Nov 15, 2020 — Jun 27, 2021:
Detroit designers have always led the way in car design. The futuristic concept cars, roaring muscle cars, and sleek racers designed in and around the city shape our ideas of what a car can be. Working on paper, in clay, and in metal, their ideas drive American car culture and inform the way we get around every day.
This exhibit organized by the Detroit Institute of Arts will highlight the artistry and influence of Detroit car designers working between 1950 and the present day. It will bring together 12 coupes and sedans designed across that 70-year period to highlight significant achievements in style and technology.
The 12 cars include unique examples of experimental show cars created for display and iconic production models sold to the mass market. Design drawings and photographs will allow you to imagine the creative and innovative processes that bring a vehicle from the drawing board to the street.
A selection of paintings and sculptures will highlight the conversation between the American art world and the car culture from the 1950s to the present day.
Between 13 December 1954 and 14 February 1955, Picasso painted a series of fifteen canvases based on Eugène Delacroix’s masterwork Les femmes d’Alger, each of which he assigned an identifying letter from A to O. Together, these paintings constitute Picasso’s single greatest achievement in the decades following the end of the Second World War. They represent his first comprehensive appropriation and thoroughgoing exploration of an important painting by an earlier artist, as well as the most focused analysis he had done since the war years of the female figure set within a specific spatial environment.
As a child, Marc Chagall would marvel at the traveling acrobatic troupes that passed through his Village. The animals, dancers and musicians of the circus seemed to conjure a distinct joy that would consistently manifest itself throughout the artist’s career. In this episode of Expert Voices, discover how Chagall was able to uniquely translate this fascination to canvas as Edith Eustis delves into the deep greens and brilliant reds of Marc Chagall’s Le Cirque Vert. Painted in 1973, this work captures the magical allure of the spectacle and incorporates many of the artist’s most iconic motifs. Le Cirque Vert will be offered as a highlight of Sotheby’s Impressionist & Modern Art Evening Sale in New York.
Valerie Hansen explores these early economic and cultural exchanges and their long-term impact in her new book “The Year 1000: When Explorers Connected the World―and Globalization Began”, which originated as a college course co-taught with Mary Miller, director of the Getty Research Institute. In this episode, Hansen and Miller discuss the state of the world around the year 1000.
From celebrated Yale professor Valerie Hansen, a groundbreaking work of history showing that bold explorations and daring trade missions connected all of the world’s great societies for the first time at the end of the first millennium.
Intellicurious 