Everything about Avon Court has a opulent yet whimsical air about it — from the large wrought iron entrance gates, to the mature Willow tree in the garden that leads down to a mooring on a private stretch of river.
Avon Court’s glorious setting on a bend of the Avon — with private frontage, a mooring beside a lovely willow and dipping opportunities through the bull rushes on hot days — is hard to beat.
Elton Hall, near Peterborough, is a house of many faces. It is formal and Classical on the approach, yet reveals on inspection a complex architectural history stretching back to the Middle Ages. All this with gardens that extend and frame it with a kind of painterly stillness. Inside, the house has one of the best private art collections in the East of England.
As it survives today, the house bears the stamp of important changes undertaken from 1857 by Granville Proby, the 3rd Earl of Carysfort, which is remarkable, given that he was 74 when he inherited the estate in 1855. He had grown up on the family’s Glenart estates in Co Wicklow, Ireland, fought at the Battles of the Nile and Trafalgar asa naval officer and later rose to the rank of Admiral. What inspired him to undertake this work is not now clear, but it may have been the poor condition of the building.
The architect he chose was Henry Ashton, a pupil of Smirke who served as an assistant to Sir Jeffry Wyatville from 1828 during the latter’s transformation of Windsor Castle (and who edited Wyatville’s posthumously published Illustrations Of Windsor Castle, 1841). It must have been through Windsor that Ashton caught the eye of the anglophile Willem II (Prince of Orange until 1840), who commissioned him, in 1838, to design a summer palace at the Hague. Nothing came of the project.
Yarner House and the adjoining Yarner Wood, a 365-acre block of ancient woodland managed by Natural England as part of the East Dartmoor National Nature Reserve, were both once part of the manor of Bovey Tracey granted by William the Conqueror to Geoffrey de Mowbray, Bishop of Coutances.
On de Mowbray’s death in 1093, his nephew, Robert Mowbray, Earl of Northumberland, inherited, but later defied the king, which led to the seizure of his estates in 1095.
Over time, ownership of the Bovey Tracey estates reverted to the Crown as favourites came and went, until, in the 16th century, a succession of costly wars left Tudor monarchs strapped for cash.
Elizabeth I began to sell off Crown properties and, in 1578, the Yarner estate was bought by Gregory Sprint, a canny lawyer with good Court connections, who swiftly resold it at a profit.
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Towering amongst the stunning parkland setting in the Surrey Hills Area of Natural Beauty is Albury Park Mansion, a magnificent estate that dates back a century — it’s mentioned in the Domesday Book — and which has had a great house at its heart since the early 17th century.
The house has evolved over the years, and as it stands now bears the fingerprints of one of the great 19th century architects, Augustus Pugin, who remodelled it for Henry Drummond in the 19th century.
St Paul’s Church, located within the estate grounds, was used as the setting for Four Weddings and a Funeral, during the famous wedding scene between Carrie, played by Andie MacDowell, and Hamish, Corin Redgrave. Episodes of the television series Midsomer Murders have also filmed in the house and grounds on the estate.
‘Clerkenwell was right outside the London city walls, but close enough to it, so was ideal for monasteries. With four or five in the area, people came to serve them, shops opened and you had quite a nice little village.’
A medieval well lies hidden inside a brick office block on Farringdon Lane. It may look a little more than a hole in the ground, but it’s from there that Clerkenwell came to life.
‘The parish clerks from the City of London would come to perform plays and read from the Bible and, because they gathered around this particular well, it became known as the well of the Clerks,’ explains Mark Aston, local-history manager for Islington Council, under which authority Clerkenwell falls. ‘It’s not only water that sprung from it, but Clerkenwell’s name itself.’
Within a few years of buying Urchfont Manor in 2013, Chris Legg and Eleanor Jones, with the help of a friend, landscape architect Paul Gazerwitz, had given their home a new vista that unites house and garden, as well as evoking the formal Baroque of the house’s late-17th-century past.
Their aim was to balance historical integrity with the development of a new garden. Continuity would be kept by preserving the garden’s bones, such as the walled garden and the fine trees beyond open lawn to the south and east. Work began on the rectangular walled kitchen garden.
The architecture on this side of the house is engagingly uneven and this is picked up in the new garden, which is neat and formal, but appropriately domestic in scale. The kitchen garden has been laid out afresh, with 16 rectangular patches divided by narrow gravel paths and with a square of four greengages in the centre. Crops are rotated and, every year, one bed celebrates an unusual plant, such as borlotti beans or root ginger. Elsewhere are nurtured asparagus and strawberry beds and a fruit cage with raspberries and gooseberries.
Much of the building as it stands today was completed in 1805 by Edmund Glynn, son of American Independence supporter John Glynn, but its history is much older.
The manor was mentioned in the Domesday Book and was later home to distinguished personages such as Henry II’s Justiciar, Richard de Lucy, and perhaps most extraordinary of all the Earl of Warwick, ‘the Kingmaker’.
In the 18th century, the estate belonged to Waterloo hero Sir Hussey Vivian and, in the 1960s, to Nobel-prize winning chemist Peter Mitchell.
There are about 140 windmills left in the UK today — of these, about 40 still work. By comparison, explains Mildred Cookson, chair of the Society for the Protection of Ancient Buildings (SPAB)’s mills section, there were more than 1,000 in the 1890s.
They tend to take one of two styles: the brick-built tower mill, where only the cap rotates, or the wooden post mill, which fully rotates around a vertical post and dates to about 1185, when one was built at Weedly, East Yorkshire.
Some are more famous than others. John Constable painted the mill at Petworth, West Sussex, and, in Buckinghamshire, Cobstone features as the home of Caractacus Potts in the 1968 film adaptation of Ian Fleming’s Chitty Chitty Bang Bang. In the BBC’s mystery crime series Jonathan Creek, starring Alan Davies, it’s King’s Mill in Shipley, West Sussex, that steals the show.
Situated just outside of the former fishing town of Lochgilphead in West Scotland, and close to the neighbouring Ardrishaig (which is renowned for sailing and watersports) sits The Old School House.
Located just back from the road and leading directly down onto Loch Fyne, the traditionally charming property, which was once — unbelievably — a school house, has, in recent years undergone renovation work. The result is a lovely home in an unbeatable location.
These 18 rugged spikes of basalt half way between Shetland and Iceland are windy, wet and wild. The crew shooting aerial scenes for the upcoming James Bond film, No Time to Die (out September 30) had to bring in a small helicopter on the ferry from Denmark to film the sheer cliffs surrounding the deep road tunnels that link the four tiny villages on the island of Kalsoy (total population: 70).
In reality the Faroese are probably the people least likely to ever harbour a Bond villain—a tight-knit community of just 52,000 where most people can still name a common ancestor. Getting there is easier than many imagine, with twice weekly flights from Edinburgh (with Atlantic Airways) or twice daily from Copenhagen.
