The foremost guide to the historic camps of the Adirondacks―a unique vernacular style of rustic architecture designed to complement the land. Now available in a 
second and enlarged edition, here is the foremost guide to the historic camps within America’s spectacular forest preserve, the six million acre Adirondack Park.
When first published in 1982, Great Camps of the Adirondacks launched a campaign for the preservation of these architectural treasures while also sparking a trend in great camp-inspired home design, a cohesive approach to building that author Harvey H. Kaiser named Adirondack Rustic Style.
In this second edition, preservationists will find a success story. Designers and builders will discover page after page of inspiration. All readers will see the history of a region unfold as Americans from the mid-1870s to the late-1930s, including the very wealthiest New Yorkers, sought out the wilderness. The camps they built as private seasonal retreats are distinguished both as architectural responses to the Adirondack environment in the use of logs and stone, and as successful examples of buildings blended into the forest and the natural contours of the mountains and lakes―homes built to serve as beautiful complements to the land itself.
Harvey H. Kaiser served as the Senior Vice President for Facilities Administration and University Architect at Syracuse University between 1972 and 1995. His 1982 book Great Camps of the Adirondacks popularized the term “Great Camps” to refer to the grand summer residences that wealthy families built in the Adirondack Mountains in the nineteenth century, and revitalized interest in these sites. Several studies on western national park architecture culminated in his 2008 book The National Park Architecture Sourcebook.
Steven Engelhart is the executive director of Adirondack Architectural Heritage (AARCH) located in Keeseville, New York. AARCH is a private, nonprofit. historic preservation organization for New York State’s Adirondack Park, whose mission is to promote better public understanding, appreciation, and stewardship of the region’s architecture, communities, and historic sites.
Throughout, the attention to detail is meticulous: mosaic floors of mythical beasts; intricately painted ceilings of interlocking wooden beams. The walls of the Andron, traditionally the male quarters of an ancient Greek household, are streaked with three types of Tuscan marble: ochre Siena, mauve Fleur de Pêcher, and grey-white Carrara. In Mrs Reinach’s bathroom, an immense bathtub weighing one tonne is balanced on two lion paws. Above its ornamental bronze taps, a low-relief frieze depicts the chariot of Demeter. From every window stretches a panorama of glittering blue.
“Tangier is the crossroads of so many civilizations,” says AD100 talent Frank de Biasi of the evocative Moroccan port city that he and his partner, the multifaceted designer Gene Meyer, have made their home. “There’s a central energy here,” he explains, “where the Atlantic meets the Mediterranean, where Europe meets Africa. It’s a psychic point like no other place.”
The Art of Earth Architecture demonstrates the wide-ranging applications and sustainability of this building material, while presenting a manifesto for its ecological significance. Featuring raw-earth masterpieces, monumental structures, and little known works, the book includes the temples and palaces of Mesopotamia, the Great Wall of China, large-scale urban developments in Tenochtitlan in Mexico, the medinas of Morocco, and housing in Marrakech and Bogota.
