The New Yorker (May 13, 2024): The new issue‘s cover featuresBarry Blitt’s “Class of 2024” – The campus tensions take center stage.
An Israeli Newspaper Presents Truths Readers May Prefer to Avoid
Haaretz consistently attempts to wrestle with the realities of what is going on in Israel, Gaza, and the West Bank.
By David Remnick
A British Nurse Was Found Guilty of Killing Seven Babies. Did She Do It?
Colleagues reportedly called Lucy Letby an “angel of death,” and the Prime Minister condemned her. But, in the rush to judgment, serious questions about the evidence were ignored.
Monocle on Sunday, May 12, 2024:Juliet Linley and Damita Pressl join Monocle’s editorial director, Tyler Brûlé, to discuss the weekend’s hottest topics.
We also speak to Monocle’s Helsinki correspondent, Petri Burtsoff, for the latest news from the Nordics and senior correspondent and music curator Fernando Augusto Pacheco joins us from Malmö to talk all things Eurovision. Plus: Monocle’s North Africa correspondent, Mary Fitzgerald, joins the programme to discuss speaking at the Beyond Words French literature festival event Taste of Marseille.
The New Yorker (May 6, 2024): The new issue‘s cover featuresMark Ulriksen’s “Shotime” – For many fans, the real harbinger of spring is the beginning of baseball season.
Monocle on Sunday, May 5, 2024: Juliet Linley, Marcus Schögel, and Goran Filic join Monocle’s editorial director, Tyler Brûlé, to discuss the weekend’s hottest topics.
We also speak to Monocle’s Balkans correspondent, Guy De Launey, for the latest news from Ljubljana and design editor Nic Monisse joins us from London. Plus: Mathéo Malik, editor in chief of ‘Le Grand Continent’, joins us to discuss the latest edition.
The New Yorker (April 29, 2024): The new issue‘s cover featuresFaith Ringgold’s “Sonny’s Bridge, 1986” – The late artist’s work recalls her pioneering spirit through vivid, inventive designs.
Also: Kamasi Washington, “The Outsiders” reviewed, Bang on a Can’s Long Play Festival, and more.
The Return, Again, of the Power Lunch
Four Twenty Five, a luxe new dining room from the mega-restaurateur Jean-Georges Vongerichten, takes square aim at the expense-account crowd.
Donald Trump’s Sleepy, Sleazy Criminal Trial
The most striking aspect of the former President’s hush-money trial so far has been that, for the first time in a decade, Trump is struggling to command attention.
Monocle on Sunday, April 21, 2024: Emma Nelson, Simon Brooke and Lynne O’Donnell on the weekend’s biggest talking points.
We also speak to Monocle’s editorial director, Tyler Brûlé, in Marbella, Monocle’s New Delhi correspondent, Lyndee Prickitt, for the latest on the India elections and Monocle’s Bangkok correspondent for the news in Thailand.
The New Yorker (April 15, 2024): The new issue‘s cover featuresAna Juan’s “Clickbait” – The artist captures the mesmerizing—and distracting—glow of modern entertainment.
Can the World Be Simulated?
Video-game engines were designed to closely mimic the mechanics of the real world. They’re now used for movies, TV shows, architecture, military trainings, virtual reality, and the metaverse.
Monocle on Sunday, April 14, 2024: Emma Nelson, Dimi Reider, Tessa Szyszkowitz and Kat Hanna on drone strikes on Israel by Iran overnight, as well as more of weekend’s biggest talking points.
We also speak to Monocle’s editorial director, Tyler Brûlé, in Geneva and we check-in with Monocle’s correspondent in Marseille, Mary Fitzgerald, for the latest headlines from the regions.
The New Yorker (April 1, 2024): The new issue‘s cover features Pascal Campion’s “Into the Light” – The artist depicts stepping out of the subway into the overwhelming glow of the city.
When Leah started dating her first serious boyfriend, as a nineteen-year-old sophomore at Ohio State, she had very little sense that sex was supposed to feel good. (Leah is not her real name.) In the small town in central Ohio where she grew up, sex ed was basically like the version she remembered from the movie “Mean Girls”: “Don’t have sex, because you will get pregnant and die.”
It’s now thought that they could illuminate fundamental questions in physics, settle questions about Einstein’s theories, and even help explain the universe.
Black holes are, of course, awesome. But, for scientists, they are more awesome. If a rainbow is marvellous, then understanding how all the colors of the rainbow are present, unified, in ordinary white light—that’s more marvellous. (Though, famously, in his poem “Lamia,” John Keats disagreed, blaming “cold philosophy” for unweaving the rainbow.) In recent years, the amount of data that scientists have discovered about black holes has grown exponentially. In January, astronomers announced that the James Webb Space Telescope had observed the oldest black hole yet—one present when the universe was a mere four hundred million years old. (It’s estimated that it’s now 13.8 billion years old.) Recently, two supermassive black holes, with a combined mass of twenty-eight billion suns, were measured and shown to have been rotating tightly around each other, but not colliding, for the past three billion years. And those are just the examples that are easiest for the public to make some sense of. To me, a supermassive black hole sounds sublime; to a scientist, it can also be a test of wild hypotheses. “Astrophysics is an exercise in incredible experiments not runnable on Earth,” Avery Broderick, a theoretical physicist at the University of Waterloo and at the Perimeter Institute, told me. “And black holes are an ideal laboratory.”
Monocle on Sunday, March 31, 2024: Emma Nelson, Charles Hecker and Yossi Mekelberg on the weekend’s biggest talking points.
We also speak to Monocle’s editorial director, Tyler Brûlé, in Zürich and get the latest on Turkey’s local elections with Monocle’s Istanbul correspondent, Hannah Lucinda Smith.
News, Views and Reviews For The Intellectually Curious