Plus: Hildegard Bechtler on the art of stage design, very fancy Victorian ice creams, the art market braces for stormy weather, a Madonna pregnant with meaning and a preview of Parcours des Mondes; reviews of Kafka in Oxford, the gardeners of the Bloomsbury Group, and the silversmith who struck gold for Tiffany & Co.
The Haitian-Canadian artist surrounds himself with unlikely objects to spark his imagination, books about drawing, and about 25 different types of tea
These timepieces are fluttering, chiming embodiments of how Britain and China traded with each other in the 18th and 19th centuries
At the Whitechapel Gallery, the French-Algerian unspools personal and political histories through imitation sets and empty stages
Plus: Slim pickings for foodies on Valentine’s Day, Parma’s monumental museum complex, and – and reviews of Impressionists on paper, experimental art in the Eastern bloc, and Africa and Byzantium at the Met
Three exhibitions in the Engadin Valley explore how the Swiss mountains have inspired some of the painter’s most playful work
The festive bird has often been served up by artists and writers including J.M.W. Turner and Charles Dickens
Among the art-gallery going public, is anyone still unaware that there have always been women artists, even before the 19th century? Perhaps a few still think that women first picked up their paintbrushes around the time they started campaigning for the vote. Certainly, the further back you go, the more surprising it may seem – given the limitations placed on women – that some were nonetheless able to build successful artistic careers. But beginning in earnest with the National Gallery’s blockbuster Artemisia Gentileschi exhibition of 2019, a flurry of shows has put the names of various Renaissance women in lights. Just this year, we have had ‘Lavinia Fontana: Trailblazer, Rule Breaker’ at the National Gallery of Ireland, ‘Mary Beale: Experimental Secrets’ at Dulwich Picture Gallery, ‘Artemisia Gentileschi: coraggio e passione’ at the Palazzo Ducale in Genoa, and ‘Sofonisba Anguissola: Portraitist of the Renaissance’ at the Rijksmuseum Twenthe in Enschede, to name only a few.
