“If you’re a painter, you need a canvas. If you’re a sculptor, you need marble or plaster. And if you build a house, you need a piece of land.” Welcome to the wonderful world of Not Vital. The Swiss multi-faceted artist shows us his sculpture park, foundation, and castle in this video.
We meet Not Vital in his studio in Sent, the town in Switzerland where he grew up and one of the places where he still lives. Building places to live have been with him since childhood: “My first work was more related to trying to build a house or a habitat. The first one was when I was only three years old in 1951. There was so much snow that my brother and I built a tunnel,” he says and continues: “I think that it was the first time I realised that I like to build my own habitat.
Even though it was much more comfortable to live in the house, I spent the day in the tunnel. I remember the light, the smell of the snow. I just felt great.” Through the years, Vital has led a nomadic life, seeking and building homes in various cities around the globe: Paris, New York, Beijing, Rio de Janeiro. He has bought an island made of Marble in Patagonia, called NotOna.
In Niger, he has built a house whose only purpose is to watch the sunset. He calls these hybrids of sculpture and architecture ‘Scarch’: “It opened up a whole new world for me, which became very important. I’m calling that ‘Scarch’ because it’s a kind of sculpture and architecture. Because I’m not an architect, I didn’t want to be an architect or study architecture because I would probably have gone in a different direction.” Buying pieces of land worldwide is essential for his artistic practice.
He explains: “If you’re a painter, you need a canvas. If you’re a sculptor, you need marble or plaster. And if you build a house, you need a piece of land. That’s kind of all related.” ‘Scarch’ is not the only thing Vital makes. He also creates sculptures in silver, makes humorous wordplays with antlers and paints portraits: “I want to show the way I see. I don’t want to change anything.”
The portraits he started painting in 2008. Often they depict the people surrounding him. Other times, it is significant artists such as a young Rembrandt and Nina Simone. “When I paint, I think about a lot of Rothko. The colours. How to put two colours together. But of course, this is figurative,” Vital reflects and continues: “Actually, they have everything in it. They have eyes and noses.
And that’s great by painting that whatever you put in the canvas stays in the canvas. Even though you paint it over, it’s still there.” Not Vital does not differ between the many different artforms he works with: “Art is one. It doesn’t matter if it’s the 15th century or if it’s now. It’s all related.” Not Vital (b. 1948) is a Swiss artist who works in diverse media across installations, paintings, drawings and sculptures, typically integrating architecture. Vital divides his time between the U.S., Niger, Italy, China and Switzerland, and his art is centred on personal impressions and experiences from around the world. This somewhat anthropological approach is also reflected in how his career is structured into sections, e.g. glass blowers in Murano or paper artists in Bhutan. Vital’s work has been featured in the 49th Venice Biennale in Italy (2001), and he has held significant exhibitions at prominent venues such as the Kunsthalle Bielefeld in Germany (2005), The Arts Club of Chicago in the U.S. (2006), Ullens Center For Contemporary Art in Beijing, China (2011), the Museo d’arte di Mendrisio in Switzerland (2014-15) and Galerie Thaddaeus Ropac, London (2021).
Liège, a city along the Meuse River in Belgium’s French-speaking Wallonia region, has long been a commercial and cultural hub. Its old town is filled with landmarks dating to the medieval era, including the Romanesque Church of St. Bartholomew. The Grand Curtius museum houses archaeological treasures and art within a 17th-century mansion, while Opéra Royal de Wallonie has staged operas since 1820.
Early morning walk in London’s Docklands, starting from Limehouse Basin to St Katherine’s Dock on January 31, 2022.
London Docklands is the riverfront and former docks in London. It is located in inner east and southeast London, in the boroughs of Southwark, Tower Hamlets, Lewisham, Newham, and Greenwich. The docks were formerly part of the Port of London, at one time the world’s largest port.
This Wednesday is International Wetlands Day. Worldwide, wetlands cover 12.1 million km². But more than 30 percent have been lost over the past 50 years, despite them playing a crucial role in mitigating the impact of climate change. One example is the Mangroves National Park in the Democratic Republic of Congo. It’s the only marine park in the country and it’s home to a wide variety of plants and rare animals, including sea turtles. But the park is increasingly threatened by poaching and illegal logging. The construction of a deep water port in the vicinity has also sparked controversy. Our correspondents report.
East Lothian, Scotland has some beautiful forests and woodlands. This film was shot at Binning Memorial Wood, Gosford Estate, Pressmennan Woods and Tynninghame Estate.
The Royal Burgh of Haddington is a town in East Lothian, Scotland. It is the main administrative, cultural and geographical centre for East Lothian, which as a result of late-nineteenth century Scottish local government reforms took the form of the county of Haddingtonshire for the period from 1889 to 1921.
The Venice Simplon-Orient-Express is one of the most well-known luxury train companies in the world — and for good reason. Its train cars are opulent, with plush velvet furnishings in rich jewel tones, dark wood walls, and top-notch service that can’t be beat. Though all of its journeys look epic, the London-to-Venice route may be the best for first-time train travelers. Guests will board the company’s British Pullman train, where they can enjoy a cocktail in the bar car, snag a bite in the dining car, or take in the picturesque countryside views from their room.
Amsterdam is the Netherlands’ capital, known for its artistic heritage, elaborate canal system and narrow houses with gabled facades, legacies of the city’s 17th-century Golden Age. Its Museum District houses the Van Gogh Museum, works by Rembrandt and Vermeer at the Rijksmuseum, and modern art at the Stedelijk. Cycling is key to the city’s character, and there are numerous bike paths.
Zermatt is the most luxurious scenic resort town in the swiss alps, lies at the foot of the Matterhorn – Symbol for Switzerland. The town’s touristic development is closely linked to what is most probably the world’s most famous mountain. The vacation destination is a car-free zone, has preserved its original character and offers nearly unlimited possibilities as far as excursions are concerned. The location of Zermatt at the foot of the Matterhorn and in the middle of an enormous hiking and ski region makes it one of the world’s most attractive vacation villages. The ski region encompasses 54 mountain railways and lifts as well as 360 kilometers of pistes. The region called “Matterhorn glacier paradise” is Europe’s largest and highest lying summer skiing region. Numerous national ski teams train here in the summer.
Sustained droughts are making farming near impossible in Tanzania. The soil is to dry for planting. The organization Justdiggit wants to alleviate the situation by planting trees in a way that encourages moisture collection. Not only do the trees grow better, the soil is can recover in their shade.
