Video timeline: 00:16 Upper Belvedere: The Kiss (Lovers) by Gustav Klimt, 1907–1908 01:33 Kunsthistorisches Museum Vienna: Tower of Babel by Pieter Bruegel, 1563 02:33 Leopold Museum: Self-Portrait with Chinese Lantern Plant by Egon Schiele, 1912
See the art behind AI art on https://www.wien.info/en/unartificialart
The “Louvre Looks” initiative brings together creatives under forty – whether they come from the visual arts, poetry, film, experimental music, or fashion. They created new films in the palace itself and thus reconnect with the past of the Louvre – which hosted artist studios even before it became a museum. These films go live every Thursday on YouTube. Over the course of twenty weeks, you will be given the opportunity to discover many fresh insights into the Louvre.
The fourteenth film was conceived by stylist Marine Serre. Addressing the upcycling of clothes, she has reinterpreted Quentin Metsys’ Mary Magdalen wearing a new dress, thereby creating a bridge between time periods.
It was during this period of time, from 1887 to 1890, that Van Gogh’s greatest masterpieces were created, forever changing in the history of modern art. Surrounded by artists, dancers, musicians, actors and writers in Montmartre, Van Gogh abandoned the dark palette that dominated many of his early paintings in Holland and replaced it with a newfound love of color.
The “Louvre Looks” initiative brings together creatives under forty – whether they come from the visual arts, poetry, film, experimental music, or fashion. They created new films in the palace itself and thus reconnect with the past of the Louvre – which hosted artist studios even before it became a museum.
These films go live every Thursday on YouTube. Over the course of twenty weeks, you will be given the opportunity to discover many fresh insights into the Louvre.
The works have remained preserved in a Parisian apartment for almost sixty years, and their appearance on the market constitutes an unprecedented opportunity for collectors today”. Says Aurélie Vandevoorde, Director of the Impressionist and Modern Art Department.
Unveiling an unprecedented group of 12 works by some of the greatest masters of the 20th century, which include artists such as Pablo Picasso, Fernand Léger, Nicolas de Staël & Georges Braque, “Le Souffle Moderne” Collections presents an exceptional ensemble embodying the artistic avant-gardes of the 1930s and 1940s.
Sarah Bernhardt, (1844-1923), was an emblematic figure who spanned the 19th and 20th centuries. The “Divine Sarah”, who was an artist as well as an actress, takes center stage at the Petit Palais in an exceptional exhibition to mark the centenary of her death.
14 April 2023 to 27 August 2023
The museum holds important collections of works linked to the actress, including the spectacular portrait of her that was painted in 1876 by her friend Georges Clairin and donated by her son Maurice.
With over four hundred works, the exhibition traces the life and theatrical career of this “sacred monster”, as Jean Cocteau dubbed her. A legendary performer of the greatest roles from Racine, Shakespeare, Edmond Rostand and Alexandre Dumas fils, among others, Sarah Bernhardt went from triumph to triumph in theaters all over the world.
The exhibition evokes her greatest roles through the costumes she wore on stage, photographs, paintings, posters and other memorabilia. Her “golden voice” and her tall, slender figure – unusual in those days – held the public in thrall, as well as the artistic and literary world, who simply venerated her. She was the friend of painters such as Gustave Doré, Georges Clairin, Louise Abbéma, and Alphonse Mucha, but also of writers like Victor Hugo, Victorien Sardou and Sacha Guitry, as well as musicians and composers like Reynaldo Hahn. She was an artist herself, and an entire section of the exhibition focuses on this lesser-known aspect of her life.
It’s a gesture of recognition from Egyptian authorities after French scientists saved the mummy of Ramses II from a devastating fungus in 1976. Our Culture Editor Eve Jackson went to check out the once-in-a-lifetime show, while Lyana Saleh of FRANCE 24’s Arabic channel spoke with renowned Egyptian archaeologist Zahi Hawass about the fight to repatriate Egypt’s ancient artefacts.
April 6, 2023: This week: Ben Luke talks to Melanie Gerlis about the recent turbulence in the banking sector, as US banks go under, an ailing Credit Suisse is acquired by UBS and Deutsche Bank shares fall at one point by 14%.
What are the implications for the art world? Melanie also explains the figures in the latest Art Basel and UBS Global Art Market Report. The Baltimore Museum of Art in the US this week opens the exhibition The Culture: Hip Hop & Contemporary Art in the 21st Century.
We speak to Asma Naeem, the director of the BMA and co-curator of the show, about what she’s called “the second pop art movement”. And this episode’s Work of the Week is The Calling of Saint Matthew by the 17th-century Afro-Hispanic artist Juan de Pareja. He is best known as the subject of one of the greatest ever portraits, by Diego Velázquez, the artist who enslaved Pareja for two decades before his manumission in Rome in 1650.
David Pullins and Vanessa K. Valdés, the curators of a new exhibition about Juan de Pareja at the Metropolitan Museum of Art in New York, tell us about the painting.The Culture: Hip Hop and Contemporary Art in the 21st Century, Baltimore Museum of Art, until 16 July; St Louis Art Museum, 26 August-1 January 2024.Juan de Pareja, Afro-Hispanic Painter, Metropolitan Museum of Art, New York, until 16 July.
The New York Times Magazine – April 9, 2023: In this issue, Jim Rutenberg on how giving its audience what it wanted pushed Fox into a $1.6 billion bind; Elisabeth Zerofsky on Poland’s new political realities due to the war in Ukraine; Lydia Kiesling on the TV show “Yellowjackets”; Meg Bernhard on an L.A. school where the pandemic never ended; and more.
Rupert Murdoch built an empire by giving viewers exactly what they wanted. But what they wanted — election lies and insurrection — put that empire (and the country) in peril.
Long at odds with the E.U. over its domestic policies, the right-wing government is winning allies with its staunch defense of Ukraine. Which battle matters most?
On set with the hit mystery series, which, amid all the gore, presents one of the most sensitive portraits of women on TV.
In 2018, the Fondation featured the “Jean-Michel Basquiat” exhibition. It continues its exploration of the work of the artist, revealing, this time, his collaboration with Andy Warhol.
Between 1984 and 1985, Jean-Michel Basquiat (1960-1988) and Andy Warhol (1928-1987) created around 160 paintings together in tandem, “à quatre mains”, including some of the largest works produced during their respective careers. Keith Haring (1958-1990), who witnessed their friendship and collaboration production, would go on to speak of a “conversation occurring through painting, instead of words,” and of two minds merging to create a “third distinctive and unique mind.”
“Basquiat × Warhol. Painting four hands” is the most important exhibition ever dedicated to this extraordinary body of work and brings together more than three hundred works and documents including eighty canvases jointly signed by the two artists. Also featured are individual works by each as well as a set of works by other major artists (Michael Halsband, Keith Haring, Jenny Holzer, Kenny Scharf……) in order to evoke the energy of the New York downtown art scene of the 1980s.
