In this week’s episode of “Cocktails with a Curator,” join Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon as he explores the royal provenance of two pieces of furniture at the Frick made by Jean-Henri Riesener. Sometimes overlooked by visitors, Xavier encourages us to take a closer look at this exquisite commode and secrétaire set. In celebration of these works of art and the upcoming Bastille Day, this week’s complementary cocktail is the Kir Royale.
From Christie’s (July 3, 2020):
It was the Impressionists, Claude Monet and Pierre-Auguste Renoir, who first discovered the artistic potential of the south coast, finding an unspoilt landscape that perfectly matched their aims. ‘It is so beautiful,’ Monet wrote, ‘so bright, so luminous. One swims in blue air and it is frightening.’
Vincent van Gogh captured the landscape in and around Arles and Saint-Rémy in the final years of his life, while the Master of Aix, Paul Cézanne, used the rugged landscape of his native Provence to radically reconceive the very nature of art-making.
Long before the South of France became synonymous with glamour and sun-drenched seduction — think of Cary Grant and Grace Kelly in the 1955 film To Catch a Thief, or Brigitte Bardot and Alain Delon on the beaches of Saint-Tropez — this corner of Europe attracted a very different kind of tourist.
Since the turn of the century, the sleepy fishing villages and remote towns of the Provençal hills had lured artists from Paris and beyond — the bright light, dazzling colours and palpable presence of the classical past all serving to inspire and revive jaded spirits.
In this week’s episode of “Cocktails with a Curator,” Xavier F. Salomon, Deputy Director and Peter Jay Sharp Chief Curator, examines one of the Frick’s most beloved paintings, Hans Holbein’s “Sir Thomas More.” Xavier considers More’s relationship to humanist circles and the role of “friendship portraits” in making the absent present. In the words of More’s devoted friend, Desiderius Erasmus, “life without a friend is no life.” As a nod to the turbulent times of Tudor England, Xavier pairs this episode with a Bloody Mary cocktail.
An architectural marvel has sat incomplete in a residential corner of Barcelona since its architect, Antoni Gaudí, died during construction in 1926. For decades, La Sagrada Familia has been an example of Christian fealty and Catalan ingenuity wrought in granite and sandstone; but little could anyone have guessed that ninety-four years after Gaudí’s death a Japanese sculptor would dedicate his life to completing the architect’s colossal work…
Between 13 December 1954 and 14 February 1955, Picasso painted a series of fifteen canvases based on Eugène Delacroix’s masterwork Les femmes d’Alger, each of which he assigned an identifying letter from A to O. Together, these paintings constitute Picasso’s single greatest achievement in the decades following the end of the Second World War. They represent his first comprehensive appropriation and thoroughgoing exploration of an important painting by an earlier artist, as well as the most focused analysis he had done since the war years of the female figure set within a specific spatial environment.
Picasso painted the present Femmes d’Alger, Version F on 17 January 1955, around the halfway point in the cycle. It is the culminating, most fully resolved canvas from the first phase of the series, when Picasso favored medium-sized formats for his protean explorations.
In this week’s episode of “Cocktails with a Curator,” join Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon as he considers the life of statesman Warren Hastings, who is depicted in a small watercolor from about 1791 by the prominent British artist George Stubbs. Explore the tumultuous career of Hastings, from his tenure as governor-general of India to a decade-long trial in Westminster Hall upon his return to England. This week’s complementary cocktail is a gin and tonic garnished with a slice of lime.
As a child, Marc Chagall would marvel at the traveling acrobatic troupes that passed through his Village. The animals, dancers and musicians of the circus seemed to conjure a distinct joy that would consistently manifest itself throughout the artist’s career. In this episode of Expert Voices, discover how Chagall was able to uniquely translate this fascination to canvas as Edith Eustis delves into the deep greens and brilliant reds of Marc Chagall’s Le Cirque Vert. Painted in 1973, this work captures the magical allure of the spectacle and incorporates many of the artist’s most iconic motifs. Le Cirque Vert will be offered as a highlight of Sotheby’s Impressionist & Modern Art Evening Sale in New York.
Marc Chagall (1887 – 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramic tapestries and fine art prints.
From the anatomical features of Da Vinci to the fractured features of modernist portraiture, the human head has reigned supreme in Art History. Enter Jean Michel Basquiat – the consummate draftsman for a new age. Discover how Basquiat revolutionized the genre and captured the manic core of the human condition through his masterwork Untitled (Head), 1982, to be offered as a highlight of Sotheby’s Contemporary Art Evening Auction in New York. Encapsulating the incredible dexterity that defines the very best of the artist’s works, and extraordinary for its use of India ink under the oilstick to lend depth and contrast to the composition, Untitled (Head) is a heroic depiction that reflects the explosive talent and brilliance of its author.
Jean-Michel Basquiat (December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992.
In this week’s episode of “Travels with a Curator,” travel with Xavier F. Salomon, Peter Jay Sharp Chief Curator, to Valenciennes, the birthplace of the Rococo painter Jean-Antoine Watteau. Delve into the historical events surrounding Watteau’s “Portal at Valenciennes” (ca. 1710–11), a scene of soldiers at rest near the ramparts of the town. Known for his depictions of garden frolics, Watteau seldom portrayed military life—“The Portal” is one of only three such paintings that survive today.
Valenciennes is a commune in the Nord department in northern France. It lies on the Scheldt river. Although the city and region experienced a steady population decline between 1975 and 1990, it has since rebounded.
