Jonathan Ribner, associate professor; director of Graduate Admissions, Department of History of Art and Architecture, Boston University.
Category Archives: Art
Video Profiles: 89-Year Old London Illustrator David Gentleman On His New Book “My Town” (May 2020)
David Gentleman is an iconic British illustrator and designer who has lived a lifetime in London. Drawing from over sixty years of engagement with this most 
well-known capital city, his most recent book,
My Town presents London as it was and as it is today. His beautiful and intricate work – of the Thames, Hampstead Heath, Camden Town (where David Gentleman has lived in the same house for fifty years), London’s parks and sights – offers us the pleasure of looking again at the everyday.
Accompanied by reflections on the work of an artist, commentary on the possibilities of ink, pen and paint and personal thoughts on the ever-changing city, this is a delight for all those who flock to London.
David William Gentleman is an English artist. He studied illustration at the Royal College of Art under Edward Bawden and John Nash. He has worked in watercolour, lithography and wood engraving, at scales ranging from platform-length murals for Charing Cross Underground Station in London to postage stamps and logos. (Wikipedia)
Profiles: 55-Year Old Canadian Artist Mark Laguë – “Painter Of Light”
Painter of Light
Mark has developed an international reputation and has won numerous awards, both in his native Canada and in the United States. A dedicated painter, Mark Lague was born in Lachine Quebec in 1964 and he has had a fascination with drawing since childhood, a skill he practices constantly, even to this day.
Upon graduation from Montreal’s Concordia University in Design, Mark embarked on a 13-year career in the animation industry, working primarily as a background designer and art director. During this time, despite working full time, he began receiving international acclaim for his watercolour paintings through competitions, juried shows, and solo exhibitions.
In 2000, Mark switched to oil as his primary medium, and in 2002 made the jump to full time painter. As an artist he is a realist, who is open to virtually all subject matter. What keeps him excited about painting is his endless quest to simplify and get to the essence of whatever he paints. Mark has been featured in numerous national art magazines, and continues to receive international recognition for his distinctive style of painting.
Interviews: 72-Year Old Artist James Wrayge
Excerpts from a NextAvenue.org online article interview:
“I don’t like the word ‘evolve,’” he says. “Art means the same thing today as it always has. Styles change, but art doesn’t.”
Hesitant to put too defining a label on his work, Wrayge claims his paintings have “a landscape feel.” He doesn’t consider them to be abstract. “That’s a word invented by the press, not by painters,” he says. “What I prefer to say [about my paintings] is that they are a visual manifestation of my values.”
In James Wrayge’s quiet studio on an early winter afternoon, there is a tangible sense of purpose. Wrayge’s paintings line the walls along the portion of the space he shares with another artist at the Northrup King Building in Minneapolis. There are also some paintings on the floor propped up against the same walls. And there is one — in progress — set on an easel in the corner.
Art Review: “The Floor Planers” By Impressionist Gustave Caillebotte (1875) (Musée d’Orsay Video)
For her performances in over sixty films and forty theatrical productions, Ariane Ascaride has notably been awarded the César for best actress in Marius and Jeannette (1998) and the Coppa Volpi for lead actress at the Venice mostra for Gloria Mundi (2019), two films directed by Robert Guédiguian. She is also a director and a screenwriter.
Les raboteurs de parquet (English title: The Floor Scrapers) is an oil painting by French Impressionist Gustave Caillebotte. The canvas measures 102 by 146.5 centimetres (40.2 in × 57.7 in). It was originally given by Caillebotte’s family in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, and in 1986, it was transferred again to the Musée d’Orsay in Paris, where it is currently displayed.
Art: “The Rediscovery Of Gaston Lévy’s Collection” Of Paul Signac & Camille Pissarro (Sotheby’s Video)
Known best as the author of Paul Signac’s first catalog raisonné, Gaston Lévy was perhaps the most remarkable art collector in pre-war Paris. After the Nazi regime seized his properties and dispersed his paintings, masterpieces were thought to have been lost to the Lévy family forever.
However, This February Sotheby’s is proud to offer three recently restituted masterworks from the Lévy collection in our Impressionist & Modern Art Evening Sale. In this episode of Expert Voices, Sotheby’s Head of Restitution Lucian Simmons chronicles the story of Gaston Lévy’s collection and explores the extraordinary talent of Paul Signac and Camille Pissarro through their works Gelee Blache, Quai de Clichy and La Corne D’or.
(4 February | London)
New Exhibitions: Painter Andrew Wyeth (1917-2009) – The Forum Gallery NYC
Forum Gallery, New York, presents an exhibition of works by Andrew Wyeth (1917-2009), who set the standard for American figurative art in the second half of the Twentieth Century. Working in pencil, watercolor, egg tempera and his much-beloved personal medium of drybrush, Wyeth, throughout his life, was a resolute champion of the universal life force of each person he chose to paint, and of the unique, difficult, ever-changing rural American world in which he chose to live. His art was controversial as it was popular, and he remains one of very few living artists to be celebrated by important single-person exhibitions at The Metropolitan Museum of Art in New York (1976) and the National Gallery of Art, Washington, DC (1987).
“Andrew Wyeth: Five Decades” at Forum Gallery features paintings dated from 1940 through 1994, including landscapes that imply personal struggle and portray great beauty; and provocative figurative works, including examples from The Helga Pictures.
Artists: Belgian Surrealist Painter René Magritte Linked “Consciousness And The External World”
From a Christies.com online article:
‘The creation of new objects, the transformation of known objects; a change of substance in the case of certain objects: a wooden sky, for instance; the use of words in association with images; the misnaming of an object… the use of certain visions glimpsed between sleeping and waking, such in general were the means devised to force objects out of the ordinary, to become sensational, and so establish a profound link between consciousness and the external world.’
René François Ghislain Magritte (1898-1967) was born in Lessines, Belgium. His father was a tailor and textile merchant; his mother committed suicide in 1912, drowning herself in the River Sambre.
From the 1930s, Magritte sought to find ‘solutions’ to particular ‘problems’ posed by different types of objects, a method that enabled him to challenge and reconfigure the most ubiquitous and commonplace elements of everyday life. These problems obsessed him until he was able to conceive of an image to solve them.
This philosophical method had come to him after waking from a dream in 1932. In his semi-conscious state, he looked over at a birdcage that was in his room but saw not the bird that inhabited the cage, but instead an egg. This ‘splendid misapprehension’ allowed him to grasp, in his own words, ‘a new and astonishing poetic secret.’
Fine Art: Magic Realism In The Work Of Dutch Painter Carel Willink
Carel Willink was a pioneer of Magic Realism, an avant-garde movement of Dutch modernism closely associated with Surrealism. In this episode of Anatomy of an Artwork, discover how a visit to Italy’s Bomarzo Gardens following the death of his wife inspired a series of paintings featuring monsters, see how Willink drew further inspiration from dream-like images and illusions, and learn how his near-photographic style exudes a sense of mystery and enchantment.
New Museum Exhibitions: “Van Eyck – An Optical Revolution” At MSK Ghent
Worldwide, only approximately twenty works by Van Eyck have been preserved. Quite exceptionally, over half of these will travel to Ghent in 2020 for the exhibition ‘Van Eyck. An optical revolution’ at the Museum of Fine Arts (MSK). In what promises to be an unmissable, tour de force of an exhibition, the world of Van Eyck and his revolutionary gaze will be brought to life like never before.
The pinnacle of Late Medieval art
Van Eyck distinguished himself from his peers and triggered an optical revolution. With his matchless technique, scientific knowledge and unrivalled observational skills, he elevated oil painting to unprecedented heights and determined the future course of Western art. Never before had a painter made reality so tangible: all that seems to be missing from his portraits is his subjects’ breath, while his landscapes reveal the world in all its facets. Van Eyck trained his eye on the tiniest details before casting it wide again to create unforgettable panoramas.
His masterpiece, ‘The Adoration of the Mystic Lamb’ (1432, St Bavo’s Cathedral, Ghent), bears witness to all three of these qualities. The restoration of the outer wings of the altarpiece will play a central role in the exhibition. Undertaken by the Royal Institute for Cultural Heritage (KIK), the project commenced at the Museum of Fine Arts Ghent in 2012. Visitors will have the opportunity to get close to the work and admire the spectacular results.
In dialogue with Van Eyck’s contemporaries
In order to contextualise Van Eyck’s optical revolution, his paintings will be shown alongside works by his most talented contemporaries from Germany, France, Italy and Spain. These artists also moved in exalted circles and received prestigious commissions. The exhibition focuses on the artistic similarities and differences between their works, thus delving deeper into the historical context in which they were created.
‘Van Eyck. An optical revolution’ unravels the myths about the artist and considers his technique, his oeuvre and his influence from a fresh perspective. This exhibition will awaken a sense of wonder among visitors, comparable to that which people would have felt when they saw his works for the first time: a once-in-a-lifetime experience.
Intellicurious 