From an InsideFestival.com online release:
“The jury was unanimous in celebrating this inventive solution to reconfiguring a dilapidated Japanese colonial house.
A dynamic whole in constant flux, the house in unusually in tune with the differing and sometimes contradictory needs of a young family. Every space can be negotiated and adapted, encouraging the house to be an incubator for positive difference in the family unit.
Sensitivity abounds, both in the design process and the outcome. Local craftspeople were drafted in when needed; recycled elements were mixed freely with new. The result has a uniquely sloppy fit for its inhabitants, a fit that can evolve freely over time.
Ladders to the roof level encourage ongoing hide and seek. Internal space leaks into a garden, itself an outdoor room. Light penetrates in unexpected ways, and occasional views of the sky offset the otherwise congested urban setting.
Against the background of rapid development in Taipei, this project has the potential to be a ‘prototype’ that may help reevaluate the existing stock of Japanese houses.”
Website: https://www.insidefestival.com/interior-of-the-year-2019
Most notable is Toogood’s sensitive approach to materials. She offers two different, equally alluring solutions to the exterior cladding and the internal finishes. Both external cladding options, raw galvanised steel and dark charred timber, are suggestive of industrial or agricultural structures, making it something of a thrill to see them in a domestic setting. The building clad in raw galvanised steel will have a refined, cream-coloured interior, whilst the structure clad in dark charred timber will have an exposed plywood interior finish.
This model is going to be completely off-grid in its seaside location. On the roof are 6 x Trina 270w Honey Poly Module panels. A storage box over the tow bar stores the inverter and 4 x C&D 12V 192Ah c20 FT Lead Carbon Cyclic Batteries that will power the home. A new feature in this home (requested by the client) was a folding shelf in the bathroom above the toilet. 
“If one imagines a list of the greatest, most influential houses of the twentieth century, it seems highly likely that the mid-century period will dominate,” writes Bradbury in the book’s introduction, going on to name such famous edifices as the three famous glass houses by Philip Johnson, Ludwig Mies van der Rohe, and Lino Bo Bardi, respectively; Richard Neutra’s Kaufmann House; and Luis Barragán’s Cuadra San Cristóbal. “One could, of course, go on.…” he writes.
The Home Upgrade looks beyond big budget projects and explores homes where the seemingly impossible has been achieved. For architects striking out on their own, such projects offer the opportunity to flex their muscles and lead a project for the first time. A home in Brooklyn, featured in the book, was refurbished after Hurricane Sandy ravaged the Eastern Seaboard in 2012. The living space was raised above the high-water line, an answer to the grim fact that once-in-a-generation occurrences are a new reality.
The idea for this ADU was conceived in the wake of the 2018 Woolsey Fire, as a way to help families reinhabit their properties while rebuilding their primary residence. All “BUD” designs provide beautiful living spaces that can be delivered quickly and enjoyed for generations as a valuable addition to almost any property.
Two containers make up the ground floor of each house, with two more cantilevered three metres over one end to create a sheltered porch below and a first-floor terrace off the master bedroom.
Squirrel Park is a scheme of four houses made from converted shipping containers in Oklahoma City, 
Cork House embodies a strong whole life approach to sustainability, from resource through to end-of-life. Expanded cork is a pure bio-material made with waste from cork forestry. The bark of the cork oak is harvested by hand every nine years without harming the tree or disturbing the forest. 
This gentle agro-industry sustains the Mediterranean cork oak landscapes, providing a rich biodiverse habitat that is widely recognised. This compelling ecological origin of expanded cork is mirrored at the opposite end of the building’s lifecycle. The construction system is dry-jointed, so that all 1,268 blocks of cork can be reclaimed at end-of-building-life for re-use, recycling, or returning to the biosphere.
Intellicurious 