Tag Archives: Museums

Reviews: ‘The Week In Art’

March 3, 2023: as the Art Dubai fair opens, The Art Newspaper’s acting digital editor Aimee Dawson tells us about this latest edition, its ongoing commitment to displaying the art of the global south and its continued focus on digital art.

The Museum of Modern Art in New York opens the largest media exhibition it has ever staged, Signals: How Video Transformed the World on 5 March. It looks at how artists around the globe have used video as a networked technology capable of reaching huge audiences but also how they have employed video to reflect on or engage in activism and urgent political developments.

We talk to the show’s curators, Stuart Comer and Michelle Kuo. And this episode’s Work of the Week is a coffee pot and milk jug from 1960 by Lucie Rie, the great modernist potter. Eliza Spindel, co-curator of the exhibition Lucie Rie: The Adventure of Pottery at Kettle’s Yard in Cambridge, UK, tells us about these objects and Rie’s life and work.Art Dubai until 5 March.Signals: How Video Transformed the World, Museum of Modern Art, New York, 5 March-8 July.Lucie Rie: The Adventure of Pottery, Kettle’s Yard, Cambridge, UK, 4 March-25 June. 

Preview: Art In America Magazine – March 2023

Magazine cover featuring an artwork of digitized images of flowers taken from video games. The logo Art in America is in black letters at the top of a white border.

ART IN AMERICA MAGAZINE – MARCH 2023 – The artwork on the cover of this issue looks pretty simple: an elegant arrangement of colorful, cartoon-like flowers. Pretty it is; simple it most certainly is not. Artist Jill Magid scoured the digital worlds of hundreds of video games—from Super Mario to Minecraft—and selected pixelated plants and photo-realistic flowers from virtual landscapes that she then assembled into bouquets worthy of the fanciest dinner party.

After that, she took the resulting images and crafted her first series of NFT-backed artworks, which dropped on Valentine’s Day. The collection comprises 165 animated bouquets, including one that you can view online at artwrld.com and on Art in America’s Instagram, where Magid has generously collaborated with us on our first animated cover. 

International Art: Apollo Magazine – March 2023

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Apollo Magazine – March 2023

How Italy protected its art from the Nazis

An exhibition in Rome recounts the complicated tale of efforts to safeguard masterpieces across the country during the Second World War

4 things to see this week: Egyptomania

Our hand-picked selection of ancient Egyptian treasures includes a breastplate once worn by an actual pharaoh and a glittering golden crocodile

Reviews: ‘The Week In Art’

The Week In Art Podcast (February 24, 2023): Nigeria heads to the polls this weekend; what are the implications for its museums and art scene?

Dolly Kola-Balogun, director of the Retro Africa gallery in Abuja, reflects on the candidates and discusses the importance of art, and culture more widely, to the country’s future. We also talk to Patrick Bringley, the author of a new book All the Beauty in the World: the Metropolitan Museum of Art and Me, in which he reflects on his experiences as a guard at the museum and coming to terms with the loss of his brother.

And this episode’s Work of the Week is Boats in Front of the Grotto in the Park at Méréville by Hubert Robert. It features in The Garden: Six Centuries of Art and Nature at the Nationalmuseum in Stockholm, whose curator, Magnus Olausson, tells us about the painting.All the Beauty in the World: The Metropolitan Museum of Art and Me, by Patrick Bringley, Simon and Schuster (US) $27.99, out now. The Bodley Head (UK), £20, 16 March.The Garden—Six Centuries of Art and Nature, Nationalmuseum, Stockholm, Sweden, until 7 January 2024. 

Reviews: ‘The Week In Art’

February 17, 2023: Turkey and Syria. As the countries reel from the devastation of the 6 February earthquake, how can communities and agencies protect damaged heritage?

We talk to Aparna Tandon from Iccrom, the International Centre for the Study of the Preservation and Restoration of Cultural Property about culture’s significance in the humanitarian response to the crisis. As Alice Neel: Hot off the Griddle arrives at the Barbican Art Gallery in London, we take a tour of the show’s key moments with its curator, Eleanor Nairne.

And this episode’s Work of the Week is a Germantown “eye-dazzler” blanket, made between 1895 and 1905 by a Diné weaver from the Navajo Nation. It’s part of a new show at the Bard Graduate Center in New York,

Shaped by the Loom: Weaving Worlds in the American Southwest. Hadley Jensen, the curator of the exhibition, tells us more.Disasters Emergency Committee’s Turkey-Syria Earthquake: dec.org.uk; a PDF of Aparna Tandon’s handbook First Aid To Cultural Heritage In Times Of Crisis is available for free at iccrom.org.Alice Neel: Hot off the Griddle, Barbican Art Gallery, London, until 21 May.

The book accompanying the exhibition is published by Prestel, priced £24.99 or $29.95.Shaped by the Loom: Weaving Worlds in the American Southwest, Bard Graduate Center, New York, until 9 July. An online exhibition featuring an interactive catalogue has approximately 250 items from the American Museum of Natural History’s collection of Navajo textiles will be available later this month at bgc.bard.edu.

Profiles: ‘Edward Hopper’s New York’ Exhibition Tour

CBS Sunday Morning (February 5, 2023) – A new exhibit at the Whitney Museum of American Art provides a window into Edward Hopper (1882-1967) and his view of urban life. “Edward Hopper’s New York” features about 200 works that capture a changing and changeless city, and illuminate the inner lives of city dwellers. Correspondent Serena Altschul reports.

Reviews: ‘The Week In Art’

February 3, 2023: As we approach the first anniversary of the Russian invasion of Ukraine, The Art Newspaper has published an investigation that raises serious concerns that works of art taken by Russian troops from a museum in Kherson, Ukraine, in November 2022 may not be repatriated once the fighting ends.

Our London correspondent Martin Bailey tells us about his story. Plus, the Sharjah Biennial opens next week, and is the final biennial curated by Okwui Enwezor, who died in 2019, but set the blueprint for the show, entitled Thinking Historically in the Present. We talk to Nadine Khalil about the biennial and Sharjah’s place in the Middle Eastern art ecosystem.

And this episode’s Work of the Week is Invisible Man, Somewhere, Everywhere (1991) by the American photographer Ming Smith, a key piece in a new exhibition of Smith’s work at the Museum of Modern Art in New York. Oluremi Onabanjo, the curator of the show, tells us about the work.The Sharjah Biennial runs from 7 February to 11 June.Projects: Ming Smith, Museum of Modern Art, New York, 4 February-29 May. Ming Smith: Invisible Man, Somewhere, Everywhere, by Oluremi C. Onabanjo, Museum of Modern Art, New York, 48pp, $14.95/£17 (pb)

International Art: Apollo Magazine – February 2023

Apollo Magazine – February 2023:

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  • How Christopher Wren built his reputation
  • The changing face of Silicon Valley
  • An interview with Zineb Sedira
  • The tiger who smoked a pipe
  • Plus: the uncertain market for Old Masters, the Cambridge colleges that have turned to wood, the artists who have taken young women seriously, and reviews of Guido Reni, Edward Hopper and the new museum at the Bibliothèque nationale

Reviews: ‘The Week In Art’

January 27, 2023: This week: as robotic figures of the Japanese artist Yayoi Kusama appear in windows of Louis Vuitton stores in New York, London and Tokyo, Ben Luke talks to Federica Carlotto, a specialist in art and luxury, about the latest collaboration between Kusama and the LVMH brand.

What does it tell us about what the former creative director of Louis Vuitton, Marc Jacobs, called the “monumental marriage between art and commerce”? Also this week, the artist Michael Rakowitz hopes to give a public sculpture he made for Trafalgar Square in London to Tate Modern and an Iraqi institution. He explains how it prompted Iraq to request the return of one of the lamassu, the ancient Assyrian sculptures that inspired Rakowitz’s work, from the British Museum to its country of origin.

And this episode’s Work of the Week is I didn’t put myself down for sainthood (2018), a piece made by Rosy Martin in collaboration with Verity Welstead. The photographic ensemble is in the opening displays of the new Centre of British Photography in London. We speak to James Hyman, the art dealer, collector and co-founder of the centre, about the work.

You can hear our interview with Michael Rakowitz when he unveiled the sculpture in Trafalgar Square in the episode from 22 March 2018 and an in-depth conversation with Michael in the episode of the A brush with… podcast from 9 June 2021.Headstrong: Women and Empowerment, Centre for British Photography, London, until 23 April.