Tag Archives: Arts & Literature

Reviews: ‘The Week In Art’

The Week In Art Podcast (February 24, 2023): Nigeria heads to the polls this weekend; what are the implications for its museums and art scene?

Dolly Kola-Balogun, director of the Retro Africa gallery in Abuja, reflects on the candidates and discusses the importance of art, and culture more widely, to the country’s future. We also talk to Patrick Bringley, the author of a new book All the Beauty in the World: the Metropolitan Museum of Art and Me, in which he reflects on his experiences as a guard at the museum and coming to terms with the loss of his brother.

And this episode’s Work of the Week is Boats in Front of the Grotto in the Park at Méréville by Hubert Robert. It features in The Garden: Six Centuries of Art and Nature at the Nationalmuseum in Stockholm, whose curator, Magnus Olausson, tells us about the painting.All the Beauty in the World: The Metropolitan Museum of Art and Me, by Patrick Bringley, Simon and Schuster (US) $27.99, out now. The Bodley Head (UK), £20, 16 March.The Garden—Six Centuries of Art and Nature, Nationalmuseum, Stockholm, Sweden, until 7 January 2024. 

Arts & Life: FT Weekend Magazine – Feb 25, 2023

Image

FT Weekend Magazine – February 25, 2023 issue:

Joshua Reynolds’ ‘Portrait of Omai’ is a national treasure. Why is Britain struggling to keep it?

The fight to save the iconic work reflects a painful truth about the UK’s financial state

It’s time for a serious tax on guns in America

‘Not one inch’: unpicking Putin’s deadly obsession with the details of history

Culture: Country Life Magazine – Feb 22, 2023

Country Life Magazine – February 22, 2023 issue:

Notes from an old master

Charlotte Mullins talks to Dutch Old Masters dealer Johnny van Haeften about Brexit, biscuits and the state of the art market

Beauty is in the eye of the brush holder

Michael Prodger explores the ugly face of art, complete with jutting jawlines, rubbery lips and potato-shaped noses

Go ahead, jump!

Traditionally a symbol of fertility and a fairy-tale prince, our frogs are facing an uncertain future, discovers Ian Morton

A cut above

A trio of British growers offers advice to Tiffany Daneff on how to start a cutting garden

The ‘firework’ master

The multitalented John Piper should be celebrated as one of the great polymaths of the 20th century, argues Peyton Skipwith

Reviews: Times Literary Supplement – Feb 24, 2023

Image

Times Literary Supplement @TheTLS (February 24, 2023) features Geoffrey Wheatcroft on the US and the First World War; @SarahJLonsdale on Vera Brittain and Winifred Holtby; @nicolaupsonbook on Josephine Tey; @MirandaFrance1 on the Condor trials; @cesca_peacock on Poets in Vogue – and more.

Preview: London Review Of Books – March 2, 2023

Image

London Review of Books (LRB) – March 2, 2023 issue:

This Concerns Everyone

All of us depend, in early age and often at the end of life, on the care of others. We are shaped by individual, consequential but highly contingent acts of care, or their absence. 


Labours of Love: The Crisis of Care 
by Madeleine Bunting

The Care Crisis: What Caused It and How Can We End It? by Emma Dowling

Cannibal Capitalism: How our System is Devouring Democracy, Care and the Planet by Nancy Fraser

Top of the Lighthouse

It is one of the curious qualities of the lighthouse that while its raison d’être is to be visible, durable and stable in the most adverse conditions, it is often seen as a site of ambiguity and insecurity.

Previews: The New Yorker Magazine – Feb 27, 2023

“Curiosities” by Edward Steed.

The New Yorker – February 27, 2023 issue:

It’s Time to Rethink the Idea of the “Indigenous”

A set of five heads connected by string. Each face is showing a different part of a map.

Many groups who identify as Indigenous don’t claim to be first peoples; many who did come first don’t claim to be Indigenous. Can the concept escape its colonial past?

Itamar Ben-Gvir, Israel’s Minister of Chaos

As unrest roils the country, a controversial figure from the far right helps Benjamin Netanyahu hold on to power.

The Dystopian Underworld of South Africa’s Illegal Gold Mines

When the country’s mining industry collapsed, a criminal economy grew in its place, with thousands of men climbing into some of the deepest shafts in the world, searching for leftover gold.

Arts & Literature: The New Criterion – March 2023

Image

The New Criterion – March 2023 issue:

Names, pronouns & the law  by Joshua T. Katz
Balanchine’s Austrian evening  by Laura Jacobs
A Jewish life in the Third Reich  by Bruce Bawer
Learning from David Milch  by William Logan


New poems  by Michael Weingrad & Henri Cole

The New York Times Book Review – February 19, 2023

Image

The New York Times Book Review – February 19, 2023:

When the Government Goes Top Secret, Who Can Write Its History?

In “The Declassification Engine,” Matthew Connelly traces the evolution of America’s obsession with secrecy and the alarming implications for our understanding of the past.

Walter Mosley’s New York: Classes Divided, Races at War

His new novel, “Every Man a King,” is a hard-boiled tale of billionaires, white nationalists and a detective with a complicated past.

International Literature: Lush Landscapes, Hazy Memories

CREDITJOHN GALL

New books from Kevin Jared Hosein, Pilar Quintana, Nona Fernández and Patrick Modiano.

The New York Review Of Books – March 9, 2023

Download The New York Review of Books - March 9, 2023 - SoftArchive

The New York Review of Books – March 9, 2023:

Peddling Darkness

True crime stories, like Sarah Weinman’s Scoundrel, make for suspenseful reading. But do they exploit the criminal, and deepen a thirst for punishment?

Commanders and Courtiers

The Howe family achieved an influential position of power in late-eighteenth-century Britain, propelled by the shrewd social intelligence of the Howe women.

Art: ‘Joan Miró – Absolute Reality. Paris, 1920–1945’

ARSCRONICA (February 12, 2023) – The Guggenheim Museum Bilbao is set to host a retrospective of Catalan artist Joan Miró that will display dozens of works made during his stay in Paris between 1920 and 1945.The temporary exhibition “Joan Miró. Absolute reality. Paris, 1920-1945” will open on Friday until May 28.

The Guggenheim Museum Bilbao presents Joan Miró. Absolute Reality. Paris, 1920–1945, an exhibition that explores the career between the years 1920 and 1945 of one of the most outstanding artists of the 20th century. The start of this fundamental period in Miró’s oeuvre is marked by the date of his first trip to Paris, a key city in his life and work, and it closes with the year when Miró, after producing his Constellations (1940–41) and then hardly painting at all for some years, created a great series of works on white backgrounds that consolidated his language of signs floating on ambiguous grounds.

In the 25 years of activity covered by the exhibition, there is a constant flow of new ideas ranging from his initial magic realism to his language of constellated signs. In this development, it becomes clear that prehistoric art, including rock paintings, petroglyphs, and statuettes, held a special interest for Miró, a fascination confirmed by his notebooks, where he proposes returning to the dawn of art in order to retrieve its original spiritual sense.