Tag Archives: Arts & Culture

Perspectives: Harper’s Magazine – January 2023

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Harper’s Magazine – January 2023 Issue:

Truth Takes a Vacation

Trumpism and the American philosophical tradition

Twenty-five years ago, the philosopher Richard Rorty accomplished something many writers aspire to but few ever pull off: he predicted the future. Toward the end of his 1998 book Achieving Our Country, Rorty considered the possibility that “the old industrialized democracies are heading into a Weimar-like period, one in which populist movements are likely to overturn constitutional governments.”

Boomtown

A solar land rush in the West

A solar farm in the Mojave Desert. All photographs from Nevada by Balazs Gardi, October and November 2022, for Harper’s Magazine 

Arts & Culture: The New Yorker – December 26, 2022

A hand draws an intricate drawing involving two characters Circle and Square.
“Ups and Downs”  by Chris Ware

The New Yorker – December 26, 2022 issue:

Roz and Emily Eat Their Way Through Midwood

Our first stop: a cheese Danish. Can’t skip breakfast

What Kevin McCarthy Will Do to Gain Power

Kevin McCarthy behind a shadow of Trump.

The Republican leader’s ambition has always been his defining characteristic. Attempting to placate both Trumpists and moderates may lead to his downfall.

Picturing the Cove Inn

Memories of a high-school job at a local seafood restaurant, blurred by time.

Culture: The New Review Magazine – Dec 11, 2022

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@ObsNewReview December 11, 2022 – Those we lost in 2022:

Hilma af Klint: A Biography by Julia Voss review – portrait of the painter as a mystic

The Swedish abstract artist who conversed with the dead is described as a woman years ahead of her time in this scholarly, sympathetic study

My Life in Sea Creatures by Sabrina Imbler review – the joys of jellyfish, sturgeon and whales

The gifted science writer’s lyrical collection doesn’t always flow smoothly between reverie and fact, but remains intriguing

Culture: The New Review Magazine – Dec 4, 2022

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@ObsNewReview – December 4, 2022 issue:

American photographer Nan Goldin on conquering her opioid addiction and taking on the Sackler dynasty Interview by Sean O’Hagan.

On my radar: @davidshrigley

What broke Made.com? by @ameliargh

Does religious faith lead to a happier life? By @d_a_robson

Q&A with @aj_vasan by @AmmarKalia2

And our critics on the week’s arts highlights

Arts & Culture: The New Criterion – December 2022

Inside the December 2022 issue:

Art a special section
Memories of Clement Greenberg  by Pat Lipsky
A library by the book  by James Panero
Tudors at the Met  by Marco Grassi
Collecting misery  by Anthony Daniels
David Smith: a sculptor in full  by Eric Gibson
The Spanish Sargent  by Karen Wilkin
Pergolesi: a very sharp & mechanical man  by Benjamin Riley


New poems  by Bruce Bond & John Poch

Culture: The New Review Magazine – Nov 6, 2022

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Inside the November 6, 2022 Issue:

TS Eliot’s women: the unsung female voices of The Waste Land

Dylan: The Greatest Thing I’ll Never Learn review – messy, punky pop thrills

The week in theatre: Tammy Faye; Hamlet; Marvellous – review

The best recent crime and thriller writing

The best recent crime and thriller writing

Preview: The Burlington Magazine – Nov 2022

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The Parthenon sculptures

It is now forty years since Melina Mercouri, the Greek Minister for Culture from 1981 to 1989, famous also as a film star and singer, addressed UNESCO’s World Conference on Cultural Policies to draw international attention to the campaign with which she would be identified until her death in 1994, the repatriation to Athens of the Parthenon sculptures in the British Museum. ‘We are not asking for the return of a painting or a statue’, she said: ‘We are asking for the return of a portion of a unique monument, the privileged symbol of a whole culture’. 

The Painters of Pompeii

As images, ancient Roman wall paintings command attention for their bold compositions, vibrant and saturated colours, convincing naturalism and the fantastical mythologies they depict. As objects they also captivate for the dramatic circumstances surrounding their near- destruction, the miracle (or rarity) of their survival and the alchemical nature of lime plaster and pigment.

Previews: The New Yorker Magazine – Oct 31, 2022

People dressed in Halloween costumes including a vampire a pirate and Batman walk through Grand Central.

The New Yorker – Inside the October 31, 2022 Issue:

Will Sanctions Against Russia End the War in Ukraine?

D.C. bureaucrats have worked stealthily with allies to open a financial front against Putin.

How Samuel Adams Helped Ferment a Revolution

Portrait of Samuel Adams writing on a chair.

A virtuoso of the eighteenth-century version of viral memes and fake news, he had a sense of political theatre that helped create a radical new reality.

Sergio García Sánchez’s “Old Haunts”

The artist discussed Día de todos los santos and taking inspiration from the Old Masters.

By Françoise Mouly, Art by Sergio García Sánchez

Previews: Art In America Magazine – October 2022

Magazine cover shows a person dancing

DISABILITY CULTURE SO FAR

A 40-year timeline of disability art and moments that make up a movement.

THE EXCHANGE: SCIENCE FICTIONS
by American Artist with Lou Cornum

An artist and a sci-fi scholar share their esteem for novelist Octavia Butler, who extrapolated future worlds from troubled times.

HARD TRUTHS: MIC DROP
by Chen & Lampert

Artist-curators Howie Chen and Andrew Lampert offer advice on karaoke and other forms of art world hobnobbing.

There have been very few issues of art magazines devoted to disability. There ought to be more. As Art in America associate editor Emily Watlington, who took the lead on this issue, writes in her essay “Our Work Is Working,” disabled artists have been crucial to progress in disability justice and the art world in general, whether through storytelling, empathy-building, or outright activism. These artists place disability where it belongs: at the heart of creativity itself.