From the Wall Street Journal (June 19, 2020):
…what perhaps absorbed him most was a suite of 10 paintings of one of the weeping willows he had planted on the shores of his pond in 1893, when he had purchased the property to construct his aquatic paradise. The tree had grown in girth and grandeur over the intervening years, its leafy arms now extending out over the dappled waters like an impassioned conductor energizing an orchestra.
The trees in Monet’s water garden are much less known than the flowers, but they were central to his vision of what that ideal space should include and thus dear to his heart. In 1912, when severe winds and rains wreaked havoc on his horticultural handiwork, what Monet mourned most was the damage to his willows.
Weeping willows, of course, evoke mourning by their very appearance no less than by their appellation, their drooping tendrils the very symbol of sorrow. It’s therefore not surprising, given Monet’s sensitivity to his nation’s plight, that he turned to this tree to express the trauma of the moment.
In this week’s episode of “Cocktails with a Curator,” Curator Aimee Ng studies Thomas Gainsborough’s scandalous portrait of Grace Dalrymple Elliott. Discover why this painting met with a negative reception when it was shown at the Royal Academy in 1782. Mrs. Elliott later moved to France, where she lived through the Reign of Terror and died in 1823 in the outskirts of Paris. This week’s complementary cocktail is the Pimm’s Cup, a traditional summer drink in Britain.
Vanessa Foley is a professional bird artist based in the North of England. She regularly shows her work in notable galleries in the UK and America, has work in private collections worldwide and is a member of 
An artist from Newcastle, England she is known for her intensely detailed graphite drawings and emotionally rich oil paintings. She has become a long-standing member of the Antler Gallery roster since we first exhibited her work four years ago.
In this stunning but sinister visual universe, beasts and birds are not mere aesthetic objects but dynamic actors in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of monkeys wreaks havoc on a formal dinner table; an American buffalo is surrounded by bloodied white wolves. In dazzling watercolor, the images impress as much for their impeccable realism as they do for their complex narratives.
Compelled to chronicle the life and world around her, Abigail Faye McBride paints with the heart of a poet. Her oil paintings and charcoal drawings bear witness to a time, person or passing glimmer of light. Abigail paints landscape, figure and still life working interchangeably with brush and palette knife. Collectors, nationally and internationally, appreciate the color, mood and elegance of her work.
Award winning artist, Jennifer McChristian, was born and raised in Montreal, Canada. From an early age, she knew she wanted to be an artist. Upon completing high school, McChristian began her art education at Dawson’s College in Montreal, Canada. In 1986, she and her family took permanent residency in California, where she earned a Bachelor of Fine Art Degree with Honors from Otis Art Institute in 1990.
In his paintings we see books on their own, or books in the company of people or other objects; small, lonely ziggurats of books, or a book beside a candle. That last juxtaposition is telling in the extreme. Vincent had a reverence for books. They were sacred ground. They have a kind of inner glow about them.
Intellicurious 