Marie Hermann currently teaches at the School of the Art Institute of Chicago (SAIC).
A modern art pioneer, renowned Swiss painter Ferdinand Hodler (1853–1918) created works that range from vast symbolist compositions to intimate, realist portraits and nearly abstract landscape paintings. This exhibition of approximately sixty works, primarily on paper, will focus on the role of drawing in his practice, from quick compositional sketches to elaborate oil studies.
Most of the drawings Hodler produced were preparatory studies for his large-scale figure compositions; these offer a fascinating account of his working process, which involved technical experiments with imprints, tracing, and collages. A few of his portrait drawings will also be featured, including a poignant series in which he recorded the illness and death of his lover Valentine Godé-Darel.
These rarely seen drawings offer a compelling survey of Hodler’s singular contribution to early modernism.
24 Jun – 17 Sep 2023
Mexican artist Frida Kahlo is remembered for her self-portraits, pain and passion, and bold, vibrant colors. She is celebrated in Mexico for her attention to Mexican and indigenous culture and by feminists for her depiction of the female experience and form.
The show will feature work from across his career titled CUT & RUN: 25 years card labour! Stencils from 2008 until 2023 are on display at this historic event.
Correspondent Seth Doane explores the art and the mysteries of Banksy’s world, including the continued speculation about the artist’s true identity, a closely-held secret for decades.
Shara Hughes was born 1981 in Atlanta, Georgia. Lives and works in Brooklyn, New York. She earned a BFA from the Rhode Island School of Design and later attended the Skowhegan School of Painting and Sculpture.
She describes her lush, vibrantly chromatic images of hills, rivers, trees and shorelines, often framed by abstract patterning, as “invented landscapes.” Full of gestural effect, surface tactility and possessing a fairytale mood of reverie, these paintings, as the New Yorker described them, “use every trick in the book to seduce, but still manage to come off as guileless visions of not-so-far-away worlds.”
Bold, clashing colours and shifting perspectives manifest into dream-like landscapes that push and pull the eye across the canvas, challenging conventions of space. Rather than depicting true to life landscapes, Hughes invites us into a fantastical world offered as a portal for psychological discovery and reflection.
You can see fields in the distance and, in the center, a leafless tree with branches that twist and turn in an almost snakelike manner. The painting comes from a period in Hockney’s career when he created a series of plein air landscapes around his hometown.
The painting hangs in conversation with John Constable’s monumental View on the Stour Near Dedham (1822). While the two works were created more than 180 years apart, their inspiration comes from the same source—childhood surroundings—and they both convey a sense of place and nostalgia.
One of the most famous British artists of the 20th century, Hockney emerged as a major contributor to the 1960s pop art movement and has had a multifaced career as a painter, draftsman, printmaker, stage designer, and photographer. He is perhaps best known for his acrylic paintings of bright swimming pools, split-level homes, and suburban California landscapes.
In 2022, The Huntington acquired its first Hockney works: 17 works on paper that include an artist book, drawings, prints, photocollages, and watercolors. These works display an intimate side of Hockney—like the self-portrait of the artist in red suspenders, bent over a table and peering over his wire-rimmed glasses, paintbrush in hand. His blue eyes, gazing straight at the viewer, create an immediate intimacy.
1843 MAGAZINE – SUMMER STORIES 2023:
As rival candidates are lined up, the Tibetan spiritual leader tells Brook Larmer what he really thinks of China
Young soldiers have buoyed the country’s fight for freedom, but at great cost. Irena Long meets them in their jungle hideout
Criminals stole $2.5bn from Iraq’s largest state bank in broad daylight. Nicolas Pelham follows their trail
John Fielder has been capturing the beauty of Colorado for 40 years. From majestic sunrises over the Rockies to colorful Colorado wildflowers bordering alpine lakes, his photos portray Colorado in all its glory.
Now the 83-year-old is the subject of a retrospective at the Whitney Museum of American Art in New York City – the museum’s first retrospective ever of an Indigenous artist. Correspondent Serena Altschul reports on a moment that’s been described as long overdue.
Intellicurious 