“I would never in my life crack under pressure,” the recently declared independent says. “Why would they think I’m going to do it?”Credit…Ashley Gilbertson/VII for The New York Times
What the Arizona senator’s breakup with the Democrats means for American politics.
Kyrsten Sinema was standing a few yards from the border wall with four Republican members of Congress. The men were staring balefully at a row of nearby portable toilets, wondering aloud if they could hold out for a proper bathroom on the way back to the airport.
Randi Weingarten, president of the American Federation of Teachers.Credit…Michal Chelbin for The New York Times
School closures and culture wars turned classrooms into battlegrounds — and made the head of one of the country’s largest teachers’ unions a lightning rod for criticism.
Detectives Art Walkley, left, and Karoline Keith and Sgt. Jeff Covello, crime-scene investigators for the Connecticut State Police.Credit…Elinor Carucci for The New York Times
The crime-scene investigators are the ones who document, and remember, the unimaginable. This is what they saw at Sandy Hook.
A niche group of consultants is trying to get you back to the office. It’s not going too well.
Being the boss doesn’t mean you get exactly what you wish for. That’s what Craig Knoblock discovered when he tried to get his employees to come back to the office in the fall of 2021.
Gig work has been silently taking over new industries, but not in the way many expected.
For most Americans, the concept of “gig work” has been synonymous with a handful of Silicon Valley giants — companies like Uber and DoorDash, Instacart and TaskRabbit. There was a moment in the 2010s when pundits told us to expect the “Uberization of everything”: a future in which the typical worker would move from job to job or task to task, finding either independence and flexibility in freelancing or, more realistically, the precarity of working for platforms that may be light on benefits and aggressively exploitative of labor.
The New York Times Magazine – April 9, 2023: In this issue, Jim Rutenberg on how giving its audience what it wanted pushed Fox into a $1.6 billion bind; Elisabeth Zerofsky on Poland’s new political realities due to the war in Ukraine; Lydia Kiesling on the TV show “Yellowjackets”; Meg Bernhard on an L.A. school where the pandemic never ended; and more.
Rupert Murdoch built an empire by giving viewers exactly what they wanted. But what they wanted — election lies and insurrection — put that empire (and the country) in peril.
CreditJustyna Mielnikiewicz for The New York Times
Long at odds with the E.U. over its domestic policies, the right-wing government is winning allies with its staunch defense of Ukraine. Which battle matters most?
Just like relationships between people, relationships between countries can all too easily be built on a foundation of unintentional misunderstandings, faulty assumptions and predigested truths. In her forthcoming, at times provocative and disquieting book, “The New China Playbook,” Keyu Jin, a professor at the London School of Economics and a board member at Credit Suisse, is trying to rework the foundation of what she sees as the West’s deeply flawed understanding of China’s economy, its economic ambitions and its attitude toward global competition.
Randi Schofield is the sole provider for an ailing father and, at the same time, for her own children — a situation now common among Americans in their 30s and 40s.
Oscar campaigns are often run by professional strategists, essentially a specialized breed of publicist. Their job begins as early as a year before the awards, sometimes before a film is even shot. They advise on which festival a film should premiere at, shape a campaign platform and hope that the film gains enough momentum to propel it into awards season.
Much of the cathedral’s restoration, projected to be completed in 2024, will address these large holes. They affect not just the structure of the building, but also something that cannot be seen: the acoustics. “Notre Dame has lost about 20 percent of its acoustics,” says Mylène Pardoen, who is the co-director of the acoustics team working on Notre Dame — under the aegis of the French Ministry of Culture and the Centre National de la Recherche Scientifique (C.N.R.S.), a research organization from whose ranks specialists have been drawn for the restoration. The holes caused a measurable decline in the glorious resonances that gave the building its unique sound.
A procedure called EVT is creating radically better outcomes for patients, but only when it’s performed quickly enough — and that requires the transformation of an entire system of care.
CreditNatalia Neuhaus for The New York Times
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