Filmed, Edited and Directed by: Jason Hatfiled
A film meant to transport you AWAY to the places you love or have yet to see. An aerial view of incredible landscapes through Colorado Wyoming Utah Arizona and Alaska.
Soundtrack: “Art of Silence” by Uniq
Monocle 24’s “The Stack” chats with Randy Kennedy, editor of ‘Ursula’, the beautiful print quarterly from Hauser & Wirth.‘Ursula’ is the quarterly art magazine featuring essays, profiles, interviews, original portfolios, and photography by some of the most thought-provoking writers and artists in the world, as reported by Artnet. ‘Ursula’ takes its name from the internationally admired co-founder of the gallery: patron, collector, mentor, and art world mater familias Ursula Hauser. Reflecting the inclusive values and broad perspective of the gallery she helped to establish in Zurich in 1992, ‘Ursula’ will showcase not only the work of artists and estates represented by Hauser & Wirth, but also a wide, adventurous swath of the international art world of the 20th and 21st centuries.
Filmed, Edited and Directed by: Stéphane Ridard
Voice : Liah O’Prey
Text : Martin Laugery
Music : Tiernan Piroué
Sound Mix : Noise Ark
Editing & Color Grading : Stéphane Ridard
With Rose Brasselet
“Are we still sleeping or have we woken up ?”
Shot in the Faroe Islands, « Føroyar » is a reflective journey exploring the human sense of wonder when traveling.
The Faroe Islands is a self-governing archipelago, part of the Kingdom of Denmark. It comprises 18 rocky, volcanic islands between Iceland and Norway in the North Atlantic Ocean, connected by road tunnels, ferries, causeways and bridges. Hikers and bird-watchers are drawn to the islands’ mountains, valleys and grassy heathland, and steep coastal cliffs that harbor thousands of seabirds.
When Ieoh Ming Pei, one of the most lauded architects of the past 50 years, was first asked to renovate The Louvre in Paris, his reaction was unequivocal: ‘You cannot touch the Louvre, it’s sacrilege.’
His solution was both revolutionary and simple — he built a glass pyramid in the centre of the forecourt that concealed a subterranean entrance way. Scorned at the time as a modernist intrusion on the 16th- and 17th-century building, the Pyramid is today celebrated as a statement of bold, high-tech futurism, and indicative of an architect who made his reputation by creating buildings at the intersection of art, history and culture.
Syndicated columnist Mark Shields and New York Times columnist David Brooks join Judy Woodruff to discuss the week in political news, including how Americans are holding up amid the public health and economic pain caused by the coronavirus pandemic, where leadership is emerging, the outlook for President Trump’s management of the crisis and the end of Sen. Bernie Sanders’ presidential campaign.
Soundtrack/theme music from the 1966 Silvio Narizzano film “Georgy Girl,” with Lynn Redgrave, James Mason, Alan Bates & Charlotte Rampling.
From Wallpaper.com:
As fashion designers have acclimatised to this new, four wall-defined way of life, from Beijing to Berlin, London to Longiano, we’ve invited those within our creative community to document by hand what they can see from their work desk or window. Here we present our rooms with a view.
From Manolo Blahnik to Margaret Howell, we’ve invited fashion designers to document by hand what they can see from their work desk or window, be it a view of a verdant garden landscape, or an urban snapshot of baroque architecture.
In Van Gogh Questions, our researcher Bregje Gerritse answers the most frequently asked questions about Vincent van Gogh.
From a Stanford Engineering article (April 8, 2020):
Companies that structure themselves as location-independent have developed norms and practices that bridge the emotional and logistical distances. The same is true for their workers. For such companies, remote-only work can reduce costs, expand the talent pool and boost productivity. By contrast, being forced by a crisis to work remotely is likely to be disruptive and frustrating. It may be better than shutting down, but it will likely lead to a big drop in productivity.
In the span of a single month, the COVID-19 pandemic has forced companies and organizations of all types to have almost all of their employees work remotely from home.
Has the future of work, the all-remote workforce and even the virtual organization, arrived in full force? Though online technologies have made remote work increasingly common, most companies and organizations are still run out of brick-and-mortar facilities. Now they are scrambling to stand up virtual workspaces overnight.
