


This is a showreel showcasing some of our work from 2019. Most of this showreel has been taken in the Nusa Tenggara Region in Indonesia at the islands of Alor, Komodo, Flores and Bali.
2019 has been an incredible journey that took us close to some of the most beautiful and fascinating cultures as well as spectacular sceneries and great encounters with the most captivating marine life.
The locations and the people featured:
0-11 sec. Kelimutu Volcano Sunrise – Flores Island.
11-41 sec. The Traditional Waving ( Ikat ) from the tribes – Maumere mountains – Flores.
41 sec. to 1:05 sec. Samambaia Liveaboard and dolphins in Komodo and Alor.
1:05 sec. to 1:32 sec. Talent Freediver Leona Chen from China in Nusa Penida island, Bali.
1:32 sec. to 1:47 sec. Manta Ray from Manta Point dive site in Nusa Penida, Bali.
1:47 sec. to 2:16 sec. Talent Freediver Leona Chen at the Liberty Shipwreck Dive site in Tulamben, Bali.
2:16 sec. to 2:41sec. Fishermen from Alor Island
2:41 sec. till End Manta, Speed boat, Reef and Samata Luxury Liveaboard filmed in Komodo Island.
In London, some 12,000 fireworks lit up the capital’s skyline, with 100,000 tickets being bought for the event. Big Ben’s chimes sounded the start of the display, despite them being silent this year while renovation work is completed.
111 Years of Waldhaus Sils ranges across the hotel’s life and history. Founders Josef and Amalie Giger and their descendants, by now in the fifth generation, have guided the “house in the woods” with skill and fortitude through good times and bad through the twentieth century and into the present. The owners and their exceptionally diverse guests—lively families side-by-side with intellectuals and artists of world renown—have created a unique blend of luxury and modesty, historic grandeur and playful fun, smooth professionalism and unexpected idiosyncrasies.
Those in the know are aware that Wes Anderson’s Grand Budapest Hotel has a real-life counterpart in the Swiss Alps: The Waldhaus Sils, which has pleased and puzzled visitors for 111 years and become an icon of Swiss hospitality. Located above the small village of Sils Maria near St. Moritz, it overlooks a striking landscape of forests, lakes and mountains and offers a combination of Belle Epoque flair and modern comfort. Its distinctive charm comes from the fact that the Waldhaus has been family-owned and operated since its grand opening on June 15, 1908.
Slash, poison, burn. That’s what a leading cancer doctor calls the protocol of
surgery, chemotherapy and radiation. We spend $150 billion each year treating cancer, yet a patient with cancer is as likely to die of it today — with a few exceptions — as one was 50 years ago. Today we spend the hour with renowned cancer doctor, Dr. Azra Raza, author of the new book, “The First Cell: And the Human Costs of Pursuing Cancer to the Last.” She argues that experiments and the funding for eradicating cancer look at the disease when it is in its later stages, when the cancer has grown and spread. Instead, she says, the focus should be on the very first stages — the first cell, as her book is titled. She says this type of treatment would be more effective, cheaper and less toxic.
As the year comes to a close, we look back at the past decade in the American economy — the first without a recession since record-keeping began in the 1950s. While unemployment remains at a historic low, wage growth has been sluggish, and inequality continues to divide the country. David Wessel of the Brookings Institution and The Washington Post’s Catherine Rampell join Jeffrey Brown.
From a New York Times interview (12/30/19):
Has comedy evolved since you started? I think a lot more is allowed. When I was first starting out and was on “Laugh-In,” around ’71, I was trying to keep a low profile when I’d be working on something new.
Did you have that sense early in your career that your approach to comedy was different from most comedians? No. I just wanted to do the person, and more than likely the character would be self-confident and secure in her world. for instance. She mostly was looking out for herself and skewering pomposity, if I was going to be true to a child, the humor would take on a different quality.

Moncocle.com spoke with Tom Geismar, founding partner of Chermayeff & Geismar, one of the top graphic design agencies in the world and the man responsible for the marketing of Pan Am in the 1950’s, 60’s and 70’s.
From the Chermayeff & Geismar website:
The most important aspect of the identity design for Pan Am was to suggest that the name of the airline be changed to “Pan Am” from the long and cumbersome “Pan American World Airways.” The Pan Am logotype in capitals and lower-case letters was also adopted with an accompanying world symbol.
In addition to the corporate identity, our firm designed comprehensive graphics for the airline, including a poster campaign and the menus for the inaugural flight of the Boeing 747.