Twenty years after the one organised by the Centre Pompidou in 2003, this exhibition offers a fresh look at the artist’s work, drawing on more recent thematic exhibitions that have highlighted certain little-known aspects of his career (Antibes in 2014, Le Havre in 2014, Aix-en-Provence in 2018).
He was a late-comer to photography, buying his first camera when he turned forty and studying black-and-white technique at the International Center of Photography. His interests expanded to color imagery when he adopted digital photography in 2001.
He also reviews photography exhibitions for the New York Photo Review. He is a long-time member and past president of Soho Photo Gallery.
Explore more of Wayne’s work on his website at https://www.rwayneparsons.com/.
In 1991 when Sir Elton John bought a duplex-apartment at Park Place on Peachtree Road in Atlanta’s coveted Buckhead neighbourhood, he couldn’t have imagined the extent to which the city would transform him personally and professionally.
In the past few years, chronic absenteeism has nearly doubled. The fight to get students back in classrooms has only just begun.
Absenteeism underlies much of what has beset young people, including falling school achievement, deteriorating mental health, and elevated youth violence.
From opposite directions, the revolutionary intellectual and the creator of James Bond saw violence as essential—psychologically and strategically—to solving the crisis of colonialism.
More than fifty years later, Zohra Drif could still picture the Milk Bar in Algiers on September 30, 1956. It was white and shining, she recalled, awash in laughter, young voices, “summer colors, the smell of pastries, and even the distant twittering of birds.” Drif, a well-coiffed law student in a stylish lavender dress, ordered a peach-Melba ice cream and wedged her beach bag against the counter. She paid, tipped, and left without her bag. The bomb inside it exploded soon afterward.
The Burlington Magazine – January 3, 2024: The new issue features ‘The Golden Age of Avignon’ – Avignon as ‘New Rome’; Rubens and women; Tiepolo in New York; Gertrude Stein and Picasso, and more….
A vivid photograph of a lotus pond ushers visitors into this ambitious exhibition on the arts and culture of Jiangnan. Lying to the south of the Yangtze – its name literally means ‘south of the river’ – this part of China includes such major cities as Shanghai, Hangzhou and Suzhou. Curated by Clarissa von Spee, Chair of Asian Art and the James and Donna Reid Curator of Chinese Art at the Cleveland Museum of Art (CMA), this is the first exhibition outside China to present an encyclopaedic view of the cultural history of this historically affluent region.
Ever since the Walpole Society was founded in London in 1911 ‘with the object of promoting the study of the history of British art’, The Burlington Magazine has taken a close interest in an organisation with aims and principles so close to our own: this is the sixth Editorial we have devoted to the subject. The first, written by the art historian August F. Jaccaci, who edited the Magazine’s ‘Art in America’ section, appeared in 1913 on the occasion of the publication of the first of the annual volumes that are the society’s raison d’être.
He began as more of a tutor than a talent. But in his final decade he lent a keen eye-in-the-sky view to the Paris streets, rendering miracles of kinetic characterization.
By Adam Gopnik
It’s one of the stranger anomalies of French intellectual life that Impressionist painting—by far the most influential of French cultural enterprises—has received so little attention from the most ambitious French critics and philosophers. One can page through André Gide’s journal entries, a lot of them on art, or through Albert Camus’s, and find very little on Claude Monet or Edgar Degas (and much more on the Symbolists, a group that was far easier for a literary man to “get”). Marcel Proust cared passionately for painting, and his hero-painter Elstir has touches of Monet, but in order to make him interesting Proust had to model him on the more histrionic James McNeill Whistler, with samplings from a forgotten American painter added in.
Following Hamas’s October 7th attack and Israel’s invasion, Mosab Abu Toha fled his home with his wife and three children. Then I.D.F. soldiers took him into custody.
Three exhibitions in the Engadin Valley explore how the Swiss mountains have inspired some of the painter’s most playful work
The festive bird has often been served up by artists and writers including J.M.W. Turner and Charles Dickens
Trade was conducted on an unprecedented scale, banks were established, and coinage proliferated like never before. The widespread use of money in everyday life transformed every aspect of European society, including its values and culture. Bringing together some of the most acclaimed manuscripts in the Morgan’s collection and other exceptional objects including a renaissance purse, a brass alms box, and a hoard of coins, this exhibition will explore the fate of the avaricious, attitudes towards the poor, contentious lending practices, and money management.
The famous Hours of Catherine of Cleves, the Hours of Henry VIII, and the Prayer Book of Queen Claude de France will be presented from a decidedly new angle, combining economic and art history to consider the early history of capitalism and the crisis in values that it sparked. These will feature alongside lesser known treasures, including an Italian account book in its original binding and a stunning leaf from a register of creditors made in Bologna, Italy, in 1394–95. As people today reflect on fluctuating markets, disparities in wealth, personal values, and morality, the themes addressed in this exhibition are as relevant as ever.
The puzzles spread from the United States across the globe, but the American crossword today doesn’t always reflect the linguistic changes that immigration brings.
By Natan Last
Root around in the alphanumeric soup of the U.S. visa system for long enough and you’ll discover the EB-1A, sometimes known as the Einstein visa. Among the hardest permanent-resident visas to obtain, it is reserved for noncitizens with“extraordinary ability.” John Lennon got a forerunner of it, in 1976, after a deportation scare that could have sent him back to Britain. (His case, which spotlighted prosecutorial discretion in immigration law, forms the legal basis for the Deferred Action for Childhood Arrivals program, or daca.) Modern-day recipients include the tennis star Monica Seles and—in a tasteless bit of irony—the Slovenian model Melania Knauss, in 2001, four years before she became Melania Trump.
“Hypercars” can approach or even exceed 300 m.p.h. Often costing millions of dollars, they’re ostentatious trophies—and sublime engines of innovation.
By Ed Caesar
A Bugatti Chiron Super Sport, near the company’s factory, in Molsheim, France. The car, which has lusciously curved side panels, has been produced in a limited run of five hundred. Although its engine is as big as a Shetland pony, the interior is eerily quiet.
Revisiting old haunts leads to revelations about “real life.”
By Julia Wertz
A compact album presentation of Hockney’s newest explorations in portraiture
This concise volume illustrates around 40 acrylic on canvas works painted by David Hockney (born 1937) at his Normandy studio—depicting his friends and visitors, as well as the artist himself. David Hockney: Normandy Portraits showcases a series of some previously unseen portraits, across 48 pages, uninterrupted by text, to allow readers to engage directly with the artworks.
These new works highlight the ongoing importance of portraiture within the artist’s practice and demonstrate his sentiment that “drawings and paintings … are a lot better than photographs to give you a sense of the person.”
Hockney returned to painting after an intensive period spent depicting the Normandy landscape using an iPad. The portraits were painted quickly and directly onto the canvas without underdrawing. As Hockney has said, “to do a portrait slowly is a bit of a contradiction.”
Intellicurious 