzer

The Death of School 10

How declining enrollment is threatening the future of American public education. By Alec MacGillis

Why Was It So Hard for the Democrats to Replace Biden?

After the President’s debate with Trump, Democratic politicians felt paralyzed. At the D.N.C., they felt giddy relief. How did they do it?

Sunday Morning: Stories And News From Zürich, Bangkok And Copenhagen

Monocle on Sunday (August 25, 2024): Juliet Linley, Myriam Zumbühl and Florian Egli join Monocle’s editorial director, Tyler Brûlé, to discuss the weekend’s hottest topics.

We also speak to Monocle’s senior news editor, Christopher Cermak, on the highlights from the Democratic National Convention and get the latest news from Thailand with Monocle’s Bangkok correspondent, Gwen Robinson. Plus: Isabella Smith from Books & Company in Copenhagen shares the best new titles for autumn.

Preview: The New Yorker Magazine – August 26, 2024

Kamala Harris Donald Trump and their running mates ride a roller coaster.

The New Yorker (August 19, 2024): The latest issue features Barry Blitt’s “Roller Coaster” – The highs and lows of the campaigns for America’s highest office.

The Kamala Show

The Kamala Show

How Vice-President Harris’s public persona has evolved, from tough prosecutor to frozen interviewee to joyful candidate. By Vinson Cunningham

Trump’s Got Troubles

Trump’s Got Troubles

His campaign is careening, his poll numbers are slipping, and, after something of a summer lull, he is due for several confrontations in court.

Our Very Strange Search for “Sea Level”

As the oceans ebb and surge, staggering ingenuity has gone into inventing the measure. By Brooke Jarvis

Preview: The New Yorker Magazine – August 19, 2024

An illustration of a man on a beach.

The New Yorker (August 12, 2024): The latest issue features Charles Addams’s “Ascent” – A fresh printing of an age-old gag.

Funny/Unfunny: The Archival Comedy Issue

Do jokes express our otherwise taboo wishes? Or does everyone just need a pie in the face? By Emma Allen

In Search of the World’s Funniest Joke

The semi-serious science of why we laugh. By Tad Friend

Charlie Chaplin and the Business of Living

Chaplin’s epochal fame has tended to obscure the influences and instincts that infused his art with childlike purity.

Sunday Morning: Stories From Paris And Zürich

Monocle on Sunday (August 11, 2024): Colette Davidson and Francis Collings join Emma Nelson to discuss the latest news from Paris for our last programme at Maison Allianz.

We also discuss the technology of sportswear with the co-founder of Fusalp, Sophie Lacoste, and the former head of programming at La Machine du Moulin Rouge talks music and sports at the Olympic Games. Plus: Monocle’s editorial director, Tyler Brûlé, checks in from Zürich, and we hear from our roving Olympics correspondent, Kieran Pender. Allianz is a Worldwide Insurance Partner of the Olympic and Paralympic Games.

Preview: The New Yorker Magazine – August 12, 2024

A worker stands in an icecream store with unusual flavors.

The New Yorker (August 5, 2024): The latest issue features Roz Chast’s “Flavor of the Week” – The artist’s enticing (and not so enticing) tweaks to one of summer’s enduring pleasures.

The Supreme Court Needs Fixing, But How?

President Biden has proposed radical changes to the Court. Reviewing them is a reminder of why reform is so hard, despite dissatisfaction and a wealth of ideas.

By Amy Davidson Sorkin

Kamala Harris and the Understudy Effect

Kamala Harris and the Understudy Effect

Julie Benko, who hit it big after going on in place of Beanie Feldstein in “Funny Girl,” has a lot of advice for the Vice-President, now that she’s done with waiting in the wings.

By Zach Helfand

What Does Robert F. Kennedy, Jr., Actually Want?

The third-party Presidential candidate has a troubled past, a shambolic campaign, and some surprisingly good poll numbers.

By Clare Malone

Sunday Morning: Stories And News From Paris, London And St. Moritz

Monocle on Sunday (August 4, 2024): Agnes Poirier joins Emma Nelson at Maison Allianz in Paris for the latest news from Paris. Monocle’s editorial director, Tyler Brûlé, joins from St Moritz, and Philippe Marlière and Georgina Godwin give us the view from London.

Plus: Kieran Pender gives us the latest Olympics updates and we speak to the brothers Jules and Gédéon Naudet who have been selected to direct the official film of the Olympic and Paralympic Games Paris 2024.

Preview: The New Yorker Magazine – August 5, 2024

A person and a small child are together on a beach.

The New Yorker (July 30, 2024): The latest issue features Gayle Kabaker’s “Beach Walk” – The artist captures a sweet moment shared by her daughter and granddaughter.

Kamala Harris Isn’t Going Back

Kamala Harris Isn’t Going Back

Fifty years after Shirley Chisholm ran for the Presidency, we find ourselves yet again questioning the durability of outmoded presumptions about race and gender. By Jelani Cobb

The Republican National Convention and the Iconography of Triumph

In Milwaukee, with a candidate who had just cheated death, the resentment rhetoric of Trump’s 2016 campaign gave way to an atmosphere of festive certainty. By Anthony Lane

Gillian Anderson’s Sex Education

She became famous playing buttoned-up Agent Scully. But in midlife her characters often have a strong erotic charge—and now she’s edited “Want,” a book of sexual fantasies. By Rebecca Mead

Preview: The New Yorker Magazine – July 29, 2024

A man and a boy ride on a bicycle raising a French flag and an Olympic torch.

The New Yorker (July 22, 2024): The latest issue features Paul Rogers’s “Monsieur Hulot’s Olympics” – A French twist on the opening ceremony’s torch relay….

Where Do Republicans and Democrats Stand After the R.N.C.?

Biden imperilled his candidacy at the debate because of his inability to speak coherently. At the convention, Trump was doing something similar, and couldn’t stop. By Benjamin Wallace-Wells

Will Hezbollah and Israel Go to War?

Months of fighting at the border threaten to ignite an all-out conflict that could devastate the region.

Should We Abolish Prisons?

Our carceral system is characterized by frequent brutality and ingrained indifference. Finding a better way requires that we freely imagine alternatives. By Adam Gopnik