A linear red-brick wall obscures the textured interiors and art-filled courtyard hidden inside McLean Quinlan’s low-rise Passivhaus home in Devon, UK. The energy-efficient dwelling, aptly named Devon Passivhaus, nestles into a sloped walled garden that was once owned by an old English country house that fell into a state of disrepair.
The overall design is simple and clean. An elegant brick front complements the brickwork of the old garden wall and a discrete front door opening references the gate in the garden wall. Further down, an oriel window breaks through, hinting at what is behind. Elsewhere, external surfaces are dark render, designed to recede visually in deference to the surrounding garden.
Tucked within, the house has a glass roofed courtyard at its centre, a winter garden flooding light into the interior. Spaces are arranged around this central core so the building functions both as a home and a gallery for our clients, great collectors of pottery and art, with spaces to display and curate.
Comfortable and serene interior spaces are punctuated with tactile and textured materials: reclaimed terracotta, rough sawn oak and clay plaster, to ensure that internally the building feels connected to the garden that inspired it.
It was ruin to the bone. All that was left of the original house was a brick envelope with a roof. Together with the building owners, we asked ourselves whether the house had a place to return to. Any attempt at a traditional repair would mean losing the original character of the ruin. Relatively soon, therefore, we rejected a speculative reconstruction of the original state, as well as any other imitations. We proposed to fix the current state of the romantic ruins and enter the house anew. House to house, house inside a ruin.
Whether snow-capped, rocky, or covered with verdant forest, the sublime wilderness of mountains has inspired humans for millennia. Offering respite from urban living and a profound connection to nature, mountain landscapes also present unique challenges that have resulted in innovative, resourceful, and beautiful residential architecture. Living in the Mountains is the definitive global tour, showcasing the finest examples of architect-designed homes, whether furnished with impressive views, offering protection from harsh environments, or simply reveling in their extraordinary altitude.
Chipping Campden is a town charmed by limestone. Its walls dance by the light of the dying day… Chipping Campden’s High Street is best viewed from the covered market of 1627, looking up towards the church tower. The houses are of a creamy local limestone. Walls are offset by grey-brown roof tiles and white woodwork, fronted by foxgloves, hydrangeas and a skirt of lawn.’
The first residential units on Roatán Próspera are a case study in local sustainability and global integration. Combining the most advanced modular construction techniques with sustainably-sourced local materials, the design and planning for the first dwellings in Próspera is a tangible example of the dramatic shift in development methodologies taking place around the world. 
The brief: A bed amidst the trees; a shower amongst the rocks, the site sits in a nature conservation in rural South Africa; where trees and shrubs and rocks create the architectural backdrop for any home.
