Joyce Carol Oates’s Relentless, Prolific Search for a Self
In more than a hundred works of fiction, Oates has investigated the question of personality—while doubting that she actually has one.
By Rachel Aviv
hen Joyce Carol Oates was thirty-four, she started a journal. “Query,” she wrote on the first page. “Does the individual exist?” She felt that she knew little about herself—for instance, whether she was honest or a hypocrite. “I don’t know the answer to the simplest of questions,” she wrote. “What is my personal nature?”
Barbra Streisand’s Mother of All Memoirs
In “My Name Is Barbra,” the icon takes a maximalist approach to her own life, studying every trial, triumph, and snack food of a six-decade career.
By Rachel Syme
Seventy years ago, before she was galactically famous, before she dropped an “a” from her first name, before she was a Broadway ingénue, before her nose bump was aspirational, before she changed the way people hear the word “butter,” before she was a macher or a mogul or a decorated matron of the arts, Barbra Streisand was, by her own admission, “very annoying to be around.” She was born impatient and convinced of her potential—the basic ingredients of celebrity, and of an exquisitely obnoxious child. When Streisand was growing up in Brooklyn, in the nineteen-forties, she used to crawl onto the fire escape of her shabby apartment building and conduct philosophical debates with her best friend, Rosyln Arenstein, who was a staunch atheist.
Fine Arts Museums of San Franc
Hauser & Wirth – Art Gallery
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