From an Apollo Magazine online article (March 31, 2020):
Ultimately he was a humane critic of the contemporary city, a serious, funny and poetic voice defending the powerless against big capital and an articulator of how architecture should be used as a tool of resistance. He is indelibly associated with New York, a city he loved with a fervour despite its faults, and of which he defended every inch as a public good. Number 210 in his list was the medieval German phrase ‘Stadtluft macht frei’ – ‘city air makes you free’. He will survive through his magical writing, which makes us all a little freer.
Michael Sorkin, who died last week of complications due to Covid-19, gained his reputation as the architecture critic of The Village Voice in New York, which, in the 1980s, was a publication with a formidable reach and impact on a city just beginning to boom again. He launched fierce attacks against the banality of the contemporary city, the rapacity and greed of developers (notably the current president, including in a 1985 piece entitled ‘Dump the Trump’) and the loss of great landmarks. But he was no nostalgist; he revelled in the potential of architecture to catalyse change and excoriated his contemporaries for caving in to big business, for building prisons and being complicit in a denuded public realm.
Whether it’s a reaction to the intangible aspect of our digital age, or a consequence of the trend-setting power of Instagram, there’s been a resurgence of ceramics in the last few years, both as an art form and a hobby. Perhaps it’s quite telling then that London-born, Australia-based ceramic artist 
The International Photography Hall of Fame and Museum mourns the passing of its first Lifetime Achievement Award Winner and 2017 inductee Kenny Rogers. Rogers was a dedicated and talented photographer for nearly four decades. His best-known images are portraits of well-known singers, actors, and dignitaries from around the globe.
There is a sadness as I witness the loss of our last wild places. My paintings are an attempt to keep alive those places and offer my audience a sanctuary in which to reflect.
Miller’s Penguin book covers and ironic titles catch the art world’s eye
Underappreciated in her lifetime, the career of late Irish architect and designer Eileen Gray is the subject of a timely new exhibition at The Bard Graduate Center Gallery in New York. Jennifer Goff, curator of the Eileen Gray collection at the National Museum of Ireland, tells us more.
At First Light chronicles twenty-six extraordinary artists of the last two hundred years who have lived and worked in Maine. Published to coincide with the state’s bicentennial in 2020, the volume considers the significant contributions artists have made to a deeper and more profound understanding of Maine’s history, its land and its peoples. Maine’s unique and breathtaking landscape–from its rugged coastline, quaint harbors, majestic mountains, and verdant forests–continues to have a powerful effect on the artists who are drawn to its shores.
Writers & Lovers follows Casey―a smart and achingly vulnerable protagonist―in the last days of a long youth, a time when every element of her life comes to a crisis. Written with King’s trademark humor, heart, and intelligence, Writers & Lovers is a transfixing novel that explores the terrifying and exhilarating leap between the end of one phase of life and the beginning of another.
Lily King returns with another instant New York Times bestseller: an unforgettable portrait of an artist as a young woman.
Intellicurious 