The jury has convicted the former President of thirty-four felony counts in his New York hush-money trial. Now the American people will decide to what extent they care.
In the courtroom with the former President at the moment he became a convicted felon.
By Rachel Nolan
How Things Fall Apart: What Happened to the Cuban Revolution
by Elizabeth Dore.
The Tribe: Portraits of Cuba
by Carlos Manuel Álvarez, translated by Frank Wynne and Rahul Bery.
In 1968, Fidel Castro invited an American anthropologist called Oscar Lewis to interview Cubans about their lives. Lewis was famous for an oral history project, conducted in a Mexico City slum, which he had turned into a book called The Children of Sánchez (1961). By recounting a poor family’s struggles and hustles, legal and otherwise, Lewis angered the country’s ruling party, which still described itself as ‘revolutionary’. The Mexican Revolution, like the Cuban Revolution after it, wasn’t supposed to have an end date. But after major gains, including redistributing land to landless farmers, it had been ‘interrupted’, as the historian Adolfo Gilly later put it. Lewis exposed the revolution’s unfinished business, and didn’t shy away from discussing the sexual peccadilloes of the poor. The Spanish-language edition of Children of Sánchez was published in 1964, but thanks to a lawsuit claiming the material was ‘obscene and denigrating’, the book wasn’t freely available in Mexico for several years.
The Freaks Came out to Write: The Definitive History of the ‘Village Voice’, the Radical Paper That Changed American Culture
by Tricia Romano.
In the mid-1960s, the Village Vanguard jazz club in Greenwich Village held Monday night speak-outs. At one of them – an evening billed as ‘Art and Politics’ – the Black poet and playwright LeRoi Jones (soon to become Amiri Baraka) held forth, along with the Black saxophonist Archie Shepp and the white painter Larry Rivers. The audience was composed almost entirely of people like me and my friends: white middle-class liberals and radicals, many of whom were veteran civil rights activists. We had trooped into the Vanguard expecting to make common cause with the speakers, but Jones did not look kindly on us. In fact, he quickly told us we weren’t wanted in the civil rights movement, that we were just an interference, only there to make ourselves feel good. Then he pointed his finger and roared: ‘Blood is going to run in the seats of the theatre of revolution, and guess who’s sitting in those seats!’
Country Life Magazine (May 28, 2024): The latest issue features…
We salute youAs Blind Veterans UK pays its own special tribute to survivors of the D-Day operation, Octavia Pollock puts words to Richard Cannon’s poignant photographs
Allan Mallinson examines the key role that country houses played in preparations for D-Day, aided by well-stocked wine cellars and countesses in the canteen
Was the 1924 British Everest Expedition a success or failure? Robin Ashcroft takes a broad perspective as he sifts through a century of speculation
In the first of four articles, Annunciata Elwes investigates how flexible working has opened up the North to City commuters
Holly Kirkwood explores the Balearic Islands — the life and sol of the Mediterranean Sea
Chelsea provides many magic moments for Tiffany Daneff, who finds inspiring gardens on Main Avenue and in the Great Pavilion
John Wright raises a glass to hops, that stalwart ingredient of the ale-brewing industry
Before his death last month, the celebrated conductor selected a compelling and inspiring work
In the second of two articles, John Goodall charts the recent history of Hartland Abbey, Devon
Kate Green reveals Thomas Darley’s role in the story of the English Thoroughbred horse
A Passage to India reflects the rising tensions of the British Raj. Matthew Dennison revisits the masterpiece 100 years on
John Lewis-Stempel marvels at the variety of microscopic wild-life that calls tree bark home
Hetty Lintell serves up a new tennis collection, plus Heston Blumenthal’s favourite things
A bright, colourful drawing room and Alidad at Wow!house
Charles Quest-Ritson reveals how springs have shaped Selehurst garden in the West Sussex Weald
Melanie Johnson celebrates sweet and juicy strawberries
The ancient Greeks harnessed its medicinal powers, but yarrow now has a role to play in modern agriculture, discovers Ian Morton
Sergio García Sánchez’s “Scoot” – The artist depicts the thrill of leaning into summer in the city.
Biden’s a pedophile; Trump’s a fascist; the maga Hasidim have to get their act together—and other sentiments spewed at the former President’s rally in Crotona Park.
The team at Autopilot, an app that lets you copy the trades of Nancy Pelosi’s husband (up forty-five per cent last year) or Dan Crenshaw (up forty-one), choose their newest offering.
The Week In Art Podcast (May 24, 2024): As the Louvre’s director admits that the Paris museum wants to move its most famous painting away from the crowded gallery in which it is currently displayed, we ask the Leonardo specialist Martin Kemp: does the museum have a Mona Lisa problem?
We also talk about the painting’s continuing allure and the ongoing efforts to explain its mysteries. In London, remarkably, Judy Chicago has just opened her first major multidisciplinary survey in a British public gallery, at the Serpentine North. We talk to her about the show. And this episode’s Work of the Week is Christian Schad’s Self-Portrait with Model (1927). The painting features in Splendour and Misery: New Objectivity in Germany at the Leopold Museum in Vienna. Hans-Peter Wipplinger, the director of the museum and co-curator of the show, tells us more.
Judy Chicago: Revelations, Serpentine North, London, until 1 September.
Splendour and Misery: New Objectivity in Germany, Leopold Museum, Vienna, until 29 September.
The New Criterion – The June 2024 issue features:
On combating anti-Semitism & anti-Americanism.
On White Rural Rage by Tom Schaller & Paul Waldman.
On The Gulag Archipelago at fifty.
On the town’s history & architecture.
R. Kikuo Johnson’s “Genuine Style” – The artist depicts all the luxuries the city has to offer.
Since Roe v. Wade was overturned, G.O.P. efforts to ban abortion have backfired with voters in many states—and they could do so again in November.
At 100 Centre Street, another man charged with falsifying business records had a good day in court.
Country Life Magazine (May 14, 2024): The latest issue features…
This year’s RHS Chelsea Flower Show is poised to celebrate the unfolding freshness and energy of deciduous woods in May, as Kathryn Bradley-Hole discovers
Garden designer Tom Stuart-Smith is returning to Chelsea’s Main Avenue for the first time in 14 years for the National Garden Scheme, reveals Joanna Fortnam
It’s raining ancient folklore and proverbs as John Lewis-Stempel relies on jumping trout, croaking frogs and chirping crickets to predict the great British weather
Carla Passino examines how the brushstrokes of Monet, Turner, Klimt and Canaletto are providing colour and inspiration at Chelsea
Cathryn Spence airs the story of how—250 years ago—Joseph Priestley ‘discovered’ oxygen at Bowood House in Wiltshire
The director of London’s Charles Dickens Museum picks a classic snapshot of the capital’s skyline
Bess of Hardwick was the first of many influential Chatsworth women, as Kate Green learns
George Plumptre admires the simple beauty of the gardens at Pusey House in Oxfordshire
What makes a comfortable garden seat, asks Tiffany Daneff
Amelia Thorpe seeks out crafted benches to suit every garden
In the final part of her series, Anna Brown is focused on harvesting
Clive Aslet lauds the enduring influence of the prolific Victorian architect George Edmund Street
Marianne Taylor is captivated by the curious beauty of molluscs
Deborah Nash visits the last British firm creating horsehair fabric
The Royal Countryside Fund reception at Fortnum & Mason
Amelia Thorpe takes a look at six of the best WOW!house creations
Hetty Lintell is wowed by jewels celebrating the National Gallery
The arrival of new-season carrots is applauded by Melanie Johnson
John Wright is playing with fire as he investigates horseradish
Deborah Nicholls-Lee dreams of dainty white flowers and a fragrant lawn that never needs mowing
Sir Ian McKellen lends a ‘silvering dignity’ to Shakespeare’s famed roisterer, finds Michael Billington
Haaretz consistently attempts to wrestle with the realities of what is going on in Israel, Gaza, and the West Bank.
By David Remnick
Colleagues reportedly called Lucy Letby an “angel of death,” and the Prime Minister condemned her. But, in the rush to judgment, serious questions about the evidence were ignored.
The Week In Art Podcast (May 10, 2024): We talk to The Art Newspaper’s reporter Sarvy Geranpayeh about her conversations with six Palestinian artists about their daily lives amid Israel’s ongoing military offensive in Gaza.
Frank Stella, one of the key artists in the history of American abstraction, has died, aged 87. We speak to Bonnie Clearwater, the director and chief curator of the NSU Art Museum in Fort Lauderdale, Florida, who worked with Stella on two landmark shows. And as Spring finally arrives in London, this episode’s Work of the Week is, fittingly, Vanessa Bell’s View into a Garden (1926). It features in an exhibition opening next week at the Garden Museum in London, called Gardening Bohemia: Bloomsbury Women Outdoors. Emma House, the curator at the museum, tells me more.
Glory of the World: Color Field Painting (1950s to 1983), NSU Art Museum Fort Lauderdale, US, until 25 August. Frank Stella: Recent Sculpture, Deitch Projects, New York, until 24 May.
Gardening Bohemia: Bloomsbury Women Outdoors, Garden Museum, London, 15 May-29 September.
Intellicurious 