This week’s issue of the TLS, featuring @George_Berridge , Claire Lowdon and Edmund Gordon on new books by Cormac McCarthy, Barbara Kingsolver and George Saunders, respectively; Gabriel Josipovici on Cézanne; @15thcgossipgirl on Chaucer’s innocence; @rinireg on hatred – and more.
Getting Lost by Annie Ernaux, translated from the French by Alison L. Strayer
Annie Ernaux, the 2022 Nobel Literature laureate, has published a diary of a sublime love affair—both a quest for self-awareness and a desire to escape the self—in which she traces a familiar arc of loss.
American prisons are often unjust, inhumane, and ineffective at protecting public safety. Mariame Kaba and Ruth Wilson Gilmore believe they should be eliminated entirely.
We Do This ’Til We Free Us: Abolitionist Organizing and Transforming Justice by Mariame Kaba, edited by Tamara K. Nopper and with a foreword by Naomi Murakawa
Abolition Geography: Essays Towards Liberation by Ruth Wilson Gilmore, edited by Brenna Bhandar and Alberto Toscano
Yasmine Seale’s new translation of The Thousand and One Nights has a texture—tight, smooth, skillfully patterned—that make previous versions seem either garish or slightly dull by comparison.
The Annotated Arabian Nights: Tales from 1,001 Nights translated from the Arabic by Yasmine Seale, edited and with an introduction and notes by Paulo Lemos Horta
To what extent did newspapers influence public opinion in the US and Britain before and during World War II?
The Newspaper Axis: Six Press Barons Who Enabled Hitler by Kathryn S. Olmsted
The Media Offensive: How the Press and Public Opinion Shaped Allied Strategy During World War II by Alexander G. Lovelace
The filmmaker Jafar Panahi’s recent arrest in Tehran’s notorious Evin prison marks the latest phase in a campaign that the Iranian judiciary has been waging against him for over a decade.
No Bears a film written and directed by Jafar Panahi
Felix Frankfurter was renowned as a liberal lawyer and advocate. Why did he turn out to be such a conservative Supreme Court justice?
Democratic Justice: Felix Frankfurter, the Supreme Court, and the Making of the Liberal Establishment by Brad Snyder
A historical survey of the personal essay shows it to be the purest expression of the lie that individual subjectivity exists prior to the social formations that gave rise to it.
Soldier. Farmer. Felon. Writer. Father. Lover.
One man, many lives.
Born in 1799, Cashel Greville Ross experiences myriad lives: joyous and devastating, years of luck and unexpected loss. Moving from County Cork to London, from Waterloo to Zanzibar, Cashel seeks his fortune across continents in war and in peace. He faces a terrible moral choice in a village in Sri Lanka as part of the East Indian Army. He enters the world of the Romantic Poets in Pisa. In Ravenna he meets a woman who will live in his heart for the rest of his days. As he travels the world as a soldier, a farmer, a felon, a writer, a father, a lover, he experiences all the vicissitudes of life and, through the accelerating turbulence of the nineteenth century, he discovers who he truly is. This is the romance of life itself, and the beating heart of The Romantic.
Discover a decade of exploration and renewal in the work of Henri Matisse. On view October 20, 2022–January 29, 2023 at Philadelphia Museum of Art.
12 October 2022 – 5 February 2023
Think you know about the Impressionists? Louvre Abu Dhabi, in partnership with the Musée d’Orsay, invites you to think again with Impressionism: Pathways to Modernity, one of the most significant Impressionist exhibitions ever to be held outside France.
Featuring pioneering works by Manet, Degas, and Monet, Pissarro, Renoir, and Cézanne, the exhibition brings together more than 150 masterpieces alongside etchings, costumes, film and photography to explore why Impressionism was considered so shocking in the 19th century and how it paved the way for the artistic revolutions that were to come.
Born at a time of profound social, political, and cultural upheaval, Impressionism was more than mere artistic rebellion. It saw some of history’s bravest and most visionary painters embrace and extoll new ways of seeing, making art, and living. They celebrated this thrilling new reality, representing truthful observations of nature and modern life.
The result was a fundamentally new and different kind of art, unburdened by artistic and academic convention or tradition, whose radicalism, honesty, and bravery continues to inspire artists to this day.
This week’s @TheTLS , featuring Rosemary Righter and @peterfrankopan on Xi Jinping; @LaurenElkin on Annie Ernaux; @pottmeister on John le Carré; @MirandaFrance1 on Clarice Lispector; @Lordoflongitude on measurement – and more.
“I try to paint the paintings like the window into life, you can step into the painting and enjoy your own walk through the streets or take a seat and enjoy a meal…”
This extraordinary Francis Bacon triptych from the William S. Paley Collection is one of the true masterpieces of his career and marks the first inception of his painting of Henrietta Moraes, who became one of his most famous and preferred sitters.
Held in stewardship by the Museum of Modern Art in New York for the last 30 years, it is coming to market for the first time since William S. Paley acquired it from the Marlborough Gallery.
Francis Bacon was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
To learn more about one of the great bohemian muses of the 1950’s and 1960’s, Henrietta Moraes, please click here: https://www.sothebys.com/en/articles/…
FT Weekend Magazine – October 8, 2022
In an exclusive interview, Tesla chief Elon Musk talks to FT editor Roula Khalaf about moving to Mars, saving free speech — and why ageing is the one ‘problem’ that should not be solved
This week: Georgina Adam joins Ben Luke to discuss the intriguing story of the bankrupt entrepreneur and art collector, the museum scholar and a host of Old Master paintings given new attributions.
We talk to Suzanne Pagé, the curator of Monet-Mitchell, an exhibition bringing together the Impressionist Claude Monet and the post-war American abstract painter Joan Mitchell, at the Fondation Louis Vuitton in Paris.
And this episode’s Work of the Week is a 1583 painting of Elizabeth I of England, known as the Sieve Portrait, which is one of the highlights of the Metropolitan Museum of Art in New York’s exhibition The Tudors: Art and Majesty in Renaissance England. The show’s curators, Elizabeth Cleland and Adam Eaker, tell us about this richly layered picture.
Monet-Mitchell, Joan Mitchell retrospective, Fondation Louis Vuitton, Paris, until 27 February 2023. Joan Mitchell: Paintings, 1979-85, David Zwirner, New York, 3 November-17 December.The Tudors: Art and Majesty in Renaissance England, Metropolitan Museum of Art, New York, 10 October-8 January 2023 Hosted on Acast. See acast.com/privacy for more information.
