In this episode of “Cocktails with a Curator,” Xavier F. Salomon, Peter Jay Sharp Chief Curator, examines the life and work of French painter François Boucher, with a focus on “A Lady on Her Daybed.” Discover why Boucher was said to epitomize the taste of the eighteenth century.
This week’s complementary cocktail has a kick: the potent French 75, named after the powerful French 75mm field gun.
In this episode of “Travels with a Curator,” we visit the world-famous Westminster Abbey in London, with Xavier F. Salomon, Peter Jay Sharp Chief Curator. Xavier shares connections between Westminster Abbey and the Frick through an examination of the life of General John Burgoyne, a playwright, parliamentarian, and military officer buried in the Abbey’s north cloister. Sir Joshua Reynolds’s portrait of Burgoyne was acquired by The Frick Collection in 1943.
To see this painting in detail, please visit our website: https://collections.frick.org/objects.
Michelangelo Merisi da Caravaggio is one of the most admired painters of the late 16th and early 17th centuries. Known for his powerful, dramatically lit compositions, Caravaggio depicted violence and the human form with a degree of realism unprecedented at the time. He was among the most famous painters in Rome—but not only because of his skill as an artist.
Caravaggio was also notorious for his wild life and shocking temper. After being sentenced to death for murder, he fled Rome and died in exile at age 38 . Three biographies written in the decades after his death constitute nearly all that is known about the enigmatic artist.
In this episode, Getty curator and expert on Italian painting Davide Gasparatto discusses Caravaggio and the role these early biographies, by Giulio Mancini, Giovanni Baglione, and Giovanni Pietro Bellori, played in defining Caravaggio’s legacy.
From Christie’s online magazine (May 2020):
Rodin travelled to Italy in 1875, a trip described by the late art historian Kirk Varnedoe as, ‘one of the seminal events in modern art’.
Here, in his mid-thirties, he fell under the spell of the Renaissance master, Michelangelo. His monumental, exaggerated nude figures would have a deep and lasting influence on the artist. ‘My liberation from academicism was via Michelangelo,’ Rodin later recalled. ‘He is the bridge by which I passed from one circle to another.’
Auguste Rodin (1840-1917) is renowned for breathing life into clay, creating naturalistic, often vigorously modelled sculptures which convey intense human emotions: love, ecstasy, agony or grief. Breaking the rules of academic convention and classical idealism, Rodin ushered in a new form of highly expressive sculpture that went on to influence generations of artists that followed.
Read full article at Christie’s
In this episode of “Cocktails with a Curator,” Xavier F. Salomon, Peter Jay Sharp Chief Curator, discusses the French port city depicted in J. M. W. Turner’s painting “Harbor of Dieppe: Changement de Domicile,” and how the artist’s extensive travel throughout Europe helped to develop his affinity for harbors. The complementary cocktail is the Widow’s Kiss, a French drink traditionally given to women who had lost their husbands at sea.
To see this painting in detail, please visit our website: https://collections.frick.org/objects…
In this episode of “Travels with a Curator,” we travel to Warsaw, Poland, with Xavier F. Salomon, Peter Jay Sharp Chief Curator. Xavier enchants us with the romantic Łazienki Park and Palace, also known as the Palace on the Isle. The idyllic gardens and ornately decorated interior spaces are similar in many ways to our own Frick mansion. One of the Frick’s Rembrandt paintings, “The Polish Rider,” once hung in the royal apartments on the second floor.
The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world’s greatest art museum.
Some ten million people from all over the world flock to the Louvre each year to enjoy its incomparable art collection. Yet few of them are aware of the remarkable history of that place and of the buildings themselves―a fascinating story that historian James Gardner elegantly chronicles in the first full-length history of the Louvre in English.
More than 7,000 years ago, men and women camped on a spot called le Louvre for reasons unknown; a clay quarry and a vineyard supported a society there in the first centuries AD. A thousand years later, King Philippe Auguste of France constructed a fortress there in 1191, just outside the walls of a city far smaller than the Paris we know today. Intended to protect the capital against English soldiers stationed in Normandy, the fortress became a royal residence under Charles V two centuries later, and then the monarchy’s principal residence under the great Renaissance king François I in 1546.
It remained so until 1682, when Louis XIV moved his entire court to Versailles. Thereafter the fortunes of the Louvre languished until the tumultuous days of the French Revolution when, during the Reign of Terror in 1793, it first opened its doors to display the nation’s treasures. Ever since―through the Napoleonic era, the Commune, two World Wars, to the present―the Louvre has been a witness to French history, and expanded to become home to a legendary collection, including such masterpieces as the Mona Lisa and Venus de Milo, whose often-complicated and mysterious origins form a spectacular narrative that rivals the building’s grand stature.
James Gardner is an American art critic and literary critic based in New York and Buenos Aires. He is the author of six books, including Buenos Aires: The Biography of a City. His writings have appeared in the New York Times, the Wall Street Journal, the New Republic, and the British Spectator. He was the art critic at the New York Post and wrote architecture criticism for the New York Observer, before serving as the architecture critic at the New York Sun. He is now a contributing editor at The Magazine Antiques.
There is an unhappy irony in the fact that five hundred years after Raphael died of a fever at the age of only thirty-seven, the global covid-19 pandemic has brought to a premature end so many of the exhibitions that have been staged to mark the anniversary.
READ DIGITAL ONLINE ISSUE – MAY 2020
The Ashmolean’s 2020 Young Rembrandt exhibition is currently closed, but you can still visit virtually. Watch this introduction from exhibition curator An Van Camp, and explore the exhibition section by section at ashmolean.org
The Young Rembrandt exhibition charts the astonishing transformation of the Dutch master Rembrandt. Spanning the years 1624 to 1634, it traces how a young and unremarkable artist from Leiden became the superstar of 17th-century Amsterdam and one of the greatest artists of all time.
In this episode of “Cocktails with a Curator,” Xavier F. Salomon, Peter Jay Sharp Chief Curator, tells us the story of Sir John Suckling, the subject of Anthony van Dyck’s full-length portrait in The Frick Collection. Xavier has appropriately paired his story of art and literature with an English cocktail called Pink Gin.
